- This STUNNING copy of Tusk boasts Shootout Winning Triple Plus (A+++) sound or very close to it on all FOUR sides
- The best sounding tracks are killer here – clear, rich, warm, full-bodied, with all the hallmarks of high-production-value analog throughout
- These vintage pressings have the MIDRANGE MAGIC that’s surely missing from whatever 180g reissue has been made from the 40 year old tapes (or, to be clear, a modern digital master copy of those tapes)
- 5 stars: “McVie and Nicks don’t deviate from their established soft rock and folk-rock templates, and all their songs are first-rate… Because of its ambitions, Tusk failed to replicate the success of its two predecessors, yet it earned a dedicated cult audience of fans of twisted, melodic pop.” (more…)
This is a rock album — it needs to be played LOUD and it needs to be played on a DYNAMIC system.
Case in point: consider how quietly The Chain starts out and how loud it is by the end. Those kinds of macro-dynamics are very rare on a pop recording. Rumours has the kind of dynamics you just don’t hear anymore, which is why the killer copies are a such a THRILL to play on a big dynamic system fitted with a top-notch turntable! (more…)
- A STUNNING original Warner Bros. pressing of Mirage, with Shootout Winning Triple Plus (A+++) sound from top to bottom
- Most copies are washed-out, recessed, and lack weight, but this one will show you just how right this music can sound
- The producing-engineering team of Ken Caillat and Richard Dashut return to provide top quality Rumours-like production
- The album spent five weeks at Number One, probably on the strength of the amazingly fun single “Hold Me.”
It’s a surprisingly good album if you can find the right copy.
The mids and highs can be really silky and sweet. The whole album has that glossy sound, clearly the influence of Lindsay Buckingham and his production team. The sound of Fleetwood Mac in this period is their doing, and with a phenomenal run of success that’s rarely been seen in pop history, it’s hard to argue with either their approach to the material or the sound. It sounds like they used every track on the multi-track recorder and then some. (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
- Tubey Magical Analog – the sound is open, spacious and transparent, with a huge three-dimensional soundfield
- A Better Records Top 100 title – when you hear it sound as good as it does here, you’ll know why we’ve long considered Rumours an Audiophile Demo Disc
- If you own the album on two 45 RPM discs (you know the one), allow us to send you a copy that will beat the pants off that modern mediocrity — this one!
- 5 stars: “Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.”
When you hear a good copy of Rumours, it’s very easy to understand why this is one of the best-selling pop music albums of all time. Just about everyone knows how great these songs are, but I bet you didn’t know they could sound like this!
It’s tough finding Hot Stamper copies of this album. With over 75 sets of stamper numbers for each side, it’s an extremely taxing project, even for us. We know some of the better stampers and have been acquiring them since then in preparation for this shootout. (more…)
- A MONSTER pressing that simply cannot be beat – all four sides (well, almost) earned our highest sonic grade of Triple Plus (A+++)
- Staggering Demo Disc Quality sound on the more highly produced tracks, of which there are plenty spread across these two discs
- The power of the bottom end is especially impressive on all the sides (and John McVie kills it on bass as usual)
- 5 stars: “Because of its ambitions, Tusk failed to replicate the success of its two predecessors … yet it earned a dedicated cult audience of fans of twisted, melodic pop.” Twisted melodic pop? Sign me up!
This copy is absolutely KILLER, with the kind of transparency, space and openness you simply cannot find on most copies. When the soundstage is as wide and three-dimensional as it is here, it’s amazing how much more SENSE the music starts to make.
And the clarity is not the phony “audiophile” kind that’s the result of too much treble. The tonality is correct throughout, and there’s no lack of richness or warmth to the sound. They just don’t get any better. (more…)