Month: February 2020

Johnny Mathis – Open Fire, Two Guitars

Mathis’ superb 1959 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
The All Tube recording chain at Columbia’s 30th Street studios allowed their engineers to make recordings practically unequaled in the decades since
An outrageous claim? Not really, because this very pressing backs up every thing we say
4 1/2 stars: “On this album, Johnny Mathis creates an atmosphere of fireside intimacy by dispensing with his usual orchestral accompaniment so that the purity of his voice entices the listener’s full attention… The enduring popularity of Open Fire, Two Guitars is attributable in part to its hypnotic aura of closeness and confidentiality…”

*CONDITION NOTES:

On side one, a mark makes a mostly light sandpapery sound for 1-2 seconds, then, at the end of track 1, An Open Fire, there are 2 moderate pops.
On side two, a mark makes 6 light ticks one-quarter inch from the end of track 1, When I Fall In Love.

Finding clean Johnny Mathis records from 60 years ago, on Columbia, in stereo, is nearly impossible, which is why you see so few come to the site. We would be hard-pressed to find one good title to shootout in a given year. These days it’s taking three to five years to bring any of the classic Johnny Mathis albums to market. There are simply too few original pressings that have survived the turntables of the day, and their owners.

Which is why we are so pleased to present one of Johnny’s most beloved albums, and one that is quite a bit more musically involving than most. If you like Dream With Dean, and who doesn’t?, this Mathis album should be right up your alley.

One tip we can offer any Mathis fans who may be out there: stick to the Columbia era if you want audiophile sound. His Mercury recordings, at least the half-dozen or so we’ve played, were godawful sounding. (more…)

Tom Waits – Blue Valentine – Our Shootout Winner from 2011

More Tom Waits

TWO GREAT SIDES on this wonderful album — A++ for the first and A+++ for the second! Both sides have a wonderful bottom end — check out all the WEIGHT to that rich, meaty bass. Many copies we played had a tendency to sound somewhat dull, but this one has all the extension up top you need. The overall sound is rich, full, sweet and warm. The strings have texture, the voice has lots of breath, and I just don’t think you could find a better sounding copy.

Drop the needle on Romeo Is Bleeding for some of the best music on here. When you’ve got the kind of bass definition that this copy offers, the sound for that song can be killer, as it is here. (more…)

Mercury Stereo Sampler Vol. 1 (SRD-1)

Hot Stamper Mercury Pressings Available Now

Reviews and Commentaries for Classical Records on Mercury

This Mercury Sampler has SUPERB Super Hot Stamper sound on side one, or better — who knows if this isn’t as good as it gets? We can’t find enough clean copies to test so we’re sticking with A++ or better just to be safe.

Either way, this is the BIG, BOLD classic Mercury sound.

Let’s Dance – David Carroll – from Let’s Dance (SR-60001) has the sweet Tubey Magic of the best Living Stereos and the percussion excitement of Bang Baa-room and Harp.

Not every song on side one is a knockout but some of them certainly are, making this a top quality Variety Demo Disc.

Tracks two and three on side one are great, but there may be others you will like equally well.

Side two earned a single plus grade (A+); some of it sounds like it’s made from sub-gen tapes. The Gershwin comes off pretty well with a solid clear piano.

TRACK LISTING

Side One

Rhapsodero – Richard Hayman – from Havana in Hi-Fi (SR-60000)
Let’s Dance – David Carroll – from Let’s Dance (SR-60001)
Rain On The Roof – Dick Contino – from It’s Dance Time (SR-60006)
Birth Of Passion – Clebanoff – from Moods in Music (SR-60005)
The Lady Is A Tramp – Griff Williams – from America’s Most Danceable Music (SR-60007)
Autumn In Rome – Patti Page – from Let’s Get Away from It All (SR-60010)

Side Two

Anderson – Sleigh Ride – The Eastman-Rochester Pops Orchestra – Frederick Fennel – from SR-90009
Prokofiev – March From The Love for Three Oranges – The London Symphony Orchestra – Antal Dorati – from SR-90006
Rhapsody In Blue (Portion) – Eugene List – The Eastman-Rochester Symphony Orchestra – Howard Hanson – from SR-90002
Funky Drums – Pete Rugolo – from Percussion at Work (SR-80003)
Rose Room – Terry Gibbs – from Allen’s All Stars (SR-80004)
Like Someone In Love – Sarah Vaughan – from Sarah Vaughan at the London House (SR-60020)

Jerry Jeff Walker – Driftin’ Way of Life

This copy, which has a variation of the maroon early Vanguard label, not sure exactly when it was pressed, or where, was the best copy we played in our shootout. So tubey and natural, why don’t more records sound like this? The recording itself is superb, with audiophile quality sound all the way. And the music is just as good, fully deserving the 4 1/2 Stars All Music Guide gave it.

Over the last few years you’ve seen rave reviews for many Vanguard recordings – Joan Baez, The Weavers, Vivaldi’s The Four Seasons, etc.

You can confidently add Jerry Jeff Walker’s Driftin’ Way of Life to that list. (more…)

Andre Previn & His Pals – West Side Story

Contemporary Jazz Records Available Now

Reviews and Commentaries for Contemporary Jazz

One of Previn’s best piano trio records, this album was recorded in 1959 by Roy DuNann while at the height of his engineering powers.

The two Must Owns from his many sessions at Contemporary are this album and Bells Are Ringing. We are not aware of any of his jazz piano albums on other labels being much better than passable and most are not worth picking up at any price. Believe me, we’ve tried. The one exception I can think of is Four to Go on Columbia. It’s pretty good. Not in the same league as his Contemporary recordings by a long shot, but better than most of his output from the ’60s.

The Piano Is Key

On the best copies of the album, the sound of the piano is solid, full-bodied, with both weight and warmth, just like the real thing. The copies of the album with a piano that sounded lean or hard always ended up having problems with the other instruments as well. (This should not be surprising; the piano was designed to be the single instrument most capable of reproducing the sound of an entire orchestra.)

(more…)

Arthur Lyman / Bwana A – Our Shootout Winner from 2011

White Hot Stamper sound, with a big stage, Tubey Magic and correct tonality from top to bottom. There’s plenty going on at the extreme top – the rare copy that has it all!

Everywhere else the sound is tonally and timbrally Right On The Money. It’s very lively, with tight, clear bass. Listen to how open the sound is. That sound is just not to be found on popular albums anymore.

This Superb sounding stereo (we don’t bother with mono) copy of Bwana A has a lot in common with the other Bachelor Pad / Exotica titles we’ve listed over the years, albums by the likes of Esquivel, Dick Schory, Edmundo Ros, Martin Denny and others too numerous (or obscure) to name.

But c’mon, nobody really buys these records for the music (although the music is thoroughly captivating). It’s all about the Tubey Magical Stereoscopic presentation, the wacky 3-D sound effects (of real birds and otherwise) and the heavily percussive arrangements. In all of these areas and more this record does not disappoint. (more…)

Marty Robbins, Johnny Cash, et al. – Greatest C&W Hits Vol 4 – Reviewed in 2012

More Marty Robbins

More Country and Country Rock

WOW! (Or should that be OMG?) This Columbia 360 original pressing has AMAZING DEMO DISC sound on many of its twelve tracks, tracks by some of the biggest names in country at the time. To hear Jimmy Dean sing Big Bad John or Marty Robbins’ do Devil Woman with this kind of Tubey Magical, tonally correct, rich, sweet, spacious sound is nothing less than a THRILL. The Analog sound of this pressing makes a mockery of even the most advanced digital playback systems, including the ones that haven’t been invented yet. I’d love to play this for Neil Young so he can see what he’s up against! Good Luck, Neil, you’re going to need it.

The sound on both sides is White Hot, practically faultless I might even go so far as to say.

The first three tracks on side one are AGAIG — As Good As It Gets! After that I stopped playing side one; the next three may be as good, may not be, but what I heard on those first three was clearly WHITE HOT STAMPER SOUND! (more…)

Miles Davis / Steamin’ – A Thousand Bucks and Worth Every Penny (When It Sounds Like This and Plays This Quietly)

More Miles Davis

Insanely good sound throughout for this extremely rare original Prestige Yellow and Black label pressing with both sides earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
This early Mono pressing takes the sound of the recording to a place we never thought it could go – never have we heard an album from these famous sessions sound as good as this very LP
An original in pristine condition, with this kind of sound, is a record that is very unlikely to pass our way again
5 stars: “The end results are consistently astonishing. At the center of Steamin’, as with most outings by this band, are the group improvisations which consist of solo upon solo of arguably the sweetest and otherwise most swinging interactions known to have existed between musicians.”

WOW — this Prestige Yellow Label Mono pressing has some of the most realistic, natural Miles Davis sound we’ve ever heard! Both sides earned A+++ grades and play Mint Minus to Mint Minus Minus, truly exceptional for a vintage pressing such as this one. You will have an incredibly difficult time finding a copy that can hold its own with this one. (more…)

East of Suez – Reviewed in 2012

Hot Stamper sound on this 101 Strings album, can you believe it? Then again, why shouldn’t it have amazing Golden Age Stereo sound? It’s recorded in the late ’50s, using all tube equipment and probably a minimum of mics — there’s no reason to assume the sound should be substandard just because the retail price of the record was only $1.98.

For a budget priced Whitehall record we recently put up, we had this to say,

This budget Whitehall pressing is one of the most incredible SLEEPERS in the entire classical catalog, with SUPERB sound as well as performances of the highest quality from the Vienna Festival Orchestra. The sound is big and bold, spacious, open and sweet in the best golden age tradition.

And this album is full of real classical pieces, not Mantovani-style kitsch. (more…)

Beethoven – A Truly Awful Cisco Pressing of the Kreutzer Sonata

Hot Stamper Pressings Featuring the Violin

More Superb Recordings with Jascha Heifetz Performing

Sonic Grade: F

An audiophile hall of shame pressing from Cisco / Impex / Boxstar / whatever.

The Cisco pressing of LSC 2577 should not be acceptable to any person who considers himself an audiophile.

There is no violinist in front of you when you play their pressing.

There is someone back behind your speakers under a thick blanket, and his violin sure doesn’t sound very much like a real violin — no rosiny texture, no extended harmonics, no real body.

In short, the sound of this reissue is much too smeary, veiled, and lacking in presence to be taken seriously.

Unfortunately for all concerned, Cisco’s releases from this era (as well as DCC’s) had to fight their way through Kevin Gray’s transistory, opaque, airless, low-resolution cutting system. We discuss that subject in more depth here.

Rejected

I am proud to say we rejected this title out of hand when we first auditioned it in 2008 and never offered it for sale. (Their Peer Gynt released about the same time was every bit as bad.)

We’ve played dozens and dozens of good violin recordings. We have no problem recognizing good violin sound when we hear it.

When this record was remastered back in 2008, most of our better sounding Hot Stamper classical pressings would go directly to our best customers, customers who wanted classical recordings that actually sounded good. not just the kind of Golden Age Recordings that were supposed to.

Don’t get us wrong — we’re not foolish enough to make any claims for audiophile quality sound on the typical vintage classical record. We’ve played too many to make that mistake. Bad sounding Golden Age records are the rule, not the exception.