- An outstanding copy of That’s Life, with solid Double Plus (A++) sound from first note to the last
- Incredibly big, rich and Tubey Magical, with especially breathy, present vocals that put Frank Sinatra front and center between your speakers
- “That’s Life continued Frank Sinatra’s streak of commercially successful albums that straddled the line between traditional and contemporary pop music. Adding more pop music techniques to his repertoire of show tunes, That’s Life made contemporary pop concessions while satisfying Sinatra’s own taste for weightier, more respected material.”
- This superb compilation of Sinatra’s two 1954 releases makes its Hot Stamper debut here with a Shootout Winning Triple Plus (A+++) sound on side one mated with outstanding Double Plus (A++) sound on side two, and the vinyl is about as quiet as we can find it
- Drop the needle at the start of side one and you will soon find a living, breathing Frank Sinatra standing between your speakers
- Exceptionally lovely All Tube sound from 1954, with a huge, rich orchestra conducted by the legendary Nelson Riddle
- 4 1/2 stars: “Sinatra plays around with the melodies without leaving them behind, delivering each line with precision. It ranks as one of his most jazzy performances, as well as one of his most fun and carefree records.”
- A Swingin’ Affair finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound from start to finish – and the vinyl is as quiet as any we’ve heard on a late-50s Sinatra album
- This superb pressing will put Frank Sinatra directly between your speakers, with his voice sounding as tonally correct and natural as we heard all day
- Nelson Riddle and his orchestra back Frank with wonderful arrangements, and a copy like this lets you appreciate everyone’s hard work
- This record plays Mint Minus Minus – about as quiet as any early Capitol pressing you’re likely to ever hear
- 5 stars: “[A Swingin’ Affair!] exudes a self-assured, confident aura. It is a hard, jazzy album.”
- A stunning sounding copy with Shootout Winning Triple Plus (A+++) sound throughout
- Sinatra is both natural and present – he actually sounds like he is standing on the same stage as Ellington’s band
- “Recorded on Sinatra’s birthday in 1967, this collaboration between America’s most popular singing icon and pre-eminent jazz composer still endures as one of Sinatra’s most enjoyable Reprise-era albums.” – Amazon
Recorded one year after the remarkable Sinatra-Jobim record that we treasure here at Better Records, Sinatra takes the opportunity to work with one of the greatest bandleaders in the history of jazz, the Duke himself. We had good luck with the stereo originals on the lovely Blue and Green Reprise labels — they can be as big, rich and warm as Sinatra’s legendary Capitol recordings when you find the right pressing, and that’s really saying something.
You Are There
The presence and immediacy here are really something. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most by a long shot. Very few Sinatra records offer the kind of realistic, lifelike sound you get from this pressing.
He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and this record has it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music, because there’s no “sound” to distract you. (more…)
If you’re the kind of audiophile who doesn’t want to do the work required to find a top quality vintage pressing on his own, or buy one from us, this is actually a very good sounding record and a good way for you to go.
It’s ideal for most audiophiles.
Ask yourself three questions:
Do you want the expense and hassle of finding a nice original stereo copy?
Do you want to invest in proper record cleaning equipment to restore the glorious sound of the original’s 50-plus year old vinyl?
Do you want to spend the time (decades) and money (tens of thousands of dollars) to build and tweak a top quality analog playback system?
If you don’t want to do these things, you are not alone.
In fact, you are clearly in the majority, part of that enormously tall, fat bulge right in the middle of the bell curve. As the quintessential audiophile record lover, a big part of the mass of the mass-market, Mobile Fidelity has made the perfect record for you.
It’s quiet, it’s tonally correct, and on the mediocre equipment you will use to play it back with, it does not seem to be especially veiled, opaque or compressed.
It is indeed all of these things, and many more, but you will have no reason to suspect that anything is wrong with it.
More precisely, you will have no way to know that anything is wrong with it.
We know exactly what’s wrong with it, but that’s because we are very serious about records and audio, as serious as they come. Who digs deeper than we do?
Now that you have failed to note its many shortcomings, the only thing remaining is for you to go to an audiophile forum and write your review, telling everyone how much better it is than whatever crappy pressing you owned and will be trading in soon. (This assumes you owned anything at all. I would be surprised if the average audiophile has a vintage copy of the album to compare with the new one, but no doubt some do.)
If you want to hold the pressings you play to a higher sonic standard, we are here to help.
If setting a low bar is more your style, Mobile Fidelity has been making records for you for more than fifty years. As long as you keep buying them, they’ll keep making them. They’ve been setting a very low bar for as long as I can remember, and the fact that they are still around is positive proof that their customers like it just fine that way.
- You’ll find nearly Triple Plus (A++ to A+++) sound from first note to last on this elusive favorite from Ol’ Blue Eyes – exceptionally quiet vinyl too!
- We’ve been working on this shootout for years – this is one of the few copies to ever hit the site
- Master engineer Lowell Frank correctly captured the sound of every instrument here: the guitars, piano, strings, drums, percussion instruments — everything has the natural timbre of the real thing
- “Driven by a set of lush, sparkling Nelson Riddle arrangements, Moonlight Sinatra is a low-key, charming collection. An enjoyable, romantic listen.”
These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.
The presence and immediacy here are wonderful. Turn it up and Frank is between your speakers, putting on the performance of a lifetime. On the best, hard-to-find copies, the sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy.
This Blue Green Label LP also has the midrange magic that’s missing from the later reissues. As good as some of them can be, this one is more real sounding. It gives you the sense that Frank Sinatra is right in front of you.
He’s no longer a recording — he’s a living, breathing person. We call that “the breath of life,” and the best pressings have it in spades. His voice is so rich, sweet, and free of any artificiality, you immediately find yourself lost in the music because there’s no “sound” to distract you. (more…)
- This original Reprise stereo pressing has PHENOMENAL Shootout Winning Triple Plus (A+++) sound from the first note to the last
- This is one of the best sounding Sinatra recordings we know of from any era – a true Male Vocal Demo Disc
- It’s big, lively, clear and present, with the kind of Tubey Magical richness we flip out for here at Better Records
- Don’t judge the album by its cover – the music is wonderful from beginning to end and so is the sound
- “Featuring a selection of Oscar-winning standards, ranging from 1934’s ‘The Continental’ to 1962’s ‘Days of Wine and Roses,’ Academy Award Winners is professional and stylish album… Sinatra is charming and lively…while Riddle’s charts are light and entertaining.”
For our first Hot Stamper listing in 2014 we had written:
One of the best sounding Reprise-era Sinatra recordings we know of.
Having just listened to a slough of top Sinatra titles, I feel it’s my duty to inform the record buying public — at least that small fraction of the public that comes to this site — that the above statement is somewhat inaccurate. It should have read:
One of the best sounding Sinatra recordings we know of from any era.
And the reason for the change is simple enough: I simply cannot recall ever hearing a better sounding Frank Sinatra record in my life. (more…)
- Two outstanding sides each earning Double Plus (A++) grades, and playing about as quietly as any early Rainbow Label Capitol stereo pressing can
- This Capitol LP has the MIDRANGE MAGIC that’s missing from the later reissues, which, to our way of thinking, are not worth buying at any price. It gives you the sense that Frank Sinatra is standing right in front of you, and that’s exactly the way we like to hear him
- Somehow the man managed to record and release six studio albums in 1962, with this compilation making a total of seven for the year. Even more remarkable, all seven of them made the Top Ten of the pop charts
- The music is excellent, as one can see from the track listing. It’s hard to go wrong with these later Capitol Sinatra records. They’re almost always a fun listen
This album comprises the last group of singles Capitol released of Sinatra’s music. Reprise had started in 1960 and the rest of Sinatra’s music would come out on his own label. (more…)
- This original Blue and Green Reprise Stereo pressing boasts outstanding Double Plus (A++) sound or close to it on all four sides
- Truly one of the greatest live albums of all time, recorded late at night in the big room at the Sands Hotel in Vegas
- This is Basie and Sinatra in their natural habitat and in their prime, putting on the show of a lifetime
- On the right system this is about as close as you get to hearing Sinatra singing live in your listening room, with the added realism of a live Vegas show
- 4 1/2 stars: “Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra … the definitive portrait of Frank Sinatra in the ’60s.”
*NOTE: On side three, a mark makes 10 light ticks at the end of Track 3 and 10 moderate pops at the beginning of Track 4.
This double album presents Sinatra and Basie at the height of their powers, in a setting especially conducive to both men’s music, the big room at the Sands Hotel in Vegas. If you missed it — and I’m sure most all of us did — here’s your chance to go back in time and be seated with the beautiful people front row center. This two-disc all tube-mastered analog set is practically the only way you’ll ever be able to hear the greatest vocalist of his generation — in his prime no less — fronting one of the swingingest big bands of the time.
The presence and immediacy here are staggering. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.
The sound is big, open, rich, and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there offer the kind of realistic, lifelike sound you get from this pressing. (more…)
One of our good customers had this to say about some Hot Stampers he purchased recently (and one that is still on its way to him):
So I go on YouTube to refresh my memory and listen and James Taylor that could be good, Toto, what a feel good album brings back memories, Wish You Were Here already have a pretty good copy, Sinatra-Basie what’s that?
So I go to YouTube and first track HOLY CRAP! You know it’s good when you’re throwing a sound stage off your lap-top! Basie orchestra, perfect. Frank comes in swinging and man that guy was so freaking cool, people today have no idea how unbelievably cool he was, and so like 20 seconds if that I am SOLD!!!😂😂😂
Francis A and Edward K was a fave for years. You turned me onto Mel Torme Swings Schubert Alley. Fabulous voice. What I love most of all though is the sense of live flowing swinging music of FA&EK and with Basie. Gets me even off the laptop!
You know there’s two kinds of audiophiles, the ones who want a vast array of new music, and the ones who are happy with only a small amount of high quality music.
I am definitely in the second group. Love new music but when it comes to what I will sit and listen, very hard to please. When I do find something new though man do I ever appreciate it. Got a good feeling about Sinatra-Basie. Thanks!
One quick thought. I used to say that you have to buy twenty albums to find the one you will fall in love with, and without those other 19 you will never discover the one. There is no way to predict any of this music stuff. Or sound stuff. You have to experience it, and to experience it you have to do the work and spend the money.
The “work” is supposed to be fun, and most of the time it is, but it is definitely work to buy hundreds of records and set aside the time to play them. I’ve been doing it since I was about 17; I can still remember the converted house of a record store I used to shop at in Leucadia right off the coast highway. Bought Loggins and Messina’s first album there the year it came out, 1971, because I was already a big Poco fan and Buffalo Springfield fan and Jim Messina was in both. Bought Frampton’s Wind of Change from the same store the next year.
Both became favorites and have been played many hundreds of times in the intervening five decades. (We have a section for these kinds of records which can be found here.)
I had to buy 2000 records to find my top 100. Being in the record business for 30+ years has let me play 10,000 records or more and find my top 500, but the ratio is the same. (more…)