Top Producers – Jimmy Iovine

Tom Petty and the Heartbreakers – Long After Dark

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A STUNNING sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from first note to last – exceptionally quiet vinyl too!
Both sides are brimming with Petty’s unique brand of “meat and potatoes” rock and roll
We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
Rich and full-bodied with tight bass, and brimming with Petty’s unique brand of straight ahead rock and roll, best exemplified by the radio smash You Got Lucky
Rolling Stone raves “Tom Petty and the Heartbreakers play a finely crafted brand of meat-and-potatoes rock. They shudder to a stop for the occasional ballad or showy guitar figure, but the next surging chorus is never far away. They’ve been honing that sound for five albums now, and Petty has gradually hoisted himself into the company of such masterful travelers of Route 66 as Seger and Springsteen. …overall, Long after Dark is Petty’s most accomplished record.”

Long After Dark boasts the monster rocker You Got Lucky and very good sound considering that the album was recorded in 1982, not an especially good year (or decade) to be recording rock music. (more…)

Stevie Nicks – The Wild Heart

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This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
The spacious size, vocal presence, bottom end weight and (relative) warmth throughout are exactly the sound you want for The Wild Heart
Features a host of stellar guest musicians, including Tom Petty, Mick Fleetwood, Steve Lukather (Toto), and even Prince, though he wasn’t credited on the album
4 stars: “The Wild Heart sold to the faithful — it made the Top Ten, sold over a million copies, and spawned three Top 40 hits… if you loved Bella Donna, you would like The Wild Heart very much.”

It’s easy to spot the good sounding copies. They’re big and rich, not thin nor harsh. They open up on the top end and go down deeper on the bottom. They’re smooth and full-bodied in the midrange. Stevie’s vocals are breathy and present. The energy of her performance drives the music the way you want it to.

In short, the best copies demonstrate the sound one could expect to hear on a good Tom Petty album. Nothing surprising there; this album, like Petty’s, was produced and engineered by the same team, Jimmy Iovine and Shelly Yakus. They’ve made some great records together, Damn the Torpedoes being the best of the batch for sonics. (more…)

Stevie Nicks – Speculate Shmeculate

Albums with Stevie Nicks Performing

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The sound of the typical copy can best be summed up in three words: thin, hard and bright. When the sound is thin or hard or bright the fun factor of this mainstream drops to zero. Stop Draggin’ My Heart Around and Leather And Lace both sound great on the radio, why not on Warners vinyl? We can’t blame Sheffield Labs, the original cutting house: all the copies we played — good, bad and otherwise — were originals and mastered by them.

Could it be the vinyl? It could. It could be a lot of things, but speculating about them doesn’t really get us or you anywhere, so I’m going to stop doing it and just say we played a big pile of records and heard a lot of unpleasant sound. If you have the record you probably know what I mean. (more…)

Dire Straits – Making Movies

An outstanding UK early pressing, with Double Plus (A++) sound or close to it on both sides – – exceptionally quiet vinyl too, the last clean copy we have in stock
Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied with excellent presence – Mark Knopfler’s leads really soar
Romeo and Juliet comes to life the way you want it to here, and the song Solid Rock lives up to its title
4 1/2 stars: “Making Movies is helped by a new wave-tinged pop production, which actually helps Knopfler’s jazzy inclinations take hold … ranks among the band’s finest work.”

The music really comes together, especially if you’ve been playing a sub-generation domestic pressing, which is the only kind Warners made as far as we know. (The first album is the same way of course.) Here you will find richer mids, sweeter highs, more energy and some real punch down low. (more…)

Patti Smith Group – Easter

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An excellent sounding copy with Double Plus (A++) sound from start to finish
Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Smith’s breakthrough from 1978, this is the way to go
4 1/2 stars: “Easter, produced by Bruce Springsteen associate Jimmy Iovine, was Smith’s most commercial-sounding effort yet and, due to the inclusion of Springsteen’s “Because the Night” (with Smith’s revised lyrics), a Top Ten hit, it became her biggest seller, staying in the charts more than five months and getting into the Top 20 LPs. But Smith hadn’t so much sold out as she had learned to use her poetic gifts within an album rock context.”

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Tom Petty – Hard Promises – Our Shootout Winner from 2014

The best copy we’ve heard in years, with Triple Plus (A+++) sound on both sides — “The Waiting” sounds superb. You get incredible energy and presence, full extension up top and real weight down low. Many copies can get thin and edgy — especially on the vocals — but not this one.

This pressing had sound on BOTH sides we never expected to hear on Hard Promises, an album that’s typically bright, thin, edgy, pinched and gritty — radio friendly, maybe, but not especially audiophile friendly.

We hate that sound but we are happy to report that some copies manage to avoid it, and this is one of them. Is that richer, fuller sound the sound of what’s on the master tape or did the mastering engineer “fix” it? We’ll never know, now will we? What we can know is the sound of the pressings we actually have to play, so let’s get right to it. (more…)

Tom Petty & the Heartbreakers – Southern Accents

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You find incredible Shootout Winning Triple Plus (A+++) sound or very close to it on both sides of this wonderful early pressing, guaranteed to beat anything you’ve heard – exceptionally quiet vinyl too
We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
“Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South… “Rebels” and “Spike” are fine rockers, and “Don’t Come Around Here No More” and “Make It Better (Forget About Me)” expand The Heartbreakers’ sound nicely.”

If you’ve tried to find a good sounding copy of this album, you could easily be forgiven for throwing in the towel — we almost did ourselves, and more than once. We’ve cleaned and played a pile of copies over the years, and now we are glad to report that this one sounds like a completely different album — it’s rich, smooth and sweet, a big step up over the typical gritty, grainy copy.

Credit must obviously go to the man behind the console, Shelly Yakus, someone who we freely admit, now with a sense of embarrassment, had never been one of our favorite engineers. After hearing a White Hot Stamper pressing of Damn the Torpedoes and a killer copy of Crack the Sky’s Animal Notes, as well as amazing sounding pressings of Moondance (his first official lead engineering gig) and Twelve Dreams of Dr. Sardonicus, we realize that we have seriously underestimated the man. (more…)

The Pretenders – Get Close – Our Shootout Winner from 2016

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Get Close has long been a personal favorite of mine. Side one starts off with a bang with My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved.

We have a link to the left entitled Women Who Rock. It would look better with Chrissie Hynde’s picture instead of some Lillith Fair type in a granny dress, but that’s neither here nor there. The fact is that no other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone would ever need. (more…)

Stevie Nicks – The Wild Heart

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The Wild Heart finally arrives on the site with outstanding Double Plus (A++) sound – exceptionally quiet vinyl too!
The size, presence, and (relative) warmth on this one give you the sound you want for this music
Features a host of stellar guest musicians, including Tom Petty, Mick Fleetwood, Steve Lukather (Toto), and even Prince, though he wasn’t credited on the album
4 stars: “The Wild Heart sold to the faithful … if you loved Bella Donna, you would like The Wild Heart very much.”

Stevie Nicks – Bella Donna

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s easy to hear what the good pressings are doing. They’re big and rich, never thin nor harsh. They open up on the top end and go down deeper on the bottom. They’re smooth and full-bodied in the midrange. Stevie’s vocals are breathy and present. The energy of her performance drives the music the way you want it to.

In short, the best copies demonstrate the sound one could expect on a good Tom Petty album. Nothing surprising there; this album, like Petty’s, was produced and engineered by the same team, Jimmy Iovine and Shelly Yakus. They’ve made some great records together, Damn the Torpedoes being the best of the bunch for sonics.

Bella Donna may not reach those exalted heights, but it’s still quite good, especially for 1981. As the decade wore on things went south very quickly, sonically and musically, so we must be thankful that this record came out early in the decade and not much later. (more…)