- An outstanding copy of Buckingham’s first solo album with solid Double Plus (A++) sound from first note to last
- The sound here is rich, full-bodied and lively, with solid and present vocals, as well as excellent clarity all around
- You can thank Richard Dashut for the superb recording quality, and Better Records for finding a copy of the record that sounds as good as this one does
- September Song was an inspired choice – it might just be the best song on the album
- “. . . this album to me covers a wide spectrum of emotion and musicality that is hard to find in solo departures like this one. The music carries a funny, kind of goofy vibe throughout . . . but Buckingham isn’t afraid to get serious and pull out dramatic day-to-day human circumstances . . . and let the audience become captivated by his minimalist approach that seems to fit in each time.”
- A STUNNING Running on Empty, with two Shootout Winning Triple Plus (A+++) sides
- Forget whatever dead-as-a-doornail Heavy Vinyl pressing they’re making these days – the Tubey Magic, size and performance energy of this vintage pressing simply cannot be beat
- This Grammy nominated release is packed with previously unreleased songs
- A hard record to find with audiophile quality sound – not many copies have ever hit the site
- “Audio verité—one of the most conceptually fascinating recordings in the history of rock & roll.” — Bill Shapiro
- An outstanding copy of Ronstadt’s 1984 release with both sides earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
- These sides were doing everything right — clean, clear, full-bodied and dynamic with wonderfully breathy vocals and a solid bottom end
- “What’s New illustrated that Linda Ronstadt was no longer interested in contemporary pop, and since it was a surprise success, there was no reason not to repeat the formula on Lush Life. Working again with Nelson Riddle, Ronstadt runs through several pop standards — ‘When I Fall in Love,’ ‘Sophisticated Lady,’ ‘Falling in Love Again,’ ‘It Never Entered My Mind’…”
- This outstanding pressing of the Eagles’ first Number One Album boasts solid Double Plus (A++) sound or BETTER from start to finish – fairly quiet vinyl too
- On an exceptionally good sounding copy such as this one, the soaring guitar solo of the title track really comes alive – assuming you have it turned up GOOD and LOUD
- Lyin’ Eyes and Take It To The Limit sound the way they should – we guarantee you have never heard them sound remotely as good as they do here
- 4 stars: “…a lyrical stance — knowing and disillusioned, but desperately hopeful — had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles’ best-realized and most popular album so far.”
This is one of the toughest Eagles albums to find with good sound, which is why only a small handful has ever made it to the site. This album may never sound quite as good as Hotel California or the self-titled debut, but there are some wonderful songs here and a Hot Stamper like this brings them to life in a way most pressings cannot begin to do.
The best copies are richer and sweeter. When you turn them up, they really come to life. When you play the better sides at Rock Music Volumes they really ROCK. When a copy is cut really clean, as the best ones are, the louder you play them the better they sound. They’re tonally correct at loud levels and a bit dull at what we would call “audiophile” levels. That’s the way it should be. (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound or close to it on both sides
- David Lindley joins the band, and talented helpers include Bonnie Raitt, Glen Frey, David Crosby, Elton John and Joni Mitchell
- “His work is a unique fusion of West Coast casualness and East Coast paranoia, easygoing slang and painstaking precision, child’s-eye romanticizing and adult’s-eye acceptance… Brilliantly conceived, incomparably immediate, For Everyman truly earns its title.” – Rolling Stone
*NOTE: On side one, a mark makes a moderate stitch for the first 10 seconds of Track 1, Take It Easy.
The average copy of this record is MUD, but this pressing will show you that the master tape of For Everyman is a whole lot better than most music lovers and audiophiles might suspect. (The first album is the same way.)
Want a quick test for transparency? Listen to the piano on I Thought I Was a Child. On most copies you can’t really hear the attack of the hammers hitting the strings, but here you can. If the tonal balance is correct — and it is on this copy — then you know you are getting a pressing of very high quality.
Note that the first track on side one almost never sounds as good as those that follow. (more…)
- A truly outstanding early pressing, earning seriously good Double Plus (A++) grades or close to them on both sides
- This is as quiet as they come, folks – no marks play, and the vinyl is often quieter than Mint Minus Minus, exceptional for this title
- You will be floored by the huge, rich, Tubey Magical guitars exploding out from your speakers on Take It Easy
- One of the Best Sounding Rock Records Ever Made, a member of our Top Ten and without a doubt Glyn Johns’ engineering (and producing) Masterpiece
- A Top 100 Tubey Magical Demo Disc that is guaranteed to blow your mind on a pressing that sounds as good as this one does
Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
It will not take the lucky owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the Best Sounding Rock Recordings Ever Made. Almost all the qualities we look for on this album can be found on this very copy.
The Eagles first album is without a doubt Glyn Johns‘ masterpiece — rock records simply do not sound any better in our experience. It’s exactly the kind of record that makes virtually ANY Audiophile pressing pale in comparison. Everything you could ask for as an audiophile is here, and more.
We’ve been up on our soapbox for years telling people how amazing this record can be, and here’s a copy that backs up our position from start to finish. (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from first note to last – fairly quiet vinyl too
- Rich, tubey, solid, with tight, note-like bass, what early Byrds record sounds this good?
- Top quality covers of great songs by Joni Mitchell (For Free) and Neil Young (Cowgirl in the Sand, See the Sky About to Rain)
*NOTE: On side one, a crackly edge is lightly stitchy for the first five revolutions.
The album features the original Byrds lineup of McGuinn, Gene Clark, Michael Clarke, David Crosby, and Chris Hillman.
Even though this is not one of The Byrds’ stronger albums, it does have some very nice material. For Free on side one may very well be the high point of the album for me. They also do a nice version of Neil Young’s Cowgirl In The Sand. (more…)
- With two outstanding Double Plus (A++) sides, this White Label Asylum pressing was one of the best we played in our recent shootout – fairly quiet vinyl too
- The sound is especially rich, warm and natural, with exceptional immediacy to Joni’s vocals and Tubey Magic for days
- One of the best sounding Joni records, on a par with Court and Spark and Blue – fine company indeed
- 4 1/2 stars: “The lyrics here are among Mitchell’s best, continuing in the vein of gripping honesty and heartfelt depth exhibited on Blue…. More than a bridge between great albums, this excellent disc is a top-notch listen in its own right.”
This copy has real energy and dynamics that just could not be heard on most of the pressings we played. With dynamics AND the warmth and richness found here, this copy will be hard to beat.
Listen to how huge the piano is. No two copies will show you the same piano, which makes it a great test for sound. Both sides have clear, present, breathy vocals, about as good as Joni can sound on vinyl, which is saying a lot. (more…)
- This outstanding pressing of Browne’s third album boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
- This one was bigger and bolder, with more Tubey Magical richness on Jackson’s voice, than most of what we played
- We love the rich, smooth, natural sound that Asylum was known for, and this copy has a healthy dose of each of those qualities
- It’s getting harder and harder to find these in good condition these days – the man has a lot of fans, and they prefer to hear him on vinyl
- 5 stars from AMG and Rolling Stone calls it the “quintessential Browne album,” saying the “… open-ended poetry achieves power from the nearly religious intensity that accumulates around the central motifs; its fervor is underscored by the sparest and hardest production to be found on any Browne album yet… as well as by his impassioned, oracular singing style.”
- This Shootout Winning copy has Triple Plus (A+++) Demo Disc Linda Ronstadt sound throughout, and some of her biggest hits to boot!
- Both sides are rich, Tubey Magical and spacious – Linda’s vocals on Alison are breathy and present like nothing else we played
- Smokey Robinson’s “Ooh Baby Baby” with blistering sax work by David Sanborn has to be the highlight of the album for us
Do you have a copy that’s hard and lean in the midrange, lacking in bass down low and Tubey Magic everywhere else? We do too, more than one in fact.
Ah, but the good copies are rich, smooth, sweet and clear, precisely the kind of sound we’ve come to expect from the team of Val Garay and Peter Asher in the ’70s. The bass is deep and punchy, the keyboards tubey rich, and the whole of the ensemble displays both energy and conviction on this top quality batch of songs.
Check out the best of them, tracks that still get airplay today:
Back in the U.S.A.;
Just One Look;
All That You Dream;
Oh Baby Baby;
Blowing Away and
Love Me Tender.
That’s a lot of great songs on one album! (more…)