[This commentary was written more than ten years ago. I just went to this reviewer’s website to make sure the quote below was accurate, and everything you need to see is still up and as misguided as ever.]
I will ask the question again: Is This a Well-Engineered Album?
How on Earth could anyone possibly know such a thing?
Some background. Years ago our first ever Hot Stamper shootout for Songs in the Key of Life had us enthusiastically singing its praises:
HOT STAMPERS DISCOVERED for one of the funkiest and most consistent double albums of all time! It’s beyond difficult to find great sounding Stevie Wonder vinyl, but here’s a copy that proves it’s possible if you try hard enough. So many copies are terrible in so many different ways — we should know, we played them. And just to be clear, this copy is far from perfect as well, but it did more things right in more places than we ever expected it would or could. And that means it showed us a great sounding Stevie Wonder record we never knew existed.
But a noted reviewer says it’s a bad recording. Does he know something we don’t?
Not exactly. The fact is he doesn’t know something we do, something he, like anybody else, could have found out had he simply done his homework. (We call them shootouts, but homework is certainly a serviceable and in some ways even more accurate description: it’s work and you do it at home.)
All it takes is one good copy to falsify the assertion this fellow makes. We in fact found more than one. But I’m quite sure we do things very differently at Better Records than they do at any reviewer’s digs.(more…)
With two outstanding Double Plus (A++) sides, this is an all around killer pressing – exceptionally quiet vinyl too
One of the funkiest audiophile-quality discs money can buy, but you need a copy that sounds as good as this one to make that case
The key qualities are richness, warmth, Tubey Magic, and clarity, and here you will find a healthy dose of all four
“Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early ’70s and produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, and what looked to be the failure of the ’60s dream — all set within a collection of charts as funky and catchy as any he’d written before.”
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Stevie Wonder singing live in your listening room. The best copies have an uncanny way of doing just that.(more…)
This outstanding copy of Stevie Wonder’s epic double album boasts solid Double Plus (A++) sound or BETTER throughout – exceptionally quiet vinyl too
Here you will find Tubey Magical Richness, as well as the kind of immediacy and transparency that few copies have – all qualities essential to getting the best sound from Stevie’s Magnum Opus
A true musical genius (according to Eddie Murphy) here joins forces with other legends including Herbie Hancock, George Benson, and Deniece Williams
5 stars: “…Stevie Wonder’s longest, most ambitious collection of songs… that — just as the title promised — touched on nearly every issue under the sun, and did it all with ambitious (even for him), wide-ranging arrangements and some of the best performances of Wonder’s career. “
Double albums are usually very tedious work for us, but this one had us smiling and tapping our feet all the way through to the end of the last side. I’m sure you don’t need a rundown of why this is such a great album, but the 5 star AMG review is an excellent read for those who want to be reminded. (Click on the tab above.)(more…)
A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
4 1/2 stars: “Wonder naysayed the trends and continues to do what he did best. Solid songwriting, musicianship, and production are evident in the majority of Hotter Than July… It is the portrait of an artist who still had the Midas touch…”
*CONDITION NOTES: On side two, the last 2-3 seconds of Track 5, Happy Birthday, are somewhat crackly.
Most copies lack the presence, energy and bottom end weight to let these funky songs work their magic, but a copy like this will let you appreciate the music without the mediocre sonics of the average pressing getting in the way.
This album was recorded right at the beginning of the digital era (1980) and most pressings won’t let you forget that. So many copies we played were just too sterile to get into — clean and clear bit lacking richness and fullness. We’re huge Stevie Wonder fans around here and we’ve fallen in love with Innervisions and Songs In The Key Of Life over and over again because of their lush, analog sound on the best pressings. It took a ton of work (and a whole lot of copies) to find a Hotter Than July that we could get excited about. I don’t think there’s a copy out there that can compete with his earlier recordings sonically but at least the Hot Stamper pressings present the music in a way that audiophiles can enjoy.(more…)
The Woman In Red finally makes its Hot Stamper debut here with a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two – fairly quiet vinyl too
Surprisingly good sound, perhaps the best sound Stevie Wonder got after about 1976 – we were shocked as you no doubt are
A superb collection, including I Just Called To Say I Love You and Love Light in Flight
“An ingenious jump from his trademark, spectacular, blend of Funk, R&B and Soul,contaminated with Pop, Disco, Gospel and Reggae, to a brand new Synthpop/Pop-soul sound that characterizes his ’80s works.”
This pressing of the classic 1974 album from Stevie Wonder boasts Shootout Winning Triple Plus (A++) sound on both sides and plays about as quietly as any early pressing ever will
Finding the right balance between Tubey Magical Richness and Transparency is the trick, and we think this copy strikes that balance as well as any pressing we’ve heard
Boogie On Reggae Woman and You Haven’t Done Nothing were the big hits but the other tracks on the album are where the real Stevie Wonder MAGIC can be found
4 1/2 stars [but we give it 5]: “The songs and arrangements are the warmest since Talking Book, and Stevie positively caresses his vocals on this set, encompassing the vagaries of love, from dreaming of it (“Creepin'”) to being bashful of it (“Too Shy to Say”) to knowing when it’s over (“It Ain’t No Use”).”
We’re big fans of Stevie here at Better Records, but it’s always a challenge to find good sound for his albums. Tons of great songs here, including the ones everybody knows, Boogie On Reggae Woman and You Haven’t Done Nothing. Both sound WONDERFUL on this pressing.
For the first time in my life, over the course of the last five years or so I’ve really gotten to know the album well, having found a CD at a local store to play in the car (and now I also have a cassette to play in my Walkman while working out).
I’ve listened to Fulfillingness’ First Finale scores of times. I now see that it is some of the best work Stevie Wonder ever did, right up there with Innervisions and ahead of any other Stevie Wonder album, including Talking Book and Songs in the Key of Life.
The best songs on the album to my mind are the quieter, more heartfelt and emotional ones, not the rockers or funky workouts. My personal favorites on side one are: Smile Please. Heaven Is 10 Zillion Light Years Away, Too Shy to Say and Creepin’, which, as I’m sure you’ve noticed, are all the songs that weren’t hits.
On side two the two slowest songs are the ones I now like best: It Ain’t No Use & They Won’t Go When I Go (famously and brilliantly covered by George Michael on Listen Without Prejudice Vol. 1 in 1990).(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
I also my humble apologies for ordering one LP at a time, it started with that (insanely good by the way) 4-star pressing of my wife’s favorite Stevie Wonder record, then, I have been waiting for a solid B-52 pressing for years now, so I had to grab it and just today, I noticed the Bee Gees… just glad nobody snatched it before me, seriously, this is the HARDEST Bee Gees record to get in any condition at all !!
I am still amazed by the negativity I read sometimes about your records and prices… we talked about it before but, for god’s sake, nobody is forced to buy anything. Plus, you have very fair prices for hot stampers that are great pressings of the best records, if the luxury items are not your cup of tea.
Still keeping my eyes open for a 4-star (or maybe 5 stars 😉 Hunky Dory one day. Would not mind a similar grade for a copy of Southern Accent too !!
My reply in part:
The ignorance of the audiophile community is really something to behold. I guess I can’t complain, I held many of the same silly ideas about Heavy Vinyl up until about 2000, so give them another twenty years and
maybe they will catch on.
But of course they won’t because I had to work very hard for the last twenty years to get where I am now and most audiophiles don’t want seem to want to do much work at all! (more…)
With outstanding Double Plus (A++) sound on both sides, this is the way Talking Book is supposed to sound
Richer, warmer, more natural, more relaxed, this is what vintage analog is all about, that smooth sound that never calls attention to itself and just lets the music flow
So many great songs: You Are the Sunshine of My Life, Tuesday Heartbreak, You’ve Got It Bad Girl, Superstition, etc.
5 Stars: “What had been hinted at on the intriguing project Music of My Mind was here focused into a laser beam of tight songwriting, warm electronic arrangements, and ebullient performances — altogether the most realistic vision of musical personality ever put to wax…”
Those of you who are familiar with this record will not be surprised to learn that these shootouts are TOUGH. Very few copies are any better than mediocre.
This copy is more dynamic, open and transparent than most pressings BY FAR. There’s ton of space around all of the instruments, the bass is big and punchy and the vocals are present, warm and tonally right on the money.(more…)