live-in-the-studio

These albums sound like they were recorded live in the studio, and no doubt some of them were.

The Faces – A Nod Is As Good As A Wink…

More British Blues Rock

  • Two amazing WB Green Label sides, both with INSANELY GOOD Shootout Winning Triple Plus (A+++) sound from start to finish – The Faces are rockin’ their asses off on this copy
  • Punchy, solid and rich through and through, with driving energy like nothing you’ve ever heard from the band
  • There’s a reason you almost never see this title on the site — it’s a lot of trouble to find enough clean copies to do a shootout
  • We send back, or trade in, 80% of what we buy, and that means the hassle factor for a title like this is jsut way off the charts
  • 5 stars: “[It] doesn’t feel cobbled together and it serves up tremendous song after tremendous song… It’s another classic — and when you consider that the band also had Long Player to their credit and had their hands all over Every Picture in 1971, it’s hard to imagine another band or singer having a year more extraordinary as this.”

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Fleetwood Mac – The Original Fleetwood Mac

More of the Music of Fleetwood Mac

  • Here is an original UK import pressing with KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides – exceptionally quiet vinyl too
  • Most of the time this album sounds like Fleetwood Mac is playing live in the studio, which they probably were, and on big speakers at loud volumes that is a glorious sound
  • 4 stars: “An undeniably strong collection culled primarily from the band’s first incarnation, featuring John McVie, Mick Fleetwood, Peter Green, and Jeremy Spencer.”
  • If you’re a Fleetwood Mac fan, and what audiophile wouldn’t be?, this Peter Green era title from 1971 is one of their best sounding

The music on this album was recorded when they were still a blues band — tracks left off their early albums for one reason or another.

As is so often the case with unreleased material, these songs do not have that overproduced, too-many-generations-of-tape sound. This sounds like Fleetwood Mac live in the studio most of the time. In other words, awesome.

If the drum sound on the first track isn’t enough to convince you this is an amazing sounding record, I don’t know what would.

These British imports are the only way to go. The domestic copies are definitely made from dub tapes. They can sound good, but they sure don’t sound this good! (more…)

Bad Company – Self-Titled (UK Press)

More of the Music of Bad Company

  • Bad Company’s classic debut LP, here with very good Hot Stamper grades from start to finish
  • We guarantee there is more space, richness, presence, and performance energy on this copy than others you’ve heard or you get your money back – it’s as simple as that
  • A member of the Better Records Rock and Pop Top 100, and a Must Own Classic Rock title from 1974
  • 4 1/2 stars: “Bad Company’s 1974 self-titled release stands as one of the most important and accomplished debut hard rock albums from the 70s … it was one of the most successful steps in the continuing evolution of rock & roll.”
  • If you’re a Classic Rock fan, then Bad Company’s killer debut album from 1974 belongs in your collection.

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Rod Stewart – Every Picture Tells A Story

More of the Music of Rod Stewart

  • You’ll find solid Double Plus (A++) grades on both sides of this vintage Mercury pressing
  • If you’re a fan of big drums in a big room, with jump-out-of-the-speakers sound, this is the album for you
  • The drum solo in “(I Know) I’m Losing You” is one of the best reasons any red-blooded audiophile should have big dynamic speakers, a big room, and enough power to drive them to very loud levels
  • A Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • f the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • On big speakers at loud levels, this is a Demo Disc of the highest order

This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least. In other words, no album rocks harder.

The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Paul McCartney – McCartney

More of the Music of Sir Paul McCartney

  • INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it brings McCartney’s Apple debut to life on this vintage pressing – fairly quiet vinyl too
  • It’s practically impossible to find copies of this album that sound any good, let alone this good
  • The musicality, energy and presence are right on the money, not to mention that the studio space is huge
  • On the more resolving audiophile systems of today, the ambience, three-dimensionality and transparency of the best originals are aspects of the sound that only the highest quality vintage vinyl pressings are capable, in our experience, of reproducing
  • Record Collector highlighted “Every Night,” “Junk,” and “Maybe I’m Amazed” as songs that “still sound absolutely effortless and demonstrate the man’s natural genius with a melody.”
  • A Top 100 pick and Paul McCartney’s one and only Masterpiece – a Must Own when it sounds this good
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • This is our pick for Paul McCartney’s best sounding album. Roughly 100 other listings for the Best Sounding Album by an Artist or Group can be found here.
  • A Must Own Title from 1970, a great year for rock and pop music

The best tracks here have the quality of live music in a way that not one out of a hundred rock records do. The music jumps right out of the speakers and fills up the room.

The album sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.

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Bad Company – Straight Shooter (UK Press)

More of the Music of Bad Company

  • A Straight Shooter like you’ve never heard, with KILLER Shootout Winning Triple Plus (A+++) sound or close to it from first note to last – fairly quiet vinyl too
  • If you’re playing this one good and loud, you’ll feel like you’re in the room with the boys as they kick out these classic riff-driven jams
  • Take it from us, it is not easy to find a copy like this that’s doing just about everything right, with the weight, balance and energy this music needs to rock
  • 4 stars: “Vocalist and songwriter Paul Rodgers wrote two acoustic-based rock ballads that would live on forever in the annals of great rock history: ‘Shooting Star’ and the Grammy-winning ‘Feel Like Makin’ Love.'”

The sophomore jinx is nowhere to be found on this album. In fact, you could make a pretty good case that this is actually a better album than their debut. The best pressings of this Bad Company classic have ROCK ENERGY that cannot be beat. (more…)

Neil Young – Zuma

More of the Music of Neil Young

  • Boasting two outstanding Double Plus (A++) sides, this copy of Neil’s amazingly well recorded 1975 masterpiece is guaranteed to floor audiophiles and Neil Young fans alike – fairly quiet vinyl too
  • Zuma captures a kind of garage band purity that makes practically any other studio album you own sound processed and desiccated in comparison
  • For a hard-rockin’ Neil Young album with Demo Disc quality sound, you’ll have a hard time finding a better choice than a Hot Stamper pressing of Zuma
  • A Must Own Top 100 Title – just drop the needle on “Danger Bird” or “Cortez the Killer” to have your mind blown!

Can any one artist lay claim to two of the best sounding rock albums ever made? Neil Young can!

After the Gold Rush and Zuma are Demo Discs and super discs of the highest order, right up there with Tea for the Tillerman and Teaser and the Firecat, the other two albums by a single artist that deserve to be placed on that rarified plane.

Part of Zuma’s attraction is that it has exceptionally unprocessed sound that seems to have been recorded “live in the studio.”

The fact that Gold Rush and Zuma both involve Neil Young is doubtless not an accident. I would be very surprised to learn that he was not intimately involved with every aspect of the recording of both Masterpieces, from the miking to the final mix and every step in between.

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The Pentangle – Self-Titled

More British Folk Rock

  • The Pentangle’s Masterpiece returns to the site for the first time in years, here with INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides of this early UK Transatlantic pressing – exceptionally quiet vinyl too
  • The unprocessed quality found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound
  • The true foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn, with Jacqui McShee’s almost unbearably sweet vocals soaring above them
  • This is one of the Holy Grail titles we have been trying to find on Transatlantic UK vinyl in clean condition for more than a decade, with almost nothing to show for our efforts until now
  • We can find Pentangling — they made a lot of those and for a compilation they sound great on the best pressings
  • But this record is in an entirely different league altogether — I suspect it will be many years before we can do it again
  • “It is one of the best albums one will ever hear, and as the liner notes say, ‘Play this record to those you love.'” – Rolling Stone

This is an honest-to-goodness Demo Disc. When for a (thankfully) brief time back in the 70s I was selling audio equipment, the song “Pentangling” was a favorite demo cut to play in the store. The sound of the string bass and snare drum are amazingly natural; I don’t know of any other pop album from the era that presents the vibrant timbre of those two instruments better.

This record easily qualifies for our Top 100 List, it’s that good (but unfortunately too rare to make the cut).

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The Faces – Long Player

More British Blues Rock

  • An original Green Label pressing of the Face’s sophomore LP with outstanding Double Plus (A++) sound or BETTER from start to finish
  • Amazing live-in-the-studio sound that conveys completely the raw power of one of the hardest rockin’ bands of all time
  • Click here to see more of our favorite Rock and Pop records with relatively unprocessed sound
  • 5 stars in Allmusic and probably the Faces’ Best Album, for sound and music – “Maybe I’m Amazed”? Hell yeah!
  • “…a ferocious rock & roll band who, on their best day, could wrestle the title of greatest rock & roll band away from the Stones.”
  • This is our pick for The Face’s best sounding album. Roughly 150 other listings for the best sounding album by an artist or group can be found here on the blog.

We knew this album could sound good, but back in the day we sure didn’t know it could sound like this.

Both musically and sonically I don’t think the group ever recorded a better album than this one.

Take the wonderful song “Bad ‘N’ Ruin” (the opening track on side one) for example. It’s the sound of open mics in a big studio space — nothing more, nothing less. It’s totally free from any phony mastering or bad EQ, and on a Hot Stamper copy like this one, it’s absolute magic.

Martin Birch was the engineer for the first two tracks on side one. You may know him from his work with Fleetwood Mac (1969-1973) and Deep Purple (1969-1977), which include the amazingly well-recorded albums Machine Head and Made In Japan.

It’s a rare record indeed that can rock with the best of them while keeping its audiophile credentials intact. Like we said about our Hot Stampers for Never A Dull Moment, we sure wish more Rolling Stones records sounded like this.

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Santana – Santana (III)

More of the Music of Santana

  • Excellent sound throughout this vintage Columbia pressing, with both sides earning solid Double Plus (A++) grades or BETTER
  • Remarkable transparency – you hear into the huge, deep soundfield with almost nothing between you and the musicians
  • Surprising amounts of Tubey Magic – some of the best sound this very well-recorded band achieved in the studio
  • Three big hits that sound great here: “No One To Depend On,” “Everybody’s Everything” and “Everything’s Coming Our Way”
  • Problems in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “. . . an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision.”

This is another in the long list of recordings that really comes alive when you turn up your volume.

If you want to bring the funky sound of Latin percussion to life in your living room, this is the ticket. This is one of the most Tubey Magical Santana recording we have ever heard, and at its best it is competitive with Abraxas for the title of Greatest Santana Recording.

Both sides here absolutely destroy the typical pressing, with the kind of huge, wide soundfield and stunning clarity and detail that really bring this music to life!

This pressing is open and spacious, which gives all of the drums and guitars their own space. Santana records live and die by the sonic quality of the drums and percussion, and on this copy they are killer.

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