Here is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage.
It’s also proof positive that Decca’s choice of Kingsway Hall as a recording venue was a good one. The full range of colors of the orchestra are here presented with remarkable clarity, dynamic contrast, spaciousness, sweetness, and timbral accuracy.
If you want to demonstrate to a novice listener why modern recordings are so consistently unsatisfactory, all you have to do is play this record for them. No CD and no Heavy Vinyl pressing ever sounded like this in our experience.
The richness of the strings, a signature sound for Decca in the Fifties and Sixties, is on display here for fans of the classical Golden Age. It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl).
It may be a lost art, but as long as we have these wonderful vintage pressings to play, it’s an art that is not lost on us. I don’t think the Decca engineers could have recorded this music much better than they dhave here — it has all the orchestral magic one could ask for, as well as the clarity and presence that are missing from so many other vintage Golden Age records.