We know many of you have been eagerly awaiting Hot Stamper copies of this record, a longtime audiophile favorite and Demo Disc par excellence, but frankly, we’re always a bit hesitant (some might say afraid, but I prefer hesitant, thank you very much) to take it on.
So many copies of this album sound so bad — grainy, compressed and cardboardy are the first three adjectives that spring to mind.
And so many are noisy, having been pressed on the reground dreck that passed for new vinyl in the late ’70s. Slogging through dozens of noisy, grainy sounding copies was not going to be a day at the beach. We like the music, but could it possibly be worth it? Would the ends justify the means?
Ah, but this album was such a smash last time around we felt we owed it to our loyal following to do it again, to dig them up a copy of RLJ with the kind of AMAZING sound we knew the album could have. The late ’70s produced some knockout pop records; two of the best are Rumours and Rickie Lee Jones. It was time. We rolled up our sleeves and started cleaning.
The lifting was heavy right from the start. For one thing the stamper numbers are all over the map. The stampers we used to like for this album years ago turned out to be very good, but far from the best. We basically found ourselves starting from scratch, with no choice but to throw all the old notes out the window and begin the shootout again with open minds and fresh ears. (more…)