Record Lists

Joni Mitchell – Clouds

More of the Music of Joni Mitchell

  • This vintage copy boasts solid Double Plus (A++) grades or BETTER from top to bottom – the first copy to make the site since our last shootout in 2022
  • Check out the clear transients on Joni’s guitar — you can really hear her moving her hands around the fretboard and pulling on the strings
  • It’s tough to find this album in clean shape with this kind of warm, natural sound (something the new reissue is no doubt profoundly lacking)
  • Stick with the Two Tone labels if you want the highest quality sound – the later Tan labels can be good but even the best of them are many steps down in sound quality from the White Hot shootout winners
  • This would most likely include any modern repress on Heavy Vinyl, although to be honest we have never played one for Clouds – what would be the point?
  • 4 1/2 stars: “Clouds is a stark stunner, a great leap forward for Joni Mitchell. Vocals here are more forthright and assured than on her debut and exhibit a remarkable level of subtle expressiveness. Guitar alone is used in accompaniment, and the variety of playing approaches and sounds gotten here is most impressive.”

Everything you could ask for from this album is here on this copy: stunning clarity and transparency, breathy vocals, richness, sweetness, warmth, and tons of ambience.

Check out the clear transients on the acoustic guitar — you can really hear her moving her hands around the fretboard and pulling on the strings. The immediacy is mindblowing — Joni and her guitar are right there in the room with you, without being forced into your lap.

The best sounding copies of Clouds are the ones that put Joni and her guitar right there in your living room.

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The Brothers Johnson – Right on Time

More Soul, Blues, and R&B

  • Boasting two STUNNING Shootout Winning Triple Plus (A+++) sides, this vintage A&M pressing could not be beat
  • A tough shootout, as no other copy earned a 3+ grade on either side, which simply means that when you find a top copy, it sets such a high standard that everything else ends up getting marked down
  • The sound is huge – big, wide, deep, and open, with a punchy bottom end and rhythmic energy to spare, as well as cleaner, smoother, sweeter upper mids and a more extended top
  • Analog at its Tubey Magical finest – you’ll never play a CD (or any other digitally sourced material) that sounds as good as this record as long as you live
  • 4 1/2 stars: “An enjoyable and even infectious collection that, in its sophistication, certainly avoids being just some sort of dry run for [Quincy] Jones … producing Michael Jackson’s wildly successful Off the Wall and Thriller albums…”

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Eric Clapton – Journeyman

More of the Music of Eric Clapton

  • A Journeyman like you’ve never heard, with INCREDIBLE Shootout Winning Triple Plus (A+++) grades on both sides of this vintage import pressing – fairly quiet vinyl too
  • Forget the commonly dry-sounding domestic copies – the pressings mastered in Germany and the UK are the only ones good enough for us to put in a shootout
  • Rich, lively, spacious – the right pressings are surprisingly good-sounding for a recording from 1989
  • The big hit was “Pretending,” but “Bad Love” (both went to Number One) won the Grammy for Best Male Rock Vocal
  • 4 1/2 stars: “… a laid-back and thoroughly engaging display of Clapton’s virtuosity. On the whole, it’s the best studio album he’s released since Slowhand.”

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Commodores – Natural High

More of the Music of Commodores

  • This vintage Motown pressing boasts outstanding Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • Spacious, full-bodied and Tubey Magical with a solid bottom end and driving rhythmic energy, this is the right sound for this music
  • “… even if ‘Three Times a Lady’ isn’t your cup of tea, Natural High still has a lot to offer R&B fans. ‘X-Rated Movie,’ ‘Such a Woman,’ and ‘I Like What You Do’ are exhilarating examples of hardcore funk, and those who appreciate artists like Heatwave and the Brothers Johnson will find a lot to admire about ‘Fire Girl’ and ‘Flying High’ (both of which are sleek examples of the sophisticated funk style).”

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Frank Sinatra – Ol’ Blue Eyes Is Back

More of the Music of Frank Sinatra

  • Ol’ Blue Eyes Is Back debuts on the site with a KILLER Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • On a copy this good, Frank will appear as living, breathing (albeit disembodied) person right in your very own listening room – we call that “the breath of life,” and this record has it in spades
  • “Frank Sinatra returned from his brief retirement in 1973 with the appropriately titled Ol’ Blue Eyes Is Back. Released amidst a whirlwind of publicity, the album was a commercial success, earning gold status and nearly climbing its way into the Top Ten…. ‘Send in the Clowns’ and the moving ‘There Used to Be a Ballpark,’ both featuring sublime, subtle arrangements from Gordon Jenkins and outstanding singing by Sinatra.”

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Astrud Gilberto – Gilberto With Turrentine

More Bossa Nova

  • Here is a vintage copy of Gilberto’s 1971 collaboration with Turrentine that boasts an INCREDIBLE Shootout Winning Triple Plus (A+++) side one mated to a solid Double Plus (A++) side two
  • It’s rich, warm and natural with wonderful transparency, loads of ambience and – this is key – plenty of Tubey Magic
  • Rudy Van Gelder did an outstanding job as usual engineering these 1971 sessions – his live-in-the-studio approach is tough to beat
  • “The real treasures of this album though are the outstanding arrangements by Eumir Deodato, who once again proves he is the master of this type of music. Nearly every track is full of interesting, complex, yet beautiful instrumentation. He blends mellow low strings with lots of Fender Rhodes electric piano, plenty of electric and acoustic guitar, and a wide variety of Brazilian percussion instruments.”

This vintage CTI pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Fleetwood Mac – Heroes Are Hard To Find

More of the Music of Fleetwood Mac

  • A vintage copy of the band’s 1974 release, here with with stunning Nearly Triple Plus (A++ to A+++) grades from start to finish, just shy of our Shootout Winner – remarkably quiet vinyl too
  • This is the sound you want on Heroes Are Hard To Find – not midrangy, but rich and full-bodied, with an extended top end for sweeter, silkier vocals
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
  • “… the album is one of their most cohesive yet diverse… Heroes is a minor gem that retains its effortless pop charms and contains some buried jewels in the extensive Fleetwood Mac catalog.”

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It Took Us Until 2012 to Finally Beat the Audiophile Pressing We Swore By

Hot Stamper Pressings of the Music of Supertramp Available Now

UPDATED 2026

We have not had very good luck with domestic pressings of this album for quite a few years now. The German pressings are also not very good, earning at most 1.5+ and more often than not a lower grade. (Hey, we had to be sure.)

The Canadian audiophile pressings are comparable, 1.5+ or close to it, not good enough to bother with when the right UK pressings are so much better.

The listing below is from 2012. Since that time we have been able to find and play a great many British pressings of the album, and they always win our shootouts now.

But the domestic pressings can also do very well, just not well enough to win shootouts these days, a clear case of live and learn.

Our Understanding from 2012

TWO AMAZING SIDES, including an A+++ SIDE ONE! It’s not the A&M Half Speed, and it’s not a British pressing either. It’s domestic folks, your standard plain-as-day A&M pressing, and we’re as shocked as you are. Hearing this copy (as well as an amazing Brit; they can be every bit as good, in their own way of course) was a THRILL, a thrill that’s a step up in “thrillingness” over our previous favorite pressing, the A&M Half Speed. [!]

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Getting Who’s Next Exactly Backwards

Hot Stamper Pressings of the Music of The Who Available Now

A classic case of live and learn.

What follows is the commentary for the Canadian One Sided Half-Speed that we had auditioned around 2000. It came in a regular jacket, not the one you see pictured, and was part of a big overstock batch I had gotten my hands on a number of years before.

Getting It Exactly Backwards

Half of this record is Half-Speed Mastered! There’s an interesting story behind this album. Those of you who’ve been collecting audiophile records for a long time may remember that Who’s Next was released as an MCA Masterphile Half-Speed Mastered pressing produced in Canada. I remember liking it back in the day, which had to be 15 years ago at least. But they are very rare and I haven’t played one in many years.

I ran into some sealed Canadian pressings of Who’s Next, and when I cracked one open to play it I noted it had Masterphile written in the deadwax on one side. Apparently they had made so few Masterphile pressings that the metal work was still useable and they decided to press some “regular” records with one of the stampers.

And I remember I used to tell people that the good side, side one, was the Masterphile side. Then three or four years ago [circa 2000], I had occasion to play the record. Lo and behold, side one was bright and phony, and side two was rich and sweet, like the good Track Label pressings! I had gotten it exactly backwards.

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Michael Jackson – Bad

More of the Music of Michael Jackson

  • This vintage copy was giving us the big and bold sound we were looking for, earning solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • The sound is huge, full-bodied, punchy and relatively smooth throughout, with real space and ambience around the vocals and instruments
  • Includes some of Jackson’s biggest 80s hits: “Man in the Mirror,” “Dirty Diana,” “Smooth Criminal,” and of course, the title track
  • 4 1/2 stars: “… essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn’t a bad thing…”

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