- This superb copy of Thick As A Brick offers outstanding Double Plus (A++) sound from first note to last
- One of the few copies we’ve found lately with this kind of sound and audiophile quality playing surfaces
- A Top 100 title and the BEST SOUNDING ALBUM Jethro Tull ever recorded – allow us to make the case
- A stunning Demo Disc to Rule Them All — sure to be the best you’ve ever heard Tull sound if you have the system for it
- 4 1/2 stars: “A masterpiece in the annals of progressive rock – a dazzling tour de force, at once playful, profound, and challenging, without overwhelming the listener.”
- Jethro Tull’s fourth studio album finally returns to the site with Shootout Winning Triple Plus (A+++) grades or close to them on both sides
- The vinyl is quite good on side one, but side two is its usual crackly self in the quieter passages — at least no marks play
- The sound is KILLER from start to finish – big, punchy, present, tubey and bursting with Rock and Roll energy
- A Better Records Top 100 title that still floors us on the better copies, with sound that will jump right out of your speakers (which is exactly the sound the modern Heavy Vinyl pressings cannot give you)
- 4 1/2 stars: “… one of the most astonishing progressions in rock history… the degree to which Tull upped the ante here is remarkable… Varied but cohesive, Aqualung is widely regarded as Tull’s finest hour.”
Folks, for hard-rockin’, Tubey Magical, ’70s Arty Proggy Rock in ANALOG, it just does not get much better than Aqualung. You need the right pressing to bring it to life though, and this one is certainly up to the task. (more…)
Some records are just too consistently noisy for us to offer to our audiophile customers no matter how good they sound.
We have a section for records that tend to be noisy, and it can be found here.
- A stunning Chrysalis British import double LP set with Triple Plus (A+++) grades or close to them on sides one, two and four and a solid Double Plus (A++) side three
- You’re gonna love the sound here – clean, clear and full-bodied with great bass and solid midrange presence and energy
- These are incredibly tough to find with the right sound and surfaces – this is one of the best copies to hit the site in years
- 4 1/2 stars: “… this collection is seminal and essential to any Tull collection, and the only compilation by the group that is a must-own disc.”
From 2009 to 2010 this was our single go-to record for testing and tweaking the system.
Although we now use an amazing copy of Bob and Ray (the big band version of The Song of the Volga Boatmen located therein has to be the toughest test we know of bar none), we could easily go back to using TAAB. It’s absolutely ruthless when it comes to the slightest hint of artificiality in the sound of the system.
Since the biggest problem every audiophile is always fighting is artificiality (and, more often than not, losing, if I may be that cynical about most audiophile systems, our customers’ systems excluded of course), TAAB is one of the best recordings one could ever find to test and tune with.
- The better copies are shockingly dynamic. At about the three minute mark the band joins in the fun and really starts rocking. Set your volume for as loud as your system can play that section. The rest of the music, including the very quietest parts, will then play correctly for all of side one. For side two the same volume setting should be fine.
- The recording can have exceptionally solid, deep punchy bass (just check out Barrie “Barriemore” Barlow’s drumming, especially his kick and floor toms. The guy is on fire).
- The midrange is usually transparent and the top end sweet and extended on the better pressings.
- The recording was made in 1972, so there’s still plenty of Tubey Magic to be heard on the acoustic guitars and flutes.
- The best copies can be as huge, wide and tall as any rock record you’ve ever heard, with sound that comes jumping out of your speakers right into your listening room.
- Unlike practically any album recorded during the ’80s or later, the overall tonal balance, as well as the timbre of virtually every instrument in the soundfield, is correct on the best copies.
That kind of accuracy practically disappeared from records about thirty years ago, which explains why so many of the LPs we offer as Hot Stampers were produced in the ’70s. That’s when many of the highest fidelity recordings were made. In truth this very record is a superlative example of the sound the best producers, engineers, and studios were able to capture on analog tape during that time.
Which is a long way of saying that the better copies of Thick As A Brick have pretty much EVERYTHING that we love about vinyl here at Better Records.
Furthermore, I can guarantee you there is no CD on the planet that will ever be able to do this recording justice. Our Hot Stamper pressings – even the lowest-graded ones – have a kind of ANALOG MAGIC that just can’t be captured on one of them there silvery discs. (more…)
- An excellent sounding UK copy with Double Plus (A++) sound from the first note to the last
- Both sides are super big and full with wonderfully breathy vocals and a deep punchy bass
- Very quiet for this title — Mint Minus to Mint Minus Minus
- “Minstrel in the Gallery was Tull’s most artistically successful and elaborately produced album since Thick As a Brick…” – All Music=
This original British Chrysalis copy has two excellent sides, with ROCK ENERGY and power that few other copies could compete with. This copy gets BIG when it needs to (the proggy parts), and that makes it fun.
Plenty of Tubey Magic is on offer as well, with rich, sweet acoustic guitars and a lovely freedom from hi-fi-ishness on the vocals. As you probably know, Ian Anderson can get a little carried away with the processing on his voice, but the best copies make that processing sound right within the context of the overall sound. Most copies have added distortion and grit on the vocal effects, making them much less pleasing to the ear than the engineers envisioned. (more…)
A classic case of Live and Learn
We listed a White Hot copy of This Was in 2008 on the Island Pink label, and noted at the time:
Be forewarned: this ain’t Stand Up or Aqualung. I don’t think you’ll be using any copy of This Was to demo your stereo, because the recording has its share of problems. That said, this record sounds wonderful from start to finish and will make any fan of this music a VERY happy person. We guarantee you’ve never heard this album sound better, or your money back.
Now we know a couple of things that we didn’t back in 2008.
1). This album is a lot better sounding than we gave it credit for years ago. It’s not perfect by any means but it is much better than the above comments might lead you to believe.
We chanced upon an exceptional sounding copy of the album a couple of years back, and that taught us something new about the record:
2). The Pink Label pressings are not the ideal way to go on this album.
Once we heard the exceptional copy alluded to above, we played it against our best Pink Label copies and it was simply no contest.
The Pink Label original British pressings can be good, but they will never win a shootout up against copies with these stampers (assuming you have more than one copy – any record can have the right stampers and the wrong sound, we hear it all the time).
Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; Tubey Magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.
We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.
One of our good customers had this to say about some Hot Stampers he purchased recently:
Just a quick note to express my complete satisfaction with my latest purchase from Better Records.
I just received my copy of the WHS of Jethro Tull’s This Was LP. Needless to say, I have several copies of this album, both domestic
and UK versions. One is a Pink Label UK which I purchased from you a while back.
I was so completely blown away at how much better this LP sounds. Both are great, but this one is simply unbelievable.
I never owned a copy that had as much bottom end along with vocals that seem to jump out of my speakers.
Thank you again for your work finding these superior copies of albums I never thought could sound this good!
Hope to purchase again soon,
So glad you enjoyed this copy as much as we did, and you even had a Pink Label to play against it, a record not many audiophiles own.
Stand Up and Benefit are the same way, the original pressings are not the way to go, but try telling that to the average audiophile who only buys original pressings. They can read labels and they know which are the earliest ones, but they rarely have the equipment and the listening skills to know that the right reissues are CLEARLY better, something you heard right from the start I suspect. (more…)
- An outstanding UK import LP with solid Double Plus (A++) sound from start to finish — exceptionally quiet vinyl too
- This is a True Tull Classic – my favorite by the band – and a VERY tough record to come by with this kind of sound and surfaces this quiet, as quiet as any copy we have ever played
- Both of these sides give you richness, Tubey Magic, clarity and resolution few copies can touch – these are the Hot Stampers, folks
- “Stand Up! has great textural interest, due, in part, to a more sophisticated recording technique, in part to the organ, mandolin, balalaika, etc., which Anderson plays to enrich each song. The band is able to work with different musical styles, but without a trace of the facile, glib manipulation which strains for attention.”
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Island pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. We must give thanks to the brilliant engineer Andy Johns. (more…)
- A KILLER copy of Tull’s debut with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
- We’ve only had a handful of copies go up since 2013 – it’s tough to find these vintage UK pressings in clean condition with this kind of sound
- Guaranteed to soundly trounce any Pink Label Island original you may have heard – these are the Hot Stampers and it doesn’t take a pair of golden ears to hear it
- Melody Maker thoroughly recommended the album in 1968 for being “full of excitement and emotion” and described the band as a blues ensemble “influenced by jazz music” capable of setting “the audience on fire.” Wikipedia