- This outstanding copy of Tusk boasts solid Double Plus (A+) sound or BETTER on all FOUR sides – exceptionally quiet vinyl too
- The best sounding tracks are killer here – clear, rich, warm, full-bodied, with all the hallmarks of high-production-value analog throughout
- This vintage pressing has the MIDRANGE MAGIC that’s surely missing from whatever 180g reissue has been made from the 40 year old tapes (or, to be clear, a modern digital master copy of those tapes)
- 5 stars: “McVie and Nicks don’t deviate from their established soft rock and folk-rock templates, and all their songs are first-rate… Because of its ambitions, Tusk failed to replicate the success of its two predecessors, yet it earned a dedicated cult audience of fans of twisted, melodic pop.”
- A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
- Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
- 4 1/2 stars: “Wonder naysayed the trends and continues to do what he did best. Solid songwriting, musicianship, and production are evident in the majority of Hotter Than July… It is the portrait of an artist who still had the Midas touch…”
*CONDITION NOTES: On side two, the last 2-3 seconds of Track 5, Happy Birthday, are somewhat crackly.
Most copies lack the presence, energy and bottom end weight to let these funky songs work their magic, but a copy like this will let you appreciate the music without the mediocre sonics of the average pressing getting in the way.
This album was recorded right at the beginning of the digital era (1980) and most pressings won’t let you forget that. So many copies we played were just too sterile to get into — clean and clear bit lacking richness and fullness. We’re huge Stevie Wonder fans around here and we’ve fallen in love with Innervisions and Songs In The Key Of Life over and over again because of their lush, analog sound on the best pressings. It took a ton of work (and a whole lot of copies) to find a Hotter Than July that we could get excited about. I don’t think there’s a copy out there that can compete with his earlier recordings sonically but at least the Hot Stamper pressings present the music in a way that audiophiles can enjoy. (more…)
This IMMACULATE Telarc Double LP with Virtually No Sign Of Play is one of the greatest audiophile records of all time and Telarc’s greatest recording! No recording gets more realism with this work … depth, dynamics, colors & performance!
Why don’t more of their recordings sound like this? Telarc is not a label I would normally associate with good sound but you have to give them credit here: they knocked this one out the park. They have made good records in the past — this one is proof enough, and some of the Fennel titles are quite good — but most of their catalog leaves much to be desired and is hard to recommend. (more…)
- A stunning copy of Security with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
- One of the most important records in the Peter Gabriel canon, original and influential on so many levels
- With the benefit of today’s technology, on a copy this good you hear into the soundfield in a way never possible before, picking out all the drummers and counting all the layers of multi-tracked choruses
- “Security remains a powerful listen, one of the better records in Gabriel’s catalog, proving that he is becoming a master of tone, style, and substance…”
Man does this album sound better than I remember it from back in the ’80s when I first played it. Stereos have come a long way since then, along with a host of other things that help records sound better, such as cleaning fluids, room treatments and all the rest. Now you can really hear INTO the soundfield in a way that simply was never possible before, picking out all the drummers and counting all the layers of PG’s multi-tracked choruses. On the best pressings, both sides are huge, and the music jumps out of the speakers. The balance is perfection. (more…)
- A MONSTER pressing that simply cannot be beat – all four sides (well, almost) earned our highest sonic grade of Triple Plus (A+++)
- Staggering Demo Disc Quality sound on the more highly produced tracks, of which there are plenty spread across these two discs
- The power of the bottom end is especially impressive on all the sides (and John McVie kills it on bass as usual)
- 5 stars: “Because of its ambitions, Tusk failed to replicate the success of its two predecessors … yet it earned a dedicated cult audience of fans of twisted, melodic pop.” Twisted melodic pop? Sign me up!
This copy is absolutely KILLER, with the kind of transparency, space and openness you simply cannot find on most copies. When the soundstage is as wide and three-dimensional as it is here, it’s amazing how much more SENSE the music starts to make.
And the clarity is not the phony “audiophile” kind that’s the result of too much treble. The tonality is correct throughout, and there’s no lack of richness or warmth to the sound. They just don’t get any better. (more…)
- An outstanding early British pressing, with solid Double Plus (A++) sound on both sides
- Rich, spacious and lively, with an open, extended top end – this is the sound you want from Tears for Fears
- More great songs than practically anything from the ’80s – Shout, Everybody Wants To Rule The World and Head Over Heels, just to name a few
- 4 1/2 stars: “It is not only a commercial triumph, it is an artistic tour de force. And in the loping, percolating “Everybody Wants to Rule the World,” Tears for Fears perfectly captured the zeitgeist of the mid-’80s while impossibly managing to also create a dreamy, timeless pop classic. Songs From the Big Chair is one of the finest statements of the decade.”
More on the UHQR
Near Mint UHQR JVC Test Record in a white generic jacket.
The RAREST of the RARE! I’ve never even seen one offered for sale!
For those of you who do not know the complete story, basically the UHQR — the ultra high quality record — was invented by JVC as a test to see how good the ultimate vinyl pressing could sound. It was thicker, had a longer pressing cycle, and other technological improvements, all with the goal of making the ultimate lp.
Mobile Fidelity produced limited editions of eight titles on UHQR, and both Reference and Telarc produced one each.
Apparently tests were done by others as well, because here we have some m&k recordings on UHQR. I believe they are not known to exist — until now. I bought them from m&k myself a few years back, along with some flamenco fevers and a box full of unplayed for dukes. That was a good day for better records!
Anyway, obviously the price you see reflects the collectibility of such a unique pressing, not necessarily the musical or sonic qualities it may possess. If you want to be not just the first but the only person to own such a pressing, this is your opportunity to do so. (more…)
- A Demo Disc quality pressing of this longtime audiophile favorite, with stunning Shootout Winning Triple Plus (A+++) sound on side two – exceptionally quiet vinyl too, as quiet as we can find them
- Turn this one up good and loud (which you can do when the sound is right) and you’ll have a living, breathing Jennifer Warnes standing right between your speakers
- The space, resolution, and clarity here are wonderful – for evidence just look to the rosiny texture on the string arrangement of the Song of Bernadette
- 4 1/2 stars: “The high point may have been the Warnes-Cohen duet on “Joan of Arc,” but the album was consistently impressive.”
We’re big fans of this album here at Better Records. It’s the only thing Jennifer Warnes ever did that we would consider a Must Own recording or Desert Island Disc. In my humble opinion it’s both.
This copy showed us the Famous Blue Raincoat Magic we know and love. The drums are big and punchy with plenty of WHOMP and the sound of skins being THWACKED. Jennifer’s voice is clear and breathy. If you know the record well you will surely be amazed at just how good this music can sound on a pressing as hot as this one.
With a Shootout Winning side two, these songs are guaranteed to sound dramatically better than you ever imagined they would:
Ain’t No Cure for Love Coming Back to You Song of Bernadette A Singer Must Die Came So Far for Beauty
So well recorded you could demo your system with most of these tracks! (more…)
- This killer domestic pressing gives you a Triple Plus (A+++) side one and a side two that’s not far behind (A++)
- Fully extended from top to bottom with a wide-open soundstage, for this music this is the right sound.
- So Far Away, Money For Nothing and Walk Of Life all sound great on this Triple Plus side one!
- “One of their most focused and accomplished albums … Dire Straits had never been so concise or pop-oriented, and it wore well on them.” — Allmusic, 4 stars
Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this!
Surprisingly Analog Master Tape Sound
Both sides of this bad boy are SUPERB. Drop the needle on So Far Away — it’s airy, open, and spacious, yet incredibly rich and full-bodied. The bottom end really delivers the goods — it’s punchy and meaty with healthy amounts of deep, tight bass.
The vocals are Right On The Money — full-bodied, with breathy texture, surrounded by the lovely ambience of the studio.
The 3-D quality to the soundfield here is something that most copies simply cannot reproduce.
The overall sound is lively, dynamic, and relatively natural. (more…)
- Hearts and Bones returns to the site for the first time in almost 10 years, with STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last – mostly quiet vinyl too
- Compared to every other copy in our recent shootout, this one was bigger and bolder with more Tubey Magic, clarity and separation
- Turn this one up good and loud (which you can do when the sound is THIS good) and you’ll have a living, breathing Paul Simon standing right between your speakers
- 4 1/2 stars: “… his most personal collection of songs, one of his most ambitious, and one of his best. It retains a personal vision… Simon’s most impressive collection in a decade and the most underrated album in his catalog.”