Records that Sound Best Like This

Frank Sinatra – Moonlight Sinatra

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

Out of this world Triple Triple (A+++) sound – this is sure to be one of the best Sinatra records you’ll ever hear. Both of these Shootout Winning stereo sides are unbelievably rich and Tubey Magical – this is some killer Frank Sinatra sound. We’ve been working on this shootout for years – this is the first – and best – copy we have to show for our efforts.

This Blue Green Label LP also has the MIDRANGE MAGIC that’s missing from the later reissues. As good as some of them can be, this one is dramatically more REAL SOUNDING. It gives you the sense that Frank Sinatra is right in front of you.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you.

Reprise pressings — like every label’s pressings — are all over the map. When you find a good one, you can be pretty sure it’s the exception, not the rule. (more…)

Van Morrison – Moondance – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

For the first time ever… a WHITE HOT STAMPER pressing of Moondance on QUIET VINYL! This Warner Bros. Green Label copy has a side two that just can not be beat — A+++ all the way.

It took us a long time to build up enough copies to get this shootout rockin’, a fact that anyone who has ever sought out a copy of this album will certainly understand. Clean originals just aren’t hanging around in the bins, and when you do find one it usually costs a pretty penny. Add on the fact that most copies just don’t sound all that hot and you can forgive us for thinking that we might never list a Hot Stamper copy again. (more…)

Iberia from 1960 – Amazing on the Original and the Right Reissues Too

1960 – A Great Year for Top Quality Recordings of Timeless Music

When you look closely at all the great records that were released that year — some of which can even be purchased in Hot Stamper form on this very site — you may come to agree with us that 1960 was a wonderful year for recorded music.

Click HERE to see the records currently on the site that were recorded or released in 1960.

And HERE to see the records from 1960 that we’ve reviewed, a substantially larger group as you can imagine, with more than 90 entries at the time of this writing.

 

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 A Top Quality Reissue (Potentially of Course)

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 A Wonderful Original (On the Right Pressing, Again, Of Course)

More of the music of Isaac Albeniz (1860-1909)

James Walker was the producer, Roy Wallace the engineer for these sessions from May of 1960 in Geneva’s glorious sounding Victoria Hall. It’s yet another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 30+ years ago, not the bad modern mastering of today.)

The combination of old and new works wonders on this title as you will surely hear for yourself on both of these better than Super Hot sides.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Side One – Iberia (1-4)

A huge hall, correct string tone, spacious and open as practically any orchestral recording you can find! (more…)

Phil Manzanera – Diamond Head – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This White Hot Stamper English Import has the BIGGEST, BOLDEST SOUND we have ever heard for this album! If this copy doesn’t wake up your stereo nothing ever will.

Like its brother, 801 Live, this album is an amazing SONIC BLOCKBUSTER, with sound that positively leaps out of the speakers.

Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more.

This isn’t known as an audiophile album but it should be — the sound is GLORIOUS — wall to wall, floor to ceiling, and as rich and dynamic as it gets. It’s also a big speaker album. Play this one as loud as you can. (801 Live is exactly the same way and needs high volumes to come to life.) (more…)

Johnny Mathis – Johnny’s Newest Hits

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  • This early Columbia 360 pressing of Johnny’s Newest Hits (hey, they were new in 1963!) boasts solid Double Plus (A++) sound from start to finish – fairly quiet vinyl too
  • The best copies demonstrate the big-as-life early Columbia Sound at its best – full-bodied and warm yet clear, lively and dynamic
  • Both sides here are clean and present with wonderfully full strings and rich vocals
  • “…a collection of his ‘latest hits, the ones that brought him back to the singles charts.'”

Finding clean Johnny Mathis records from 50+ years ago, on Columbia, in stereo, is no easy task, which is why you see so few come to the site. We would be hard pressed to find one good title to shootout in a given year — there are simply too few original pressings that have survived the turntables of the day.

One tip we can offer any Mathis fans who may be out there: stick to the Columbia era if you want audiophile sound. His Mercury recordings, at least the half-dozen or so we’ve played, were godawful sounding. (more…)

Frank Sinatra – Look To Your Heart

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Triple Plus (A+++) on side one, with a side two that is right up there with it – outstanding sound quality from first note to last. This copy was the fullest, richest and smoothest, with the best bass and most natural vocals of any we played. Recorded from 1953-1955, this mono collection of singles and such gives us Old Blue Eyes in his Capitol-period prime.

The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most.

This Hot Stamper pressing has the kind of ’50’s Tubey Magical Analog Sound that’s been lost to the world of recorded music for decades — decades I tell you! Nobody can manage to get a recording to sound like this anymore and it seems as if no one can even remaster a recording like this anymore, if our direct experience with scores of such albums counts as any sort of evidence.

Steve Hoffman is the guy that can get the closest in this regard, but the difference between The Real Thing and even the best of his Remasters is not the slightest bit hard to hear. (more…)

The Rolling Stones – No. 2

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A distinguished member of the Better Records Rock and Roll Hall of Fame. 

The best word I could use to sum up both the sound and the music on this record is HONEST. If you want to hear how early Rolling Stones records sound when they sound right, this is the ticket. This is the real sound of the early, early Stones.

Probably what any modern engineer would want to do to the album would only end up making it worse. It is what it is and that’s good enough for us.

Some tracks do sound quite a bit better than others, recorded as they were in three different locations (including Chess studios) by two different engineers (Ron Malo and Dave Hassinger). (more…)

Johnny Cash – The Sound of Johnny Cash

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  • KILLER sound from start to finish with both sides earning Nearly Triple Plus (A+++) grades, right up there with our Shootout Winner
  • Big, rich, tubey and open, this is some of the best sound Columbia achieved for its country records in the ’60s
  • The vocal presence and freedom from coloration will put a very real sounding Johnny Cash front and center in your listening room
  • “What is interesting about this album, though, is that it doesn’t just remind us of the sound of Johnny’s past, instead it points the way forward to the future, even serving as a template for his ultimate Man in Black persona.”

(more…)

Tony Bennett – I Wanna Be Around…

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  • With two seriously good Double Plus (A++) sides, this was one of the better sounding copies we played in our recent shootout  
  • This is an excellent vintage 360 stereo pressing, with the all important midrange magic that’s surely missing from whatever 180g reissue has been made from the tapes (or, to be clear, a modern digital master copied from who-knows-what-tapes)
  • “As the studio album followup to Tony Bennett’s breakthrough record, I Left My Heart in San Francisco, I Wanna Be Around had a lot to live up to, but since San Francisco was a culmination of Bennett’s development, and not a fluke, I Wanna Be Around turned out to be almost on a par with its predecessor… A worthy successor.”

(more…)

Queen – The Game – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Two SUPERB SIDES with side one beating all comers to achieve White Hot Stamper status! Throughout this copy you get solid bass, tubey magic, breathy vocals and BIG BOLD sound!

But watch out: this side one kicks it up to a whole ‘nother level, with BIGGER energy, BIGGER bass and even more PRESENT and breathy vocals from Mr. Mercury. This is without a doubt some of the best sound we have ever heard for Queen, no ifs, ands or buts about it.

When reading the above it’s best to keep this in mind: The Game may be the BEST SOUNDING record Queen ever made. The Dirty Little Secret of Queen’s recorded output is that they are mostly pretty mediocre, and often downright dreadful.

Do you see a lot of them going up on the site? No? Well, there’s a reason for that. As much as people love Queen, we just can’t seem to find pressings that do their music justice. Take A Night at the Opera for example. Is this a good sounding record? I’ve played twenty of them over the last ten years — imports, domestics, the DCC, the MoFi – and NONE of them sounding particularly good to me. Don’t rely on your memory. Pull out your own copy and listen closely; you should hear the distortion and smearing and transistory grain that’s there on all the copies I’ve played. It’s a record that’s trying to sound good but just doesn’t, so far anyway. Hope springs eternal.

[This is no longer true, the Hot Stampers were discovered a few years back!] (more…)