Record Lists of Various Kinds

Cowboy Junkies – Whites Off Earth Now!!

More Cowboy Junkies

More Debut Albums of Interest

  • An outstanding copy of the band’s debut album – exceptionally quiet vinyl too
  • This pressing is well balanced, yet big and lively, with such wonderful clarity in the mids and highs as well as an open and spacious soundfield
  • “Whites Off Earth Now!! establishes the spare country blues sound that took the band to international fame with their next album.” – Wikipedia
  • “… it’s fascinating to hear their signature country-on-valium sound develop. Margo Timmins sings beautifully.”

This vintage Latent Recordings pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Stevie Nicks – Bella Donna

Albums with Stevie Nicks Performing

  • This STUNNING pressing earned Shootout Winning Triple Plus (A+++) grades or very close to them on both sides
  • Both sides are punchy, big and clear, with plenty of hard rockin’ energy – exactly what you would expect from the team of Shelly Yakus and Jimmy Iovine
  • Two of her biggest hits are here (and they still hold up): Stop Draggin’ My Heart Around and Leather And Lace
  • 4 1/2 stars: “Equally engaging are less exposed tracks like the haunting ‘After the Glitter Fades.’ Hit producer Jimmy Iovine wisely avoids over-producing, and keeps things sounding organic on this striking debut.”

It’s easy to hear what the good pressings are doing. They’re big and rich, never thin nor harsh. They open up on the top end and go down deeper on the bottom. They’re smooth and full-bodied in the midrange. Stevie’s vocals are breathy and present. The energy of her performance drives the music the way you want it to.

In short, the best copies demonstrate the sound one could expect on a good Tom Petty album. Nothing surprising there; this album, like Petty’s, was produced and engineered by the same team, Jimmy Iovine and Shelly Yakus. They’ve made some great records together, Damn the Torpedoes being the best of the bunch for sonics.

Bella Donna may not reach those exalted heights, but it’s still quite good, especially for 1981. As the decade wore on things went south very quickly, sonically and musically, so we must be thankful that this record came out early in the decade and not much later.

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The Rolling Stones – Stripped

More Rolling Stones

  • Insanely good sound throughout for this Virgin import pressing with all four sides earning Shootout Winning Triple Plus (A+++) sound or very close to it
  • These sides are clean, clear, full-bodied and present with tons of energy and a solid bottom end
  • One of the best records from The Rolling Stones in the last 25 years!
  • Compiled from live performances at The Paradisco Club, Amsterdman, Holland; The Olympia Theatre, Paris, France; and rehearsals in Tokyo, Japan, Lisbon and Portugal
  • “Patched together from an embroidery of tour rehearsals and live club dates in Paris and Amsterdam, the project was an extension of acoustic sets the group introduced on the North American leg of the Voodoo Lounge tour. The concept offered an invigorating opportunity to dust off some rough gems from the past that no longer felt at home on sloping stadium stages.”

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The Moody Blues – Every Good Boy Deserves Favour

More of The Moody Blues

Records We Only Sell on Import Vinyl

  • With a wonderful combination of Tubey Magical richness and clarity, this Threshold pressing will be very hard to beat
  • Full-bodied and lush, yet not veiled or distant, this is the sound that brings the Moodies magic to life
  • 4 1/2 stars: “The best-realized of their classic albums, Every Good Boy Deserves Favour was also the last of the group’s albums for almost a decade to be done under reasonably happy and satisfying circumstances — for the last time with this lineup, they went into the studio with a reasonably full song bag and a lot of ambition and brought both as far as time would allow…”

This copy had the BIG, RICH, LUSH British sound that can only be heard on the very best Moody Blues pressings.

Great-sounding Moody Blues albums don’t show up on our site too often — they’re just not that easy to come by.

Dull, veiled, boring sound is the rule, and big, rich, CLEAR sound like this the exception.

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Romantic Russia – Who on Earth Could Possibly Take the Sound of this Awful Remaster Seriously?

There actually is such a person who does, can you imagine?

Only an Audiophile True Believer could be fooled by sound so ridiculously unnatural.

But the world is full of such people. They bought into the Audiophile BS of Mobile Fidelity in the ’80s and apparently haven’t learned much since.

Now they think Heavy Vinyl is the answer to the world’s problems. The more things change…

If your stereo is any good at all, you should have no trouble hearing the sonic qualities of this album described below. If you are on this blog, and you have tried some of our Hot Stamper pressings, there is a good chance you’re hearing pretty much what we’re hearing. Why else why would you pay our prices?

One thing I can tell you: we would never charge money for a record that sounds as weird and wrong as this MoFi.

A well-known reviewer has many kind things to say about this pressing, but we think it sounds like a hi-fi-ish version of a ’70s London, which means it’s opaque and the strings are badly lacking in Tubey Magical sheen and richness.

The bass is like jello on the MoFi, unlike the real London which has fairly decent bass.

If a self-styled Audiophile Reviewer cannot hear the obvious faults of this pressing, I would say there’s a good chance one or both of the following is true:

  1. His equipment is not telling him what the record is really doing, and/or,
  2. His listening skills are not sufficiently developed to notice the shortcomings in the sound.

The result is the worst kind of Reviewer Malpractice.

But is it really the worst kind? It seems to be the only kind!

More Orchestral Music Conducted by Georg Solti

Hot Stamper Decca and London Pressings Available Now

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June Christy – The Misty Miss Christy

More June Christy

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  • An original Turquoise Label Capital Mono LP with INCREDIBLE Shoutout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Both sides here are wonderfully rich and sweet – it’s hard to imagine June sounding much better than she does here
  • All the top West Coast jazz guys are here: Shelly Manne, Bud Shank, Bob Cooper, and the arrangements are by the wonderfully talented Pete Rugolo
  • 4 1/2 Stars: “… The Misty Miss Christy mostly stays on auto-stroll with a wealth of subtle and sophisticated orchestral charts. The jazz-pop environs come courtesy of longtime arranger Pete Rugolo and optimally frame the singer on highlights like “That’s All,” “I Didn’t Know About You,” and “Dearly Beloved.” Both an essential Christy title and one of the best vocal albums from the ’50s.”
  • If you’re a fan of Miss Christy’s, or vintage Pop and Jazz Vocals in general, this is a Top Title from 1956 that belongs in your collection.
  • The complete list of titles from 1956 that we’ve reviewed to date can be found here.

Both sides of this ’50s All Tube Recorded and Mastered record are just as rich and relaxed as you would expect. The balance is correct, because the top is there as well as the bottom.

June is no longer a recording — she’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. Her voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you.

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These June Christy records are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.

If you’re a fan of vintage female vocals –- the kind with no trace of digital reverb — you may get quite a kick out of this one. And unless I miss my guess, you’ll be the first and only person on your block to own it! (That’s not a bad thing considering the average person’s taste in music and sound these days.)

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Van Halen – 1984

More Van Halen

More Rock Classics

  • 1984 finally returns to the site with outstanding Double Plus (A++) sound on both sides
  • These sides have the kind of BIG, full-bodied sound that lets this rockin’ band come to life exactly the way you want them to
  • Nothing phony here – the sound is natural and balanced, with meaty guitars and big punchy drums
  • Plenty of hits: “Panama,” “Hot For Teacher,” “Jump,” and you won’t believe how good they sound on this copy
  • 5 stars: “It’s the best showcase of Van Halen’s instrumental prowess as a band… the best showcase for their songwriting, just their flat-out best album overall.”
  • If you’re a fan of Van Halen when Diamond Dave was still the front man, a killer copy of their album from 1984 belongs in your collection

Want to hear three of the best songs these guys ever did — “Jump,” “Panama” and “Hot For Teacher”– sound incredible? We recently had a chance to shoot out a bunch of these, and I’m sure it won’t surprise you that far too many copies were unimpressive. Most just do not have the weight on the bottom end that this music needs to work.

Turn your nose up if you like, but this music is Classic Rock by now. I’m not going to pretend it’s on a level with After The Gold Rush or Zep II, but the band on this album definitely knows how to rock. The All Music Guide gives this one 5 Big Stars, and I’m sure that plenty of audiophiles feel just as strongly about it. (more…)

George Harrison – All Things Must Pass

More George Harrison

More of The Beatles

  • With superb sound on all six sides, this early British box set of All Things Must Pass will be very hard to beat
  • Exceptionally quiet vinyl for this set – most of the copies we see are heavily played and prone to marks that repeat
  • If you’ve struggled with domestic pressings and later imports or Heavy Vinyl reissues, your troubles are over – here is the sound you were looking for
  • 5 stars: “Without a doubt, Harrison’s first solo recording is his best. Drawing on his backlog of unused compositions from the late Beatles era, Harrison crafted material that managed the rare feat of conveying spiritual mysticism without sacrificing his gifts for melody and grand, sweeping arrangements.”
  • A Must Own Title from 1970
  • The complete list of titles from 1970 that we’ve reviewed to date can be found here

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Bee Gees et al. – Saturday Night Fever

More Bee Gees

  • An incredible copy of this ’70s classic with Shootout Winning Triple Plus (A+++) sound on the third side, and Double Plus (A++) sound or very close to it on the other three
  • Please note that the labels on this 2 LP set are slightly mismatched — we’re combining two different copies to make one great sounding set album
  • There’s real Bee Gees vocal magic here – “Stayin’ Alive,” “How Deep Is Your Love,” “More Than a Woman,” “Jive Talkin’,” and even “A Fifth of Beethoven” all sound great
  • It’s no walk in the park to find a copy with sound this good and fairly quiet vinyl, but here it is
  • 5 stars: “Saturday Night Fever is virtually indispensable as a Bee Gees album, not just for the presence of an array of songs that were hits in their own right but because it offered the Gibb brothers as composers as well as artists…”

This copy of the Saturday Night Fever Soundtrack has truly killer sound throughout, and that ain’t no jive talkin’! We collected a bunch of these and put them through the shootout process and were delighted to find out that some of the material on here can sound wonderful on the best pressings.

Like any compilation, some songs are going to sound better than others. The good news here is that most of the tracks you’d hope to be impressive actually are: “Stayin’ Alive,” “How Deep Is Your Love” and “Disco Inferno” are among the better-sounding songs here.

Compared to every other copy we played — on all four sides mind you — these sides are richer, fuller, and livelier. They’re also more open and transparent, with notably improved clarity, less smear, and better bass.

Find your favorite song on here, drop the needle, and see if the dramatically improved sound doesn’t bring back some special memories, and maybe even inspire you to bust a move! (more…)

Aerosmith – Draw The Line

More Aerosmith

  • These sides are doing it all right — richer, fuller, better bass, more Tubey Magic, and the list goes on! 
  • “Renting out an abandoned convent on the outskirts of New York City to record the follow-up to the hellacious Rocks may not have been the best idea, but 1977’s Draw the Line still managed to be another down-and-dirty Aerosmith release… Draw the Line catches fire more times than not. Unlike their most recent album successes, the band shies away from studio experimenting and dabbling in different styles; instead they return to simple, straight-ahead hard rock.” – All Music

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