_Composers – Shostakovich

Eric Rodgers’ Slaughter on Tenth Avenue – How is this title not on the TAS List?

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This copy was so good on side two it almost left me speechless. How is this title not on the TAS List?

Why is it not one of the most sought-after recordings in the RCA canon? Beats the hell out of me.

But wait just one minute. Until a month ago [now years ago] I surely had no idea how good this record could sound, so how can I criticize others for not appreciating a record I had never taken the time to appreciate myself?

Which more than anything else prompts the question — why is no one exploring, discovering and then bringing to light the exceptional qualities of these wonderful vintage recordings (besides your humble writer of course)?

HP has passed on. Who today is fit to carry his mantle into the coming world of audio? Looking around I find very few prospects. None in fact. But then again, I’m not looking very hard. I could care less what any of these people have to say about the sound quality of the records they play. They all seem to like records that don’t sound very good to us, so why put any faith in their reviews for other records?

Reviewer malpractice? We’ve been writing about it for more than 25 years.

But I digress. (more…)

Shostakovich – The Age of Gold – Another Mediocre Classic Records Pressing

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Sonic Grade: D

Another Classic Records classical title reviewed and found wanting.

It’s been quite a while since I played the Classic pressing, but I remember it as fairly typical of their mediocre-at-best catalog, tonally fine but low-rez and lacking space, warmth and above all Tubey Magic.

I don’t think I’ve ever played an original or a VICS reissue that didn’t sound better, and that means that the best grade to give Classic’s pressing is probably a D: below average.

Rodgers – Slaughter on Tenth Avenue with Arthur Fiedler in Living Stereo

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This record is so good on side two it almost left me speechless. How is this title not on the TAS List? Why is it not one of the most sought-after recordings in the RCA canon?

Beats the hell out of me. But wait just one minute. Until a month ago I surely had no idea how good this record could sound, so how can I criticize others for not appreciating a record I had never taken the time to appreciate myself?

Which more than anything else simply begs the question — why is no one exploring, discovering and then elucidating for the record loving public the wonderful qualities of these vintage recordings (besides your humble writer of course)?

HP has passed on; who is fit to carry his mantle into the coming world of audio? Looking around I find very few prospects.

But I digress.

Side Two

White Hot and simply amazing on every level. Rich, clear, undistorted, open, spacious, with depth and transparency like few recordings you may have heard, the music flows from the speakers effortlessly. You are there.

The loudest brass and string sections of the music are never brash or shrill, something that no other side could manage.

Side One

My notes read: The Big Living Stereo Sound, and man is it ever! The players are arrayed on a huge stage, with transparency that lets you hear all the way to the back of the hall.

This record will have you asking why so few Living Stereo pressings actually do what this one does. The more critical listener will recognize that this is a very special copy indeed. Everyone else will just enjoy the hell out of it. (more…)

Shostakovich – Symphonies No. 6 & 11 – Berglund

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SLS 5177 EMI Large Dog Label LP with powerful bass — a very dynamic copy! TAS List of course. The strings are immediate, perhaps a little hot, but that’s Shostakovich for you. It’s probably in the scoring.

Shostakovich & Ravel / Piano Concerto No. 2 & more / Bernstein – Reviewed in 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Super Hot Stamper or BETTER sound for the Shostakovich Piano Concerto No.2, which is positively SUPERB on this later Columbia pressing. It’s shockingly transparent, rich and sweet, with wonderful depth and clarity. Where is the shrill, upper-midrangy, glary, hard sound we’ve come to expect from ’60s Columbia recordings like this one?

Well, dear reader, I’ll tell you. Right here on this very side two, the Ravel side. It’s typical Columbia from the period, with nasally, pinched upper-mids, the kind which make the strings and brass screech and blare at you in the worst way.

If Columbia’s goal was to drive the audiophile music lover screaming from the room, on this side two they have succeeded brilliantly. On side one they’ve failed; it sounds great! (more…)

Shostakovich / Sym. No.1 / Age of Gold Suite / Martinon

More Dmitri Shostakovich (1906-1975)

Sym. No.1 / Age of Gold Suite / Martinon

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Triple Plus on side one for the Symphony No. 1 – the sound is extraordinarily big, lively, clear and above all Tubey Magical. Side two is nearly as good, with all the same attributes, as rightly befits a true Golden Age Classic from 1959. Recorded in KINGSWAY HALL with the London Symphony, this Decca licensed title has orchestral sound to rival the best you’ve heard.

Both sides of this wonderful pressing are simply phenomenally good sounding, with size and scope the likes of which you rarely hear on record. (more…)