Top Engineers – Rhett Davies

Brian Eno / Before And After Science – A Must Own Eno Record (His Last, Sad to Say) from 1977

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More Arty Rock Records

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  • This outstanding copy of Before And After Science on the Island Black Label boasts solid Double Plus (A++) sound from first note to last
  • Here you will find that rare combination of silky highs and deep low end, with huge amounts of space in the middle, three qualities among many that make this album an especially magical listening experience
  • I know whereof I speak- I must have played this album at least two hundred times in the 43 years that have passed since I first bought a copy
  • If you’re a fan of Art Rock or Prog Rock or just like something a little different, this is an album that belongs in your collection
  • 5 stars: “Despite the album’s pop format, the sound is unique and strays far from the mainstream. The music on Before and After Science at times resembles Another Green World (“No One Receiving”) and Here Come the Warm Jets (“King’s Lead Hat”) and ranks alongside both as the most essential Eno material.”

Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work. (more…)

One of Our Favorite Engineers – Rhett Davies

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Hot Stamper Pressings of the Self-Titled Album Available Now

More of Our Favorite Engineers

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RHETT DAVIES is one of our favorite producers and recording / mixing engineers. Click on the link to find our in-stock Rhett Davies engineered or produced albums, along with plenty of our famous commentaries. 

Davies recorded some of our favorite albums of all time and we want to pay tribute to this unsung hero, a man who has brought so much joy and pleasure to audiophiles through albums like those listed below.

Many can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music (limited to titles that we can actually find sufficient copies of with which to do our Hot Stamper shootouts).
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Dire Straits’ First Album – A Tour de Force by Rhett Davies – We Knew It Back in 2007

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Hot Stamper Pressings of the Self-Titled Album Available Now

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This Vertigo British pressing of Dire Straits’ wonderful debut has ABSOLUTELY THE BEST SOUND for this album we have ever heard. Folks, this one just can’t be beat. AGAIG is our shorthand for As Good As It Gets, and that’s an understatement when it comes to the sound of this copy. It blew the doors off every record we put up against it; every Vertigo pressing, regardless of country of manufacture or era. If you’re looking for The World Champion, this copy holds the title and is very unlikely to be giving it up any time soon.

Rhett Davies is one of our favorite recording engineers, the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.

His Masterpiece Discovered

Well, we just have to say that until something better comes along, THIS IS HIS MASTERPIECE. It has to be one of the best sounding rock records ever made, with Tubey Magic mids, prodigious bass, transparency to beat the band, and freedom from hi-fi-ishness and distortion like few rock recordings you have ever heard.

The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings. Rhett Davies, by virtue of the existence of this pressing alone, has proven that he belongs in the company of the greatest engineers of all time, along with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick and others too numerous to mention.

We Want To Rock

What separates the best Brits from the merely good ones? In a word, ENERGY. The best copies make this band sound like they are on fire, ready to go head to head with the world, fiercely proud of the new sound they’ve created. The not-so-good copies make Dire Straits sound the way Dire Straits usually does — laid back and well under control, perhaps even a bit bored with the whole affair. The best copies show you a band that wants to rock with the best of them, and can.

Demo Disc Sound

Both sides here are OFF THE CHARTS — no copy came close, and none may ever! It’s got all of the punch, all of the energy, and all of the tubey magic that you could ever ask for. The vocals, the bass, the guitars — all PERFECTION. The overall sound is rich, full, smooth, sweet, super transparent, and tonally correct from top to bottom. The presence and immediacy on this copy are UNCANNY and UNMATCHED.

Water Of Love and Sultans of Swing have the kind of Demo Disc sound that will have your audiophile friends drooling and turning green with envy. We can’t all afford $100,000 turntables, but when you have a record that sounds this good, you don’t need one! This record makes it sound like you have 100k in your rig, whether you do or not.

A Big Speaker Record

Let’s face it, this is a BIG SPEAKER recording. It requires a pair of speakers that can move air with authority below 250 cycles and play at loud levels. If you don’t own speakers that can do that, this record will never really sound the way it should.

It demands to be played LOUD. It simply cannot come to life the way the producers, engineers and artists involved intended if you play it at moderate levels.

This is the kind of recording that caused me to pursue Big Stereo Systems driving Big Speakers. You need a lot of piston area to bring the dynamics of this recording to life, and to get the size of all the instruments to match their real life counterparts.

For that you need big speakers in big cabinets, the kind I’ve been listening to for more than forty years. (My last small speaker was given the boot around 1974 or so.) To tell you the truth, the Big Sound is the only sound that I can enjoy. Anything less is just not for me. (more…)

Talking Heads – More Songs About Buildings and Food

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More Brian Eno

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  • This pressing boasts very good Hot Stamper sound from the first note to last – exceptionally quiet vinyl too
  • With Eno producing and Rhett Davies engineering, every track is (psycho) killer – truly this is a Must Own from 1978
  • 5 stars: “Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.”

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Phil Manzanera – Diamond Head – A Truly Awesome Feat of Engineering by Rhett Davies

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You may recall reading this bit about RHETT DAVIES engineering on Dire Straits’ debut:

“…until something better comes along, THIS IS HIS MASTERPIECE. It has to be one of the best sounding rock records ever made, with Tubey Magic mids, prodigious bass, transparency and freedom from hi-fi-ishness and distortion like few rock recordings you have ever heard.”

Well, something better has now come along, and it’s called Diamond Head.

It has some of the BIGGEST, BOLDEST SOUND we have ever heard. Diamond Head isn’t known as an audiophile album but it should be — the sound is GLORIOUS — wall to wall, floor to ceiling, and as rich and dynamic as it gets.

It’s clearly a BIG SPEAKER album. Play it one as loud as you can. The louder you play it the better it sounds.

The best copies have ROOM SHAKING DEEP BASS with the kind of WHOMP FACTOR that can drive this music to practically unexplored heights.

It’s also super TRANSPARENT, with a large, deep soundfield that really allows you to hear INTO the music and the studio space in which it was created. The clarity is SUPERB with all the detail and texture one could hope for, but the real kicker is the amount of ENERGY and musical DRIVE that this side has going for it. This is what the Master Tape is really capable of — Mind Bogglingly Good Sound.

Looking for TUBEY MAGIC? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The best pressings of those albums — those with truly Hot Stampers — are swimming in it. (more…)

Brian Eno – Music for Films

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More Art Rock Records

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  • Music for Films makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Rich, smooth, tonally correct, spacious, this collection of recordings made between 1975 and 1978 was compiled and transferred with consummate skill, ensuring that the highest fidelity was maintained
  • We bought quite a few of these experimental albums, but condition problems forced us to give up on the project – this is one of the few copies we found in audiophile playing condition
  • “It is a conceptual work intended as a soundtrack for imaginary films, although many of the pieces had already appeared in actual films.”
  • 5 stars: “…it is essential Eno, and a landmark collection drawn from among his work.”

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Dire Straits – Self-Titled

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Hot Stampers of the Self-Titled Album Available Now

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  • You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this UK pressing of the band’s brilliant debut
  • One of the best sounding rock records ever made, with rich, sweet, smooth mids; prodigious amounts of bass; superb transparency and clarity; and a freedom from hi-fi-ishness and a lack of distortion like very few rock records we have ever heard
  • Rhett Davies knocked this one out of the park – it’s a Top 100 title, a member of the Tubey Magical Top Ten, and our favorite by the band for both sound and music
  • 4 1/2 stars: “Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album… the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”

*NOTE: On side one, a mark makes 3 moderate pops followed by 8 light ticks at the beginning of Track 1, Down to the Waterline. On side two, a mark makes 11 light ticks on Track 1, Sultans of Swing.

Rhett Davies is one of our favorite engineers. He’s the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.

The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings.

Rhett Davies, by virtue of the existence of this album alone, has proven that he belongs in the company of the greatest engineers of all time, right up there with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick, Glyn Johns and others we could mention. (more…)

Talking Heads – Remain In Light – A Tough Title to Play

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This is a record that’s going to demand a lot from the listener, and we want to make sure that you feel you’re up to the challenge. If you don’t mind putting in a little hard work, here’s a record that will reward your time and effort many times over, and probably teach you a thing or two about tweaking your gear in the process (especially your VTA adjustment, just to pick an obvious area most audiophiles neglect).

A word of caution: Unless your system is firing on all cylinders, even our hottest Hot Stamper copies — the Super Hot and White Hot pressings with the biggest, most dynamic, clearest, and least distorted sound — can have problems . Your system should be thoroughly warmed up, your electricity should be clean and cooking, you’ve got to be using the right room treatments, and we also highly recommend using a demagnetizer such as the Walker Talisman on the record, your cables (power, interconnect and speaker) as well as the individual drivers of your speakers.

This recording ranks high on our Difficulty of Reproduction Scale. Do not attempt to play it using any but the best equipment.

It took a long time to get to the point where we could clean the record properly, twenty years or so, and about the same amount of time to get the stereo to the level it needed to be.

It’s not easy to find a pressing with the low end whomp factor, midrange energy and overall dynamic power that this music needs, and it takes one helluva stereo to play one too.

As we’ve said before about these kinds of recordings — Ambrosia; Blood, Sweat and Tears; The Yes Album; Dark Side of the Moon, Led Zeppelin II — they are designed to bring an audio system to its knees.

If you have the kind of big system that a record like this demands, when you drop the needle on the best of our Hot Stamper pressings, you are going to hear some amazing sound .

Brian Eno – His First Four Albums Are Best on Import, Right? – Well, Almost…

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[This commentary is quite old. You should take it with a grain of salt.]

The domestic pressings of Before And After Science are typically grainy and hard sounding — hardly competitive with the smoother British Polydors. But our best Hot Stamper pressing isn’t an import; it was made right here in the good old U. S. of A.

Say what? Yes, it’s true. We were SHOCKED to find such hot stamper sound lurking in the grooves of a domestic Eno LP. It’s the One and Only. In thirty plus years of record playing I can’t think of any domestic Eno LP that ever sounded this good.

Now hold on just a minute. The British pressings of Eno’s albums are always the best, aren’t they?

For the first three albums, absolutely. But rules were made to be broken. This pressing has the knockout sound we associate with the best British originals of Eno’s albums, not the flat, cardboardy qualities of the typical domestic reissue.

Kinda Blind Testing

Since the person listening and making notes during the shootouts has no idea what the label or the pressing of the record is that he is evaluating — this is after all a quasi-scientific enterprise, with blind testing being the order of the day — when that domestic later label showed up at the top of the heap, our jaws hit the floor.

Both sides have that rare combination of silky highs and deep low end that make any record magical. Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming (how did these guys get together? We forget that Collins was in the proggy Brand X) is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work. (more…)

Roxy Music – Flesh + Blood

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A distinguished member of the Better Records Rock Hall of Fame.

The British Original Polydor Super Deluxe pressings are the only way to go on this album. No domestic pressing or other import was better than passable; we know, we played them. The British LP is cut by one of my favorite mastering houses in England, which no doubt accounts — at least partly — for the excellent sound.

The estimable Robert Ludwig cut the domestic pressings. Unfortunately for us Americans, it sounds to us like they gave him a dub tape to master from. (The same thing happened on Avalon by the way.)

This is a transitional album. Some of it sounds like Avalon (Oh Yeah, Over You, etc) and some of it sounds more like their earlier material. It may not be as consistent as Avalon but it’s well worth owning for its best songs (listed below) and highly recommended for fans of the band. (more…)