- With two Double Plus (A++) or BETTER sides, you’ll have a hard time finding a Bare Trees that sounds remotely as good as this vintage UK import
- It’s the impossibly rare copy that’s this lively, solid and rich… drop the needle on the title track and you’ll see what we mean
- Many copies were gritty, some were congested in the louder sections, some never got big, some were thin and lacking the lovely analog richness of the best — we heard plenty of copies whose faults were obvious when played against two superb sides such as these
- “Arguably the first consistently strong album Fleetwood Mac ever recorded [not true, Kiln House is] … 1972’s Bare Trees is also the album where the band finally defines its post-blues musical personality.”
This period of Fleetwood Mac, from Kiln House (1970) through Mystery to Me (1973) — both are albums I would put at the top of my list to take to my Desert Island — has always been my favorite of the band. I grew up on this stuff, and I can tell you from personal experience that it is a positive THRILL to hear the albums from this era sound so good.
Until not that many years ago we simply were not able to successfully shootout Bare Trees, Fleetwood Mac’s wonderful album from 1972. The pressings we were playing just didn’t sound very much like Hot Stampers to us. British, German, Japanese, domestic originals, domestic reissues; all of them left much too much to be desired.
Thankfully we can tell you that the best copies sound a whole lot better now than they did then. (more…)