Top Artists – Jethro Tull

Two of Robin Black’s Engineering Masterpieces

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Albums Engineered by Robin Black

Recordings with Exceptionally Tubey Magical Guitars

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Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; Tubey Magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.

We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.

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Letter of the Week – “I never owned a copy that had as much bottom end along with vocals that seem to jump out of my speakers.”

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One of our good customers had this to say about some Hot Stampers he purchased recently:

  Hey Tom,   

Just a quick note to express my complete satisfaction with my latest purchase from Better Records.

I just received my copy of the WHS of Jethro Tull’s This Was LP. Needless to say, I have several copies of this album, both domestic
and UK versions. One is a Pink Label UK which I purchased from you a while back.

I was so completely blown away at how much better this LP sounds. Both are great, but this one is simply unbelievable.
I never owned a copy that had as much bottom end along with vocals that seem to jump out of my speakers.

Thank you again for your work finding these superior copies of albums I never thought could sound this good!

Hope to purchase again soon,
Regards
D B

Dennis,

So glad you enjoyed this copy as much as we did, and you even had a Pink Label to play against it, a record not many audiophiles own.

Stand Up and Benefit are the same way, the original pressings are not the way to go, but try telling that to the average audiophile who only buys original pressings. They can read labels and they know which are the earliest ones, but they rarely have the equipment and the listening skills to know that the right reissues are CLEARLY better, something you heard right from the start I suspect. (more…)

Jethro Tull – Stand Up

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  • An outstanding UK import LP with solid Double Plus (A++) sound from start to finish — exceptionally quiet vinyl too
  • This is a True Tull Classic – my favorite by the band – and a VERY tough record to come by with this kind of sound and surfaces this quiet, as quiet as any copy we have ever played
  • Both of these sides give you richness, Tubey Magic, clarity and resolution few copies can touch – these are the Hot Stampers, folks
  • “Stand Up! has great textural interest, due, in part, to a more sophisticated recording technique, in part to the organ, mandolin, balalaika, etc., which Anderson plays to enrich each song. The band is able to work with different musical styles, but without a trace of the facile, glib manipulation which strains for attention.”

Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Island pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here. We must give thanks to the brilliant engineer Andy Johns. (more…)

Jethro Tull – This Was

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More British Blues Rock

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  • A KILLER copy of Tull’s debut with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
  • We’ve only had a handful of copies go up since 2013 – it’s tough to find these vintage UK pressings in clean condition with this kind of sound
  • Guaranteed to soundly trounce any Pink Label Island original you may have heard – these are the Hot Stampers and it doesn’t take a pair of golden ears to hear it
  • Melody Maker thoroughly recommended the album in 1968 for being “full of excitement and emotion” and described the band as a blues ensemble “influenced by jazz music” capable of setting “the audience on fire.” Wikipedia

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Is The Pink Label The Hot Ticket for Jethro Tull’s Brilliant Stand Up Album?

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Hot Stamper Jethro Tull Albums Available Now

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Well, it certainly can be, but sometimes it isn’t, and failing to appreciate that possibility is a classic case of misunderstanding a crucially important fact or two about records. Audiophile analog devotees would do well to keep these facts in mind, especially considering the prices original British pressings are fetching these days.

Simply put: Since no two records sound alike, it follow that the right label doesn’t guarantee the right sound. A recent shootout illustrated both of these truths.

We had a number of Pink Island British pressings to play — if you hit enough record stores often enough, in this town anyway, even the rarest pressings are bound to show up in clean condition from time to time — along with Sunrays (aka Pink Rims), Brits, early Two Tone domestics and plain Brown Label Reprise reissues. All of them can sound good. (We do not waste time with German and Japanese pressings, or any of the later Chrysalis label LPs. Never heard an especially good one.)

What surprised the hell out of us was how bad one of the Pink Label sides sounded. It was shockingly thin and hard and practically unlistenable. Keep in mind that during our shootouts the listener has no idea which pressing is being played, so imagine hearing such poor reproduction on vinyl and then finding out that such bad sound was coming from a copy that should have been competitive with the best, on the legendary Pink Island label no less. (Of course the other Pinks were all over the map, their sides ranging from good to great.)

Hearing one sound this bad was completely unexpected, but hearing the unexpected is what we do for a living, so I suppose it shouldn’t have been. Having dubious looking reissues and the “wrong” pressings beat the originals and the so-called “right” pressings from the “right” countries is all in a day’s work here at Better Records. (more…)

Jethro Tull – Forget the Pink Island Originals

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More Breakthrough Pressing Discoveries

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    • Triple Plus (A+++) on side two and nearly as good on side one – this is one of the best copies to EVER hit the site
    • We haven’t had any copies of this album at all up since 2013, and no White Hot copies since 2008 – it’s that tough to find
    • Guaranteed to MURDER any Pink Label Island original you have ever heard – these are the Hot Stampers
    • Melody Maker thoroughly recommended the album in 1968 for being “full of excitement and emotion” and described the band as a blues ensemble “influenced by jazz music” capable of setting “the audience on fire”. Wikipedia

Folks, this is the best copy we are going to have on the site for a very long time. It took years and hundreds upon hundreds of dollars to get this shootout going and this killer copy is the result. (more…)

Jethro Tull – Thick As A Brick

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  • This superb copy of Thick As A Brick offers outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • A Top 100 title and the BEST SOUNDING ALBUM Jethro Tull ever recorded – allow us to make the case
  • A stunning Demo Disc to Rule Them All — sure to be the best you’ve ever heard Tull sound if you have the system for it
  • 4 1/2 stars: “A masterpiece in the annals of progressive rock – a dazzling tour de force, at once playful, profound, and challenging, without overwhelming the listener.”

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Jethro Tull – Benefit

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  • A superb copy of the band’s third studio album, with outstanding Double Plus (A++) sound from start to finish
  • The sound is big and rich, yet still wonderfully clean, clear and open with fantastic energy – you will not believe all the space and ambiance here
  • Huge, rich, tubey and solid, the best track on the album – To Cry You a Song – rocks like you will not believe
  • “Benefit forms the perfect bridge between the rolling, tumbling Tull of old and the tightly braided riffs and prickly lyrics presented by Aqualung.” Record Collector

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Jethro Tull / Stand Up – Listening Track by Track

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Hot Stamper Jethro Tull Albums Available Now

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Side One

A New Day Yesterday

This is one of my favorite Jethro Tull songs of all time. (This and To Cry You a Song from Benefit are pretty darn hard to beat.) Clive Bunker’s drumming is incredibly energetic; it drives the song to levels few bands could ever hope to reach. It reminds me of the kind of all-out ASSAULT on the skins you hear in the work of Dave Grohl and John Bonham. Bunker is a highly underrated player; his bandmates Barre and Cornick don’t get the respect they deserve either, for reasons that I’ll never understand. They’re about as good as it gets in my book. (more…)

The Best Sounding Jethro Tull Album Is Thick As a Brick

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Thick As A Brick is surely the BEST SOUNDING ALBUM Jethro Tull ever recorded. Allow us to make the case.

  • The better copies are shockingly dynamic. At about the three minute mark the band joins in the fun and really starts rocking.
  • Set your volume for as loud as your system can play that section. The rest of the music, including the very quietest parts, will then play correctly for all of side one. For side two the same volume setting should be fine.
  • The recording can have exceptionally solid, deep punchy bass (just check out Barrie “Barriemore” Barlow’s drumming, especially his kick and floor toms. The guy is on fire).
  • The midrange is usually transparent and the top end sweet and extended on the better pressings.
  • The recording was made in 1972, so there’s still plenty of Tubey Magic to be heard on the acoustic guitars and flutes.
  • The best copies can be as huge, wide and tall as any rock record you’ve ever heard, with sound that comes jumping out of your speakers right into your listening room.
  • Unlike practically any album recorded during the ’80s or later, the overall tonal balance, as well as the timbre of virtually every instrument in the soundfield is exceedingly correct.

That kind of accuracy practically disappeared from records about thirty years ago, which explains why so many of the LPs we offer as Hot Stampers were produced in the ’70s. That’s when many of the highest fidelity recordings were made. In truth this very record is a superlative example of the sound the best producers, engineers, and studios were able to capture on analog tape during that time.
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