Record Lists of Various Kinds

Styx – Pieces Of Eight

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  • A KILLER copy with Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
  • Here is the kind of sound we want on our ELP, Yes and Queen-like multi-layered Proggy Pop Rock – big, full-bodied and lively
  • 4 stars: “Styx’s feisty, straightforward brand of album rock is represented best by ‘Blue Collar Man,’ an invigorating keyboard and guitar rush… reaching number 21, with the frolicking romp of ‘Renegade’ edging in at number 16 only six months later… the rest of the album includes tracks that rekindle some of Styx’s early progressive rock sound, only cleaner. Tracks like ‘Sing for the Day,’ ‘Lords of the Ring,’ and ‘Aku-Aku’ all contain slightly more complex instrumental foundations…”

Who likes their Wall of Sound small and closed-in? Certainly not Big Speaker guys like us. By all accounts this band wanted their records to sound good, or at least as good as their contemporaries (and the bands that inspired them, name-checked above). There’s no shortage of production polish here and on the best pressings, the sound really works. (more…)

Elvis Presley – On Stage February 1970

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  • With superb Nearly Triple Plus (A++ to A+++) sound from first note to last, right up there with our Shootout Winner, this original RCA Orange Label pressing is guaranteed to sound dramatically better than any copy you’ve ever heard
  • Here’s Elvis doing songs made famous by others, proving that he can still out-rock and out-soul practically anybody alive
  • With ten million copies sold to date, this album’s appeal has transcended its time and must be considered a true Elvis Classic
  • 4 stars: “”The Wonder of You” might not have been “That’s All Right” or even “Heartbreak Hotel,” but it was a towering performance by a singer who could, even then, run circles around virtually anyone in the business this side of Roy Orbison.”

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Steely Dan – Pretzel Logic

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More Reviews and Commentaries for Pretzel Logic

More Top 100 Rock and Pop Albums

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  • Simply phenomenal amounts of Tubey Magic can be heard on every strum of the guitars, along with the kind of richness, body and harmonic coherency that have all but disappeared from modern remasterings.
  • Becker and Fagen spared no effort in the recording of this album – the mix is PERFECTION
  • A Top 100 Album and our pick for The Best Sounding Steely Dan Recording of Them All
  • 5 stars: “Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one.”

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Led Zeppelin II – Stan Ricker Versus Robert Ludwig

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written

Reviews and Commentaries for Led Zeppelin II

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Here is the story of my first encounter with a amazing sounding copy of Zep II.

I had a friend who had come into possession of a White Label Demo pressing of the album and wanted to trade it in to me for the Mobile Fidelity pressing that I had played for him once or twice over the years, and which we both thought was The King on that album.

To my shock and dismay, his stupid American copy KILLED the MoFi. It TROUNCED it in every way. The bass was deeper and punchier. Everything was more dynamic. The vocals were more natural and correct sounding. The highs were sweeter and more extended. The whole pressing was just full of life in a way that the Mobile Fidelity wasn’t.

The Mobile Fidelity didn’t sound Bad. It sounded Not As Good. More importantly, in comparison with the good domestic copy, in many ways it now sounded wrong.

Let me tell you, it was a watershed moment in my growth as a record collector. I had long ago discovered that many MoFi’s weren’t all they were cracked up to be. But this was a MoFi I liked. And it had killed the other copies I had heard in the past.

So I learned something very important that day. I learned that hearing a good pressing is the best way to understand what’s wrong with a bad pressing. (more…)

John McLaughlin / Extrapolation – Our Shootout Winner from 2013

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INCREDIBLY POWERFUL AND DYNAMIC DEMO QUALITY SOUND THROUGHOUT! If you’re looking for a jazz-fusion guitar album that will wake your system up (and show off its best qualities to boot), this is the hot ticket right here. We had been slowly compiling various pressings for a big shootout for ages, and we finally let it rip recently. This was one of the most impressive pressings, earning an A++ on side one and an A+++ on side two. If you’re a fan of ’70s Miles Davis or the Birds Of Fire album, you probably already know that you need this in your collection!  (more…)

Jackson Browne – Running On Empty

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  • A STUNNING Running on Empty, with two Shootout Winning Triple Plus (A+++) sides
  • Forget whatever dead-as-a-doornail Heavy Vinyl pressing they’re making these days – the Tubey Magic, size and performance energy of this vintage pressing simply cannot be beat
  • This Grammy nominated release is packed with previously unreleased songs
  • A hard record to find with audiophile quality sound – not many copies have ever hit the site
  • “Audio verité—one of the most conceptually fascinating recordings in the history of rock & roll.” — Bill Shapiro

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Aerosmith – Toys in the Attic – Our Shootout Winner from 2011

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Looking for killer sound for both sides of this fun album? You’ve come to the right place! This unusually lively pressing combines a stunning A+++ side one with an equally wonderful, giving you White Hot Stamper sound from start to finish! The transparency here is exceptional, allowing you to hear all the musician’s contributions without the veiling and congestion that you get on most pressings. Sweet Emotion is a KNOCKOUT on this copy.  

Both A+++ sides have the kind of tight, meaty bottom end that is absolutely essential to this kind of music. While many copies we played suffered from a grainy, unpleasant top end, this one is smooth in all the right ways. It’s also got the kind of energy that makes this music still work well all these years later. Hot Stampers give you more presence, more weight down low and more fullness all around — the qualities that you really want for music like this.

I never really cared much for this band until recently, when I heard Sweet Emotion on my local classic rock station (The Octopus!) and realized that it would probably sound pretty amazing on a Hot Stamper vinyl version. Boy, was I right! It took quite a few copies and a whole lot of work, but the best sounding tracks on this one sound AMAZING. Sweet Emotion and Walk This Way are going to rock you!

Of course, not every copy sounds like this one. We’ve been picking these up for the last few months and I’m sorry to report that most of them leave much to be desired. This is bluesy hard rock a la The Faces, and if your copy is dull or smeared (as many of them are) you won’t get the full effect of this raw, ballsy rock ‘n’ roll. This ain’t polite music — you’re playing it for one reason and one reason alone: to ROCK OUT.

It’s hard to understand why this album didn’t get more love from audiophiles, while bands like Boston and Foreigner have gotten the full MoFi treatment. [No doubt somebody has recut this record on Heavy Vinyl by now.] All you have to do is drop the needle on the intro to Sweet Emotion and you’ll see why we decided to roll with this shootout. That’s not to say this is an amazing, top-shelf recording, but it certainly beats most of the dreck out there that passes for Audiophile-style classic rock. (If you disagree, I’ve got a nice copy of the Sheffield Track Record to sell you.)

TRACK LISTING (more…)

Supertramp – Supertramp

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More Prog Rock

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  • Supertramp’s self-titled debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • It’s even more Tubey Magical than an album like ’Crime Of The Century,’ which is more about slam and presence than a record like this, which has amazingly sweet, natural sounding acoustic guitars
  • Condition was the problem with these original British pressings – none of the best sounding copies did not have issues, hence the exceptionally low price for our Shootout Winner here
  • “Harmonious in themes but varied in tones, alternating short and lengthy pieces with a sophisticated sound and classy arrangement, it features all the distinctive elements of prog rock. And as with any prog album, it only makes full sense when listened to in its entirety.”

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Cheap Trick – At Budokan

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  • You’ll find STUNNING sound on this true classic from Cheap Trick, with Shootout Winning Triple Plus (A+++) sonic grades or close to them – exceptionally quiet vinyl too
  • This one is doing everything right, with deeper bass, less distortion, grungier guitars, and the kind of LIVE ROCK and ROLL ENERGY that Cheap Trick is known for
  • One of only two Cheap Trick albums that cuts it for us sonically and musically (the other being Dream Police)
  • 5 stars: “With their ear-shatteringly loud guitars and sweet melodies, Cheap Trick unwittingly paved the way for much of the hard rock of the next decade, as well as a surprising amount of alternative rock of the 1990s, and it was At Budokan that captured the band in all of its power.”

The first pressings of this record come with an OBI strip and a Japanese style lyric and photo booklet, giving the impression that this is a Japanese pressing. But it’s clearly domestic, so kudos have to go to Epic Records for doing a wonderful imitation that would practically fool any record collector.

Most of the copies we have to offer will come with the booklet, while the OBI strips are long gone.

This is probably the only Cheap Trick record most casual fans will ever need. The live versions of ‘Ain’t That A Shame’ and ‘I Want You To Want Me’ are AS GOOD AS IT GETS. Where would Classic Rock Radio be without catchy pop like this? Nowhere man! (more…)

Deodato / Prelude – Our Shootout Winner from 2017

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Yet Another Well Recorded Album that Should Be More Popular with Audiophiles

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Listen to the trumpet on the second track on side one — it’s so immediate, it’s practically JUMPING out of the soundfield, just bursting with energy. Rudy can really pull off these big productions on occasion, and this session was clearly one of them. If you have the kind of stereo that’s right for this music (the bigger the better) you could easily find yourself using this record as a demonstration disc. It’s very unlikely your audiophile friends have ever heard anything like it.

Both sides are especially full and rich. The congas are present in the mix and very full-bodied — this allow them to really drive the rhythmic energy of the music. We know this because the copies with congas that were veiled or thin never seemed to get up go. The bass on these two sides was some of the best we heard as well.

The top is most often the problem with these CTI pressings. Both sides here seem to give you all the top end that was on the tape.

There is wonderful transparency and openness to the soundstage, as well as less congestion in the loudest parts. Also Sprach (2001) is on side one of the album and it is KILLER here.

Both sides are also surprisingly sweet and Tubey Magical, nice qualities for a CTI record to have since so many of them are aggressive and edgy to the point of distraction. (more…)