Top Artists – Sonny Rollins

Sonny Rollins – Now’s The Time

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  • An outstanding copy with Nearly Triple Plus (A++ to A+++) sound on side two mated to a very good side one
  • Ray Hall once again engineered brilliantly for RCA – the Tubey Magical richness and dynamic energy of the sessions are captured with audiophile quality sound
  • Forget the Classic Records reissue from the ’90s and whatever Heavy Vinyl they’re making now – it sure won’t sound like this!
  • Features performances by Rollins with Herbie Hancock, Thad Jones, Ron Carter, Bob Cranshaw and Roy McCurdy on several bebop tunes

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The Original Jazz Classics Series Got Off to a Bad Start with Sonny’s Worktime Album

The Music of Sonny Rollins Available Now

OJC 007, the first Sonny Rollins title they picked to remaster. Too bad they didn’t do a very good job with it.

The copy we auditioned did not impress us sonically, so don’t expect to see Hot Stampers of this title on OJC coming to the Better Records website any time soon.

The music might be wonderful — we unreservedly follow the maxim de gustibus non est disputandum — but the sound of this pressing is unlikely to ever be of audiophile quality.

There may be great sounding pressings of the album – how could we possibly know there aren’t without playing every version ever pressed? — but we’re pretty sure the OJC will always fall short of the mark.

We created two sections for the OJC label: one for the (potentially, it’s what Hot Stampers are all about) good sounding OJC pressings and one for the (probably, see the paragraph above) bad sounding ones.

If you know of a great sounding pressing of the album, feel free to let us in on what pressing you have and we might just pick one up and give it a listen.

We’ve auditioned countless pressings like this one in the 33 years we’ve been in business — buying, cleaning and playing them by the thousands. This is how we find the best sounding vinyl pressings ever made.

Not the ones that should sound the best. The ones that actually do sound the best. (more…)

The Awful Sound of the Heavy Vinyl Reissues Doug Sax Mastered in the ’90s

More Sonny Rollins

More Analogue Productions

More Doug Sax

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Longstanding customers know that we have been relentlessly critical of most audiophile LPs for years, especially in the case of these Analogue Productions releases from back in the early ’90s. A well-known reviewer loved them, I hated them, and he and I haven’t seen eye to eye on much since.

Newflash!

Just dug up part of my old commentary discussing the faults with the orginal series that Doug Sax cut for Acoustic Sounds. Check it out!

In the listing for the OJC pressing of Way Out West we wrote:

Guaranteed better than any 33 rpm 180 gram version ever made, or your money back! (Of course I’m referring to a certain pressing from the early ’90s mastered by Doug Sax, which is a textbook example of murky, tubby, flabby sound. (Too many bad tubes in the chain? Who knows?)

This OJC version also has its problems, but at least the shortcomings of the OJC are tolerable. Who can sit through a pressing that’s so thick and lifeless it communicates none of the player’s love for the music? If you have midrangy bad transistor equipment, go with the 180 gram version (at twice the price). If you have good equipment, go with this one.

[We are no longer fans of the OJC of Way Out West, and would never sell a record that sounds the way even the best copies do as a Hot Stamper. It’s not hopeless the way the Heavy Vinyl pressing is, but it’s not very good either. It’s yet another example of a record we was wrong about. Live and Learn, right?

The following commentary comes from our catalog from the mid- to late-’90s, back when I could still find great jazz records like Alternate Takes. Note also that the AP records were in print at the time. (more…)

Sonny Rollins Plus 4 – How on Earth Did This Pressing Get Approved?

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Plus 4 on Two Slabs of 45 RPM Analogue Productions Heavy Vinyl. This review is from 2014 or thereabouts.

Sonic Grade: F

I cannot recall hearing a more ridiculously thick, opaque and unnatural sounding audiophile record than this, and I’ve heard a ton of them. 

As I noted in another commentary “Today’s audiophile seems to be making the same mistakes I was making as a budding audiophile more than thirty years ago. Heavy Vinyl, the 45 RPM 2 LP pressing, the Half-Speed Limited Edition — aren’t these all just the latest audiophile fads each with a track record more dismal than the next?” (more…)

Sonny Rollins – Way Out West – Our Shootout Winner from 2014

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The Contemporary 1957 sax sound is so smooth and tubey it will have you drooling. All Music Guide gives it 5 Stars and so do we. Such a classic album. If you don’t own a top quality Sonny Rollins album this would be a great place to start. 
The best pressings sound rich and full-bodied with plenty of low end weight. This is the Contemporary sound we love!

It’s our favorite jazz label for sonics by a long shot. Roy DuNann always seems to get The Real Sound out of the sessions he recorded — amazingly realistic drums in a big room; full-bodied, breathy horns; Tubey Magical guitar tone; deep, note-like bass; weighty pianos; vocal immediacy, and on and on. (more…)

Sonny Rollins – Sonny Rollins & the Contemporary Leaders

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  • Incredible sound throughout for this later Contemporary pressing with both sides earning Shootout Winning Triple Plus (A+++) grades; exceptionally quiet vinyl too!
  • Both of these sides are textbook examples of the kind of rich, smooth, natural, effortless Contemporary Jazz sound that Roy DuNann’s All Tube Recording Chain was famous for in 1958
  • “The last of the classic Sonny Rollins albums prior to his unexpected three-year retirement features the great tenor with pianist Hampton Hawes, guitarist Barney Kessell, bassist Leroy Vinnegar and drummer Shelly Manne… Great music.”

This Contemporary Yellow Label LP has THE BIG SOUND — rich and so full-bodied with amazing presence and immediacy. The bass is PERFECTION — deep, rock solid, and note-like. There’s lots of extension on the top end, letting Shelley Manne’s fantastic work on the cymbals really come to life.

The clarity on this copy is superb — just listen to those leading edge transients on Sonny’s sax. The guitar has the tubey qualities that we love here at Better Records — it’s warm, rich, and sweet with lots of ambience.

Sonny is backed here by a heavy-hitting lineup of Barney Kessel, Shelley Manne, Leroy Vinnegar and Hampton Hawes — all favorite players of ours here at Better Records. (more…)

Sonny Rollins Plus 4 – Good Digital Beats Bad Analog Any Day

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And this is some very bad analog indeed!

Sonny Rollins Plus 4 on Two Slabs of 45 RPM Analogue Productions Heavy Vinyl – Reviewed in 2010

I cannot recall hearing a more ridiculously thick, opaque and unnatural sounding audiophile record than this, and I’ve heard a ton of them. 

As I noted in another commentary “Today’s audiophile seems to be making the same mistakes I was making as a budding audiophile more than thirty years ago. Heavy Vinyl, the 45 RPM 2 LP pressing, the Half-Speed Limited Edition — aren’t these all just the latest audiophile fads each with a track record more dismal than the next?”

It reminds me of the turgid muck that Doug Sax was cutting for Analogue Productions back in the ’90s. The CD has to sound better than this. There’s no way could it sound worse.

Update: I managed to track down a copy of the CD and it DOES sound better than this awful record, and by a long shot. It’s not a great sounding CD, but it sure isn’t the disaster this record is.

This is a very bad sounding record, so bad that one minute’s play will have you up and out of your chair trying to figure out what the hell is wrong with your system. But don’t bother. It’s not your stereo, it’s this record.

It has the power to make your perfectly enjoyable speakers sound like someone has wrapped them in four inches of cotton bunting. Presence? Gone! Transients? Who needs ’em! Ambience, Openness, Three-Dimensionality? Uh, will you consider settling for Murk, Bloat and Smear? There’s a Special on them today here at Acoustic Sounds. (more…)

Sonny Rollins – Alternate Takes

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  • This STUNNING copy boasts a Shootout Winning Triple Plus (A+++) side two mated with outstanding Double Plus (A++) sound on side one – exceptionally quiet vinyl too
  • One of our favorite Sonny Rollins records for sound – both sides here are incredibly big, full-bodied and Tubey Magical
  • 4 1/2 stars: “This LP contains alternate versions of selections from two famous Sonny Rollins albums: Way out West and Sonny Rollins and the Contemporary Leaders. These “new” renditions… hold their own against the classic versions. …the music is hard-swinging and frequently superb.”

The album is made up of alternate takes from the Way Out West and Sonny Rollins and the Contemporary Leaders sessions, and as such there is a bit of sonic variation between these tracks and the ones on the actual albums. The best-sounding songs here, particularly the material from Way Out West, can sound amazing!

The best copies are rich and tubey; many pressings were thin and modern sounding, and for that they would lose a lot of points. We want this record to sound like something Roy DuNann recorded with an All Tube chain in 1958, and the best copies give you that sound, without the surface noise and groove damage the originals doubtless suffer from.

Some copies have much more space; some are more present, putting the musicians right in the room with you; some are more transparent, resolving the musical information much better than others, letting you “see” everyone in the studio clearly. Some have more rhythmic drive than others. On some the musicians seem more involved and energetic than they do on the average pressing.

The copies that do all these things better than other copies are the ones that win our shootouts.

This is clearly one of the best copies we have ever played. We think you will enjoy it immensely. (more…)

Sonny Rollins – Saxophone Colossus

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  • KILLER sound for this Prestige Gold Label Mono pressing with both sides earning Shootout Winning Triple Plus (A+++) grades or very close to it
  • This one has been a long time coming but boy was it worth the wait — full-bodied, Tubey Magical and super dynamic with tight note-like bass, this is by far the best copy we have ever played  
  • About as quiet a vintage copy as we are ever likely to find – this pressing plays Mint Minus Minus, which in our experience is practically a miracle
  • 5 Stars: “Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set… Essential music”

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