Top Artists – Frank Sinatra

Frank Sinatra – Sinatra’s Sinatra

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  • Sinatra’s wonderful 1963 release finally returns with STUNNING Shootout Winning Triple Plus (A+++) sound throughout
  • Forget the reissues – the stereo original we are offering here is the only way to go if rich, tubey, dynamic, musical sound is what you are after
  • Frank rerecorded some of his biggest hits in stereo for this album – the record is just one Sinatra Classic after another
  • “Some of his biggest hits and most famous songs are included in his picks, including “I’ve Got You Under My Skin” and “Young at Heart.””
  • Amazon 5 Stars: “Riddle’s arrangements are, as always, top-notch, and Sinatra is in fine, engaging form.”

Great bass and weight coupled with lots of space and correct tonality in the midrange add up to only one thing: Triple Plus or close to it sound on both sides!

Copies with rich lower mids and nice extension up top (to keep the strings from becoming shrill) did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we heard them all.

We know a fair bit about the man’s recordings at this point. As of today we’ve done commentaries for more than 21 different Sinatra shootouts, and that’s not even counting the ten or twenty other titles that either bombed or were sold off years ago. (more…)

Frank Sinatra – Sinatra’s Swingin’ Session

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More Nelson Riddle

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  • This Capitol stereo pressing boasts outstanding Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • These sides are rich, Tubey Magical, balanced and natural – this is the way you want Frank Sinatra to sound
  • The tonality of Sinatra’s voice is right on the money, and the brass – so key to these big group sessions – is alive with energy and power
  • 4 1/2 stars: “Sinatra’s Swingin’ Session is a fast, driving album, the speediest and hardest swing collection Frank Sinatra ever recorded. Sinatra performed the songs twice as fast as was expected; consequently, it’s one of his jazziest swing sets, with the musicians spitting out energetic, forceful solos and providing tough, gutsy support.”

This is one of the more fun Sinatra albums we’ve had the pleasure of playing around here, and this is a copy that delivers big time. Nelson Riddle and his orchestra back Frank with wonderful arrangements, and a copy like this lets you appreciate everyone’s hard work. (more…)

Frank Sinatra – Strangers In The Night

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  • With excellent Double Plus (A++) grades on both sides, this Sinatra title surprised us with its DEMO DISC sound
  • Clearly one of the better sounding Reprise-era Sinatra pressings we have ever played
  • Credit must given to the extraordinarily inventive arrangements of Nelson Riddle and the All Tube engineering of Lee Herschberg
  • “Sinatra’s singing is relaxed, confident, and surprisingly jazzy, as he plays with the melody of “The Most Beautiful Girl in the World” and delivers a knockout punch with the assured, breathtaking “Summer Wind.”

We cannot recommend this pressing highly enough. If you want to know what the best sounding Sinatra records sound like, this is your chance. Folks, in my opinion it simply does not get any better than a killer White Hot Stamper of Strangers In The Night.

These originals are the only way to go for ’60s Sinatra, but finding them in good shape on quiet vinyl is no picnic and only a few of them actually sound the way we want them to. It’s a real treat to be in the presence of the Chairman Of The Board, in his prime, working his magic — but only an exceptional copy like this one has the power to put him right in the room with you.

What to Listen For

The Tubey Magic has to be heard to be believed. I cannot recall hearing a richer, smoother, tubier Frank Sinatra album in all my born days.

Weighty brass is key to the sound of more than just the horn section. Any leanness or thinness in the brass is instantly heard as Sinatra without weight and richness to his voice. This is the instantly recognizable sound of most reissues, the main reason we stopped buying them years ago. Having played so many amazing original stereo pressings for our shootouts over the years we don’t think that will change anytime soon. There simply is no substitute for a clean stereo pressing on the original label.

Full, Rich, Breathy, Present vocals are obviously critically important as well. This copy delivers some of the best we heard.

On this copy the orchestra and band are putting out plenty of low end, reaching down well into whomp land. It’s a thrill to hear to hear that sound on these swinging arrangements coming out of my speakers.

And of course the copies that are rich and tubey but also big, clear and open did the best in our shootout. (more…)

Frank Sinatra – Sinatra ’65

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  • Sinatra ’65 finally returns to the site with Big, Bold, Shootout Winning Triple Plus (A+++) sound or very close to it from first note to last
  • This original Green and Blue label Reprise pressing boasts clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
  • Forget whatever dead-as-a-doornail Heavy Vinyl they’re making – the Tubey Magic, size and energy of this very special vintage pressing simply cannot be beat
  • “. . . this is a big, bold and beautiful Sinatra album. Sinatra is at his zenith. [His] voice is in super top form on every selection in this album.”

Is the title a play on Capitol’s gazillion selling Beatles ’65? Only Frank really knows.

This original Green and Blue Reprise stereo pressing has the sound we look for — big, rich and tubey.

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Frank Sinatra and Duke Ellington – Francis A. & Edward K.

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  • A STUNNING original Reprise pressing with a Shootout Winning Triple Plus (A+++) side one mated to an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • Sinatra is both natural and present – he actually sounds like he is standing on the same stage as Ellington’s band
  • “Recorded on Sinatra’s birthday in 1967, this collaboration between America’s most popular singing icon and pre-eminent jazz composer still endures as one of Sinatra’s most enjoyable Reprise-era albums.” – Amazon

Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.

You Are There

The presence and immediacy here are really something. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.

The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most by a long shot. Very few Sinatra records offer the kind of realistic, lifelike sound you get from this pressing.

He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you. (more…)

Frank Sinatra – No One Cares

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  • Sinatra’s 1959 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound from start to finish on this original Capitol LP
  • On a copy this good, Frank will appear as living, breathing (albeit disembodied) person right in your very own listening room – we call that “the breath of life,” and this record has it in spades
  • 4 1/2 stars: “Jenkins gives the songs a subtly tragic treatment, and Sinatra responds with a wrenching performance.”

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Frank Sinatra / Count Basie – It Might As Well Be Swing

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  • A KILLER sounding copy with Triple Plus (A+++) sound from the first note to the last
  • These side are doing it all right — big, rich and Tubey Magical yet still clean, clear and present with lovely breathy vocals
  • “It Might as Well Be Swing, was a more structured, swing-oriented set than Sinatra-Basie, and in many ways the superior album… , what makes [it] more successful is the consistently high level of the performances. On their previous collaboration, both Sinatra and Basie sounded a bit worn out, but throughout this record they play with energy and vigor.” 

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Frank Sinatra – Cycles

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  • A STUNNING copy of Cycles with Shootout Winning Triple Plus (A+++) sound from first note to last
  • Big, full-bodied and musical, with exceptional presence for the most important element of the recording, Sinatra’s clear, richly expressive bourbon baritone
  • The midrange reproduction is superb – breathy and natural, with dramatically more Tubey Magic than you will hear on any other copy you can find, guaranteed
  • “Cycles was Frank Sinatra’s first full-fledged pop/rock-oriented album, concentrating on a more orchestrated variation on the popular folk-rock of the late ’60s.”

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Frank Sinatra – Trilogy: Past, Present and Future

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  • An outstanding copy of Sinatra’s superb 1980 release with solid Double Plus (A++) sound on all SIX sides
  • The sound here is rich and full-bodied with much less grain and much more Tubey Magic than most of the other copies we played
  • Credit the brilliant engineering of Frank Laico for the excellent sound – this record doesn’t sound like 1980, and that’s a very, very good thing
  • “An audacious, ambitious way to stage a comeback, each of the album’s three records was conceived as an individual work, and each was arranged by one of Sinatra’s major collaborators. . . the best moments are triumphant, proving that the Voice was still vital in his fourth decade of recording.”

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Frank Sinatra – The Concert Sinatra

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More Pop and Jazz Vocal Albums

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  • The Concert Sinatra finally returns to the site with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish on this original Reprise LP
  • Sinatra’s voice on this exceptionally good pressing always sounds natural even at its loudest – there is no strain or hardness, and that makes it a very special copy indeed
  • The 73 musicians you see stretched out across the soundstage at Samuel Goldwyn Studios behind Sinatra will give you some idea of the size and scope of the sound – with 24 mics feeding 8 tracks onto 35MM recording film, this was the sonic equivalent of Gone With the Wind
  • “It’s not exactly the swinging Sinatra of myth and legend, but it does make for a stunning musical experience; the Chairman is in great voice, and he scales the explosive orchestral peaks of Riddle’s arrangements with the confidence of a mountain climber on methedrine. His versions of “Ol’ Man River” and “Soliloquy” are big improvements over his Columbia-era attempts, and “You’ll Never Walk Alone,” “My Heart Stood Still,” and “Lost in the Stars” are positively breathtaking.”

Folks, when we say that clean, good-sounding Sinatra records are hard to come by, we are not kidding. It took us five years to find enough copies of this title to do a proper shootout. In that time an awful lot of bad LPs passed through our hands: the monos (never heard a good one), the reissues (ditto), imports, and, most commonly, original stereo pressings in beat-to-death condition. People loved Sinatra and played his records until the grooves were gone.

This album ranks right up there with the best of the Reprise era musically; recorded in 1963, Sinatra was still in his prime.

For audiophiles, the amount of effort that went into the recording, effort that actually paid off, is what will impress the most about The Concert Sinatra. Fortunately for those of us who are still playing records forty-odd years on, this special project took place before the advent of the transistor, which means that all the Tubey Magic of the singer and his all-encompassing orchestra was captured on the “tape”.

Ah, but how much of that sound made it to the record itself, that’s always the rub with records isn’t it?

In this case, plenty. There may be a touch of smear (you can most easily hear it in the strings) but the sound is so RICH and Tubey Magical that you will barely be aware it. Your attention should instead be focused on the superb feel the man has for this music.

One thing to pay special attention to, especially if you have other copies of the album, is Sinatra’s voice, which sounds natural from first note to last, even at its loudest. There is no strain or hardness. That, among many other things, is what separates the best copies from the also-rans (and, of course, all the reissues, which tend to have gritty, harsh vocals which quickly get unbearably edgy in the louder parts). (more…)