Sonic Grade: D
Another bad Sundazed record. Most of the Dylan catalog they did is just awful, regardless of what the audiophile reviewers at the time may have written to the contrary.
In 2010 MF reviewed both the Sundazed and Speakers Corner Heavy Vinyl pressings of the album. I think his review is mistaken on a number of counts, and mostly unhelpful. The commentary below will discuss his errors in detail, in the hopes that you, dear reader, will not make the same mistakes yourself.
He talks about his history with the album for a while, and then notes:
Anyway, the original “360 Sound” edition of this record sounds fantastic. It’s a high quality Columbia studio recording, with vivid harmonics, impressive transparency and dynamics, shimmering highs and tight extended bass. The soundstage is expansive and the images tightly presented. I’m not sure it can get much better than the original given how well-pressed Columbia records were in those days, especially if you have a clean original.
We, however, seem to hold precisely the opposite view. I quote from our review:
Why did it take us so long [to do a Hot Stamper shootout]? Let me ask you this: have you ever played this album? The average copy of this record is a sonic MESS. Even the best copies have problems.
We then go on to discuss in detail what most copies do wrong and what to listen for in order to find a copy that gets it right. (More on that later.) (more…)
Sonic Grade: C
Commenting about the first Hot Stamper pressing of this album ever to come our way, we noted:
This original Stax LP has AMAZING sound. You could not make this record sound any better. We really liked the Sundazed copy of this record until we heard this bad boy. It MURDERS their pressing! It has far more life, energy and presence than the Heavy Vinyl pressing. We always suspected that a good original would be better but we had no way of knowing since all the copies we saw were beat to death.
We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.
Tom Port – Better Records
Sonic Grade: D
Another Sundazed record reviewed and found wanting.
As usual, the Sundazed only hints at the real sound of the recording. We recommended it back at the day; it’s tonally correct, so for fifteen bucks you are getting your fifteen bucks worth and probably not a dime’s more. We just cannot take this kind of sound seriously these days. Once you’ve heard the real thing, this pressing just won’t do.
This is the band’s Masterpiece as well as a Desert Island Disc for yours truly.
What qualifies a record to be a Masterpiece needs no explanation. We will make every effort to limit the list to one entry per artist or group, although some exceptions have already occurred to me, so that rule will no doubt be broken from time to time. As Ralph Waldo Emerson so memorably wrote, “A foolish consistency is the hobgoblin of little minds…”
For a record to come to my Desert Island Disc, such a record: 1) must have at some time during my fifty years as a music lover and audio enthusiast been played enthusiastically, fanatically even, causing me to feel what Leonard Bernstein called “the joy of music”; 2) my sixty year old self must currently respect the album, and; 3) I must think I will want to listen to the music fairly often and well into the future (not knowing how long I may be stranded there).
How many records meet the Desert Island Disc criteria? Certainly many more than you can see when you click on the link, but new titles will be added as time permits. (more…)
Sonic Grade: F
Flat as a pancake and dead as a doornail, like most Sundazed records.
Sundazed is clearly one of the worst record labels of all time. This record is just more evidence to back up our low opinion of them.
Sonic Grade: F
Two Hall of Shame titles, and another two Sundazed records debunked.
We got hold of a minty original pressing of the first Love album back around 2007, so in preparation for the commentary I pulled one of the Sundazed pressings off the shelf, (Forever Changes, the only one we ever bothered to sell), cracked it open and threw it on the turntable.
Gag, what a piece of crap. When I had auditioned them all those years ago (2002), it was — I’m not kidding — the best of the bunch. (more…)
Sonic Grade: C-
Back around 2000 I spent a fair amount of time comparing this pressing with both an RCA 1S Black Label original, two different RCA Orange Label reissues, and the DCC 180 gram pressing. To make a long story short, if you’re willing to buy this record for the songs that really sound amazing on it, like “Today”, then you should try one. (more…)
Sonic Grade: B
This is probably the best of all the new  Sundazed mono reissues. I never thought I would hear a Sundazed record with this kind of richness and sweetness. It reminds me of a good 360 pressing, and that has virtually never happened before. Side one is a tad better than side two, which is slightly brighter than it should be. But both sides are exceptionally good considering the modern mastering.
This album also has my favorite Byrds song of all time: I’ll Feel A Whole Lot Better. (Notice that Gene Clark’s vocals all sound better than Roger McGuinn’s. For some reason they tend to brighten up his vocals, and the last thing you ever want to do with a Byrds recording is make it brighter. But having said that, almost all the reissues are too bright compared to these good originals.)