Hot Stamper Pressings of the Music of Santana Available Now
In our most recent shootout (11/2023), the first we’ve done in quite a few years, my main listening guy was blown away by the sound of the Shootout Winning copy. This warmed my heart no end, as I have been raving about the sound of this album for fifteen years or more.
We created a section for phenomenally good sounding records like Inner Secrets, and this link will take you to it.
His notes from the session can be seen below.
And he’s not wrong about much of the album being “blah.” There are really only about four top quality songs out of the nine on the album, but three of those four are killer, and, even at our prices, make the album a Must Own for those of you with big speakers that can play good and loud.
Phase One and Phase Two of a Shootout
Like other Hot Stampers you may have read about, sometimes the instruments and voices just jump out of the speakers. When that happens I usually write “It’s Alive!” on the post-it, and I know exactly what to do with it. I put it right in the Contender pile, to be compared with the other top contender copies at some point.
It’s definitely a crazy-good Hot Stamper; just how hot we still need to find out.
Which is what happens in Phase Two of these affairs. We go back through all the best copies to see in what areas they really shine and in what areas they may fall a bit short of the best.
Of course there’s no way to know what accounts for any of the sound we hear. Not for sure anyway. It’s just interesting to ponder what makes one record sound one way and the next record, with stampers as little as one letter off in the alphabet — sometimes with exactly the same stampers! — sound so different from one another.
Doug Sax Is The Man
All the originals (the only ones with the potential for good sound in our experience) are cut by The Mastering Lab, one of the greatest cutting houses to ever master records.
Doug Sax may or may not have had anything to do with the making of this record, but one thing we can be sure of: he knew how to keep his lathes and amplifiers working at state-of-the-art levels. The sound quality is unsurpassed.
And he did it all with tubes.
