Records that Sound Best on the Right Reissue Pressing

The Beatles / With The Beatles – These Are the Stampers to Avoid

More of The Beatles

More Stamper and Pressing Information, Gratis

Reviews and Commentaries for With the Beatles

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In our experience, the stereo pressings with -2/-2 stampers are terrible sounding. We do not have any on hand, but we doubt that -1/-1 — the original, the first, the one approved by George Martin himself! — is any better. 

With -2 stampers this is a Hall of Shame pressing, as well as another early LP reviewed and found wanting.

We’ve auditioned countless pressings like this one in the 33 years we’ve been in business — buying, cleaning and playing them by the thousands. This is how we find the best sounding vinyl pressings ever made.

Not the ones that should sound the best. The ones that actually do sound the best.

If you’re an audiophile looking for top quality sound on vintage vinyl, we’d be happy to send you the Hot Stamper pressing guaranteed to beat anything and everything you’ve heard, especially if you have any pressing marketed as suitable for an audiophile. Those, with very few exceptions, are the worst.

And if we can’t beat whatever LP you own or have heard, you get your money back.  It’s as simple as that.

That Old Canard

The early pressings are consistently grittier, edgier and more crude than the later pressings we played. So much for that old canard “original is better”. When it comes to With The Beatles it just ain’t so, and it doesn’t take a state of the art system or a pair of golden ears to hear it.

The audiophile community seems not to have caught on to the faults of the early Beatles pressings, but we here at Better Records are doing our best to correct their all-too-common misperceptions, one Hot Stamper pressing at a time.

It may be a lot of work, but we don’t mind — we love The Beatles! We want to find the best sounding copies of ALL their records, and there is simply no other way to do it than to play them by the dozens. (more…)

Bill Evans – Conception

More Bill Evans

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  • A KILLER copy of Conception with Shootout Winning Triple Plus (A+++) sound or very close to it on all FOUR sides – fairly quiet vinyl too
  • You’d be hard-pressed to find a copy that’s this well balanced, big and lively, with wonderful clarity in the mids and highs
  • 4 stars: “Even in 1956, Evans had his own chord voicings and a lyrical yet swinging style… A strong start to a significant career.”
  • “In addition, there is a full album of previously unreleased music: an alternate take of “No Cover, No Minimum,” an unaccompanied version of “Some Other Time” from 1958 and four solo pieces that Evans cut in 1962, his first recordings after the tragic death of his bassist Scott LaFaro.”

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Thelonious Monk – The Riverside Trios

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  • This Milestone 2 LP set has outstanding Double Plus (A++) sound or BETTER on all four sides
  • We know of no better way to hear these legendary mono recordings – these are by far the best sounding pressings of both these albums we’ve yet to play
  • 4 1/2 stars: “When Thelonious Monk first signed with Riverside Records in 1955, producer Orrin Keepnews thought that it would be a good idea for the unrecognized giant to record an album of Duke Ellington compositions and follow it up with a set of standards so as to discount his eccentric and forbidding image. The results were quite satisfying, trio performances that made Monk’s playing seem more accessible to the regular jazz audience without watering down his style.”

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Tchaikovsky / 1812 – A Must Own Performance by Alwyn on Decca

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Reviews and Commentaries for the 1812 Overture

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Years ago we found a very special copy of this album in a shootout and gave it a grade of A++++. We don’t give out that grade anymore, but we gave it out to this side one back in the day. We describe what let this copy earn that grade below.

A BEYOND White Hot Quadruple Plus side one – hear Tchaikovsky’s 1812 in Demo Disc sound. This is the most exciting and beautifully played 1812 we know of, with the best sound ever to boot on this copy. This is an exceptional Decca remastering of a superb Golden Age recording on very good vinyl.

The WHOMP FACTOR on this side one has to be heard to be believed. If you’ve got the woofers for it this record is going to rock your world!

Side One (1812 Overture)

Off the charts, the best we have ever heard this work sound. Big, rich, clean and clear barely begins to do this side justice. The strings are wonderfully textured and not screechy in the slightest.

The brass is big and clear and weighty, just the way it should be, as that is precisely the sound you hear in the concert hall, especially that part about being clear: live music is more than anything else completely clear. We should all strive for that sound in our reproduction of orchestral music.

Not many recordings capture the brass this well. (Ansermet on London comes to mind of course but many of his performances leave much to be desired. Here Alwyn is on top of his game with performances that are definitive.)

Here’s what you get on this side one:

The most dynamic sound we have ever heard for any side of this album.

The most weight and power we have ever heard for the 1812, and as you can imagine, for this work to have the kind of power this pressing has was nothing less than a THRILL to hear. Who knew? Until we played this copy, not us!

The most depth and space we have ever heard on this album.

To earn our coveted Three Plus (OR BETTER) rating here at Better Records all you have to do is be the best copy we’ve ever played. Just be right in every way (or almost every way; no record can be perfect, but some, such as this one, seem to us to get pretty darn close). (more…)

John Coltrane and Johnny Hartman

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  • An outstanding copy of this classic Jazz Vocal album, with superb Double Plus (A++) sound or close to it from start to finish – exceptionally quiet vinyl too
  • The sound is huge and spacious with richness and Tubey Magic like nothing you’ve heard
  • I defy you to find a Male Vocal record produced in the last thirty years that can hold a candle to this one, sonically or musically
  • A wonderful collaboration between a horn player and a singer, perhaps the greatest one of all time
  • 5 stars: “John Coltrane’s matchup with singer Johnny Hartman works extremely well. Hartman was in prime form on the six ballads, and his versions of ‘Lush Life’ and ‘My One and Only Love’ have never been topped. Classic, essential for all jazz collections”

This could very well be the greatest collaboration between a horn player and a singer in the history of music. I honestly cannot think of another to rank with it. Ella and Louis has the same feel — two giants who work together so sympathetically it’s close to magic, producing definitive performances of enduring standards that have not been equaled in the fifty plus years since they were recorded. And, on the better copies, or should we say the better sides of the better copies, RVG’s sound is stunning. (His mastering, not so much.)

Hats off to Rudy Van Gelder! Here’s an album that justifies his reputation. Not all of them, you know, or should know, but try telling that to the average jazz-loving audiophile. (more…)

Reissues that Sound Better than the Originals? We Have More than 40 in Stock!

Jethro Tull – This Was – Super Hot Stamper

Bill Evans – Everybody Digs Bill Evans

More Bill Evans

More Jazz Piano Recordings

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  • This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • Some of you may have discovered that the original Bill Evans records on Riverside are mostly awful sounding — I can’t recall ever hearing one sound better than mediocre — so we are not the least bit worried that this Hot Stamper pressing won’t beat the pants off of the original, any reissue you may have, and of course the (no doubt awful) Analogue Productions 45
  • “With the unmatched pair of former Miles Davis drummer Philly Joe Jones and bassist Sam Jones (no relation), Evans was emerging not only as an ultra-sensitive player, but as an interpreter of standards second to none.”

The cover has a cut corner, but is otherwise very nice.

These three guys — Sam Jones is on the bass and Philly Joe Jones on the drums — are playing live in the studio and you can really feel their presence on every track — assuming you have a copy that sounds like this one. (more…)

Led Zeppelin – Led Zeppelin III

More Led Zeppelin

Letters and Commentaries for Led Zeppelin III

  • Outstanding sound throughout with each side earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
  • Huge, Tubey Magical and lively, with solid weight down low and lots of space around all the instruments, this copy is guaranteed to rock like nothing you have ever heard
  • Since I’ve Been Loving You, Gallows Pole, Tangerine and That’s the Way are just a few of the tracks that have truly Demo Disc sound
  • “On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra depth.”

Drop the needle on Since I’ve Been Loving You and turn it up good and loud. Robert Plant will be right there between your speakers, and your jaw will be on the floor!

Cue up Tangerine on side two for a taste of rich, sweet, Tubey Magical Analog Sound. The acoustic guitars are lush and delicate, the bass is deep and well-defined, and the vocals are completely natural and free from bad mastering or phony EQ. (more…)

The Three / Self-Titled (45 RPM)

More Shelly Manne

More Jazz Recordings Featuring the Piano

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  • You’ll find Demo Disc Quality Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
  • The transients are uncannily lifelike – listen for the huge amounts of kinetic energy produced when Shelly whacks the hell out of his cymbals
  • My favorite Piano Trio Jazz Album of All Time; every one of those six tracks is brilliantly arranged and performed (if you have the right takes of course; more about that later)
  • 4 stars: “One of Joe Sample’s finest sessions as a leader” – with Shelly Manne and Ray Brown, we would say it’s clearly his finest session, as a leader or simply as the piano player in a killer trio

If you want to hear the full six tunes recorded by The Three at that famous Hollywood session (which ran all day and long into the night, 4 AM to be exact), these 45 RPM pressings are the best way to go. The music is so good that I personally would not want to live without the complete album. The Three is, in fact, my favorite Piano Trio Jazz Album of All Time; every one of those six tracks is brilliantly arranged and performed (if you have the right takes of course; more about that later). (more…)

Jimi Hendrix – Are You Experienced

More Jimi Hendrix

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  • This one will blow you away with a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two — exceptionally quiet vinyl too
  • The sound is dramatically bigger, cleaner, livelier and more present than you’ll hear on any other copy
  • Stunning sound for Purple Haze, Hey Joe, The Wind Cries Mary, Fire and Foxy Lady
  • No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this import
  • 5 stars: “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.”

It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES! (more…)