Top Producers – Jimmy Iovine

Patti Smith Group – Easter

xxxxx

  • An excellent sounding copy with Double Plus (A++) sound from start to finish
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Smith’s breakthrough from 1978, this is the way to go
  • 4 1/2 stars: “Easter, produced by Bruce Springsteen associate Jimmy Iovine, was Smith’s most commercial-sounding effort yet and, due to the inclusion of Springsteen’s “Because the Night” (with Smith’s revised lyrics), a Top Ten hit, it became her biggest seller, staying in the charts more than five months and getting into the Top 20 LPs. But Smith hadn’t so much sold out as she had learned to use her poetic gifts within an album rock context.”

(more…)

Tom Petty – Hard Promises – Our Shootout Winner from 2014

xxxxx

The best copy we’ve heard in years, with Triple Plus (A+++) sound on both sides — “The Waiting” sounds superb. You get incredible energy and presence, full extension up top and real weight down low. Many copies can get thin and edgy — especially on the vocals — but not this one.

This pressing had sound on BOTH sides we never expected to hear on Hard Promises, an album that’s typically bright, thin, edgy, pinched and gritty — radio friendly, maybe, but not especially audiophile friendly.

We hate that sound but we are happy to report that some copies manage to avoid it, and this is one of them. Is that richer, fuller sound the sound of what’s on the master tape or did the mastering engineer “fix” it? We’ll never know, now will we? What we can know is the sound of the pressings we actually have to play, so let’s get right to it. (more…)

Tom Petty & the Heartbreakers – Southern Accents

xxxxx

  • You find incredible Shootout Winning Triple Plus (A+++) sound or very close to it on both sides of this wonderful early pressing, guaranteed to beat anything you’ve heard – exceptionally quiet vinyl too 
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • “Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South… “Rebels” and “Spike” are fine rockers, and “Don’t Come Around Here No More” and “Make It Better (Forget About Me)” expand The Heartbreakers’ sound nicely.”

If you’ve tried to find a good sounding copy of this album, you could easily be forgiven for throwing in the towel — we almost did ourselves, and more than once. We’ve cleaned and played a pile of copies over the years, and now we are glad to report that this one sounds like a completely different album — it’s rich, smooth and sweet, a big step up over the typical gritty, grainy copy.

Credit must obviously go to the man behind the console, Shelly Yakus, someone who we freely admit, now with a sense of embarrassment, had never been one of our favorite engineers. After hearing a White Hot Stamper pressing of Damn the Torpedoes and a killer copy of Crack the Sky’s Animal Notes, as well as amazing sounding pressings of Moondance (his first official lead engineering gig) and Twelve Dreams of Dr. Sardonicus, we realize that we have seriously underestimated the man. (more…)

The Pretenders – Get Close – Our Shootout Winner from 2016

xxxxx
xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Get Close has long been a personal favorite of mine. Side one starts off with a bang with My Baby, one of the best tracks this band ever recorded. Of course at this point it’s hard to call The Pretenders a band as it is pretty much Chrissie Hynde’s show. She continues to mature as a songwriter, and the arrangements and production value are excellent as well, with heavy hitters such as Steve Lillywhite, Bob Clearmountain and Jimmy Iovine involved. 

We have a link to the left entitled Women Who Rock. It would look better with Chrissie Hynde’s picture instead of some Lillith Fair type in a granny dress, but that’s neither here nor there. The fact is that no other woman on earth can rock the way Chrissie Hynde can, and this album, along with Learning to Crawl, is all the proof anyone would ever need. (more…)

Stevie Nicks – The Wild Heart

xxxxx

  • The Wild Heart finally arrives on the site with outstanding Double Plus (A++) sound – exceptionally quiet vinyl too! 
  • The size, presence, and (relative) warmth on this one give you the sound you want for this music
  • Features a host of stellar guest musicians, including Tom Petty, Mick Fleetwood, Steve Lukather (Toto), and even Prince, though he wasn’t credited on the album
  • 4 stars: “The Wild Heart sold to the faithful … if you loved Bella Donna, you would like The Wild Heart very much.”

It’s easy to spot the good sounding copies. They’re big and rich, not thin nor harsh. They open up on the top end and go down deeper on the bottom. They’re smooth and full-bodied in the midrange. Stevie’s vocals are breathy and present. The energy of her performance drives the music the way you want it to.

In short, the best copies demonstrate the sound one could expect to hear on a good Tom Petty album. Nothing surprising there; this album, like Petty’s, was produced and engineered by the same team, Jimmy Iovine and Shelly Yakus. They’ve made some great records together, Damn the Torpedoes being the best of the batch for sonics. (more…)

Stevie Nicks – Bella Donna

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s easy to hear what the good pressings are doing. They’re big and rich, never thin nor harsh. They open up on the top end and go down deeper on the bottom. They’re smooth and full-bodied in the midrange. Stevie’s vocals are breathy and present. The energy of her performance drives the music the way you want it to.

In short, the best copies demonstrate the sound one could expect on a good Tom Petty album. Nothing surprising there; this album, like Petty’s, was produced and engineered by the same team, Jimmy Iovine and Shelly Yakus. They’ve made some great records together, Damn the Torpedoes being the best of the bunch for sonics.

Bella Donna may not reach those exalted heights, but it’s still quite good, especially for 1981. As the decade wore on things went south very quickly, sonically and musically, so we must be thankful that this record came out early in the decade and not much later. (more…)

Stevie Nicks – Bella Donna

xxxxx

  • Insanely good Triple Plus (A+++) sound from beginning to end for what is surely Ms Nicks’ best solo album
  • Both sides are big and clear, with plenty of rockin’ energy as would be expected from the team of Yakus and Iovine
  • Two of her biggest hits are here (and they still hold up): Stop Draggin’ My Heart Around & Leather And Lace
  • AMG raves: “Equally engaging are less exposed tracks like the haunting “After the Glitter Fades.” Hit producer Jimmy Iovine wisely avoids over-producing, and keeps things sounding organic on this striking debut.”

It’s easy to hear what the good pressings are doing. They’re big and rich, never thin nor harsh. They open up on the top end and go down deeper on the bottom. They’re smooth and full-bodied in the midrange. Stevie’s vocals are breathy and present. The energy of her performance drives the music the way you want it to.

In short, the best copies demonstrate the sound one could expect on a good Tom Petty album. Nothing surprising there; this album, like Petty’s, was produced and engineered by the same team, Jimmy Iovine and Shelly Yakus. They’ve made some great records together, Damn the Torpedoes being the best of the bunch for sonics. (more…)

Tom Petty – Hard Promises

More Tom Petty

Hard Promises

xxxxx
xxxxx

  • An impressive copy of this 1981 release, with KILLER nearly Triple Plus (A++ to A+++) sound on both sides – exceptionally quiet vinyl too
  • Recorded at Sound City, home to some of the greatest analog sound ever recorded
  • 4 1/2 stars: “…filled with great songwriting, something that’s as difficult to achieve as a distinctive sound… The Waiting became the best-known song on the record, but there’s no discounting A Woman in Love, Nightwatchman, Kings Road, and The Criminal Kind, album tracks that would become fan favorites… it has a tremendous set of songs and a unified sound that makes it one of Petty’s finest records.”

Two stunning sides for one of our favorite Petty records! This one is a huge step up from most, which tend to be bright, thin, edgy, pinched and gritty — radio friendly, maybe, but not especially audiophile friendly.

We hate that sound but we are happy to report that some copies manage to avoid it, and this is one of them. Is that richer, fuller sound the sound of what’s on the master tape or did the mastering engineer “fix” it? We’ll never know, now will we? What we can know is the sound of the pressings we actually have to play, and this one is killer.

Recorded by Shelly Yakus at Sound City, Van Nuys and at Cherokee Studios, Hollywood, CA. (more…)

Dire Straits – Making Movies

More Dire Straits

More Making Movies

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Making Movies finally makes the grade on this White Hot Stamper copy! We’ve tried this one a few times over the years, very rarely having anything to show for it. The typical copy of this album tends to be dry, spitty, grainy, and somewhat dull, robbing the music of much of its charm. These guys obviously know their way around a studio — many of you must know just how good their first album can sound — so we’ve always been frustrated at what we hear on copy after copy that hits out table. 

Making Movies finally makes the grade on this White Hot Stamper copy! We’ve tried this one a few times over the years, very rarely having anything to show for it. The typical copy of this album tends to be dry, spitty, grainy, and somewhat dull, robbing the music of much of its charm. These guys obviously know their way around a studio — many of you must know just how good their first album can sound — so we’ve always been frustrated at what we hear on copy after copy that hits out table. (more…)

Tom Petty and the Heartbreakers – Long After Dark

xxxxx

  • You’ll find outstanding Double Plus (A++) sound or BETTER on this copy of the band’s fifth studio album
  • Rich and full-bodied with tight bass, and brimming with Petty’s unique brand of “meat and potatoes” rock and roll
  • You Got Lucky was the big hit on this album 4 Star Album from 1982
  • Rolling Stone raves “…overall, Long after Dark is Petty’s most accomplished record.”

Long After Dark boasts the monster rocker You Got Lucky and very good sound considering that the album was recorded in 1982, not an especially good year (or decade) to be recording rock music. (more…)