Reviews and Commentaries for the Music of Spirit
Hot Stamper Pressings of Psychedelic Rock Recordings Available Now
This is a review from our first shootout, 2013. I had been playing the album since 1968, but by 2013, a mere 45 years later, we had the cleaning technologies and the stereo system to finally get the album to sound right, to us anyway.
This is, for the millionith time, what progress in audio
in all about. As your stereo improves, some records should get better, some should get worse. It’s the nature of the beast for those of us who constantly make improvements to our playback and critically listen to records all day.
We get asked about this classic album a lot, but until recently we were not convinced that we’d ever be able to find a great sounding copy. We built up a huge stack of copies and finally took the plunge; I am pleased to report that even though you’ll never hear a copy of this album that screams “Demo Disc”, you can certainly find ones that communicate the music well if you clean and play enough of ’em.
This is a record I grew up with and like to think I know well. I’m a big fan of the band. I have almost never heard this record sound good at all, which is why you’ve never seen a Hot copy on the site. We’ve finally managed to find a few good copies — it wasn’t easy.
The sound isn’t too dissimilar from what you get on a good Jefferson Airplane record. It’s crazy psychedelic ’60s music with a LOT going on, and I’m guessing it was pretty hard to get the raw power of this band onto tape.
Side one rates A++ to A+++ and side two is close behind at A++. A copy with grades like these gives you bigger, fuller, more open sound as well as more energy and presence.
Importantly, there’s more separation between the various instruments here, a feature that really allows you to make sense of the music and appreciate everything that’s going on. This copy is more open and transparent than the typical pressing by a mile.
The first track on side two is a step down from the rest sonically, I’m afraid.
And there are times on the album where you can hear some grit and distortion, but trust us — that’s on the tape, and any steps taken after the fact to remove it would rob the instruments of their natural texture.
We all enjoy rich, smooth sound, but it’s not worth losing musical information. This record may not sound perfect, but it sounded right to our ears, and most copies just plain don’t. (more…)