Top Artists – Yes

Yes / The Yes Album – Rhino 180g Reviewed

Hot Stamper Pressings of The Yes Album Available Now

Reviews and Commentaries for The Yes Album

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Sonic Grade: F

You can find this one in our Hall of Shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some records in the Hall of Shame the sound is passable but the music is bad.  These are also records you can safely avoid.)

The worst version ever? Could be!

That notorious hack Ron McMaster strikes again.

Rhino Records has really made a mockery of the analog medium. Rhino bills their releases as pressed on “180 gram High Performance Vinyl”. However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.

The CD versions of most of the LP titles they released early on are far better sounding than the lifeless, flat, pinched, so-called audiophile pressings they did starting around 2000.

The mastering engineer for this garbage actually has the nerve to feature his name in the ads for the records. He should be run out of town, not promoted as a keeper of the faith and defender of the virtues of “vinyl.” If this is what vinyl sounds like I’d would have switched to CD years ago.

And the amazing thing is, as bad as these records are, there are people who like them. I’ve read postings on the internet from people who say the sound on these records is just fine. It’s sad.

Their Grateful Dead titles sound as bad as the cheapest Super Saver reissue copies I have ever heard. And those are terrible!


FURTHER READING

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Yes / Close To The Edge – A MoFi Winner, Or Was It? I Don’t Think We’ll Ever Really Know

Hot Stamper Pressings of Close to the Edge Available Now

Reviews and Commentaries for Close to the Edge

Sonic Grade: Side One: B to B+ / Side Two: C

Many, many years ago (2005?) we wrote the commentary you see below. We can’t say if we would still agree with the sentiments expressed, so take what you read with a grain of salt, and remember that no two records sound the same. If your copy is better or worse on either side it will not come as a surprise to us here at Better Records!

This is a great MOFI! (On side one anyway.) I have to admit I was partly wrong about this pressing. I used to think it was mud. Either the copy I have here is much better than the copy I played years ago, or my stereo has changed. I’m going to guess that it’s the stereo that has changed. I used to like the original American copies of this album and now I hear that they are upper midrangy and aggressive. So my stereo must have been too forgiving in that area, which in turn would have made this MOFI sound too dull.

Side one is as good as I’ve ever heard it outside of the best British originals. [We don’t even buy those anymore. Maybe that’s the problem with this comparison.] Since almost none of those have survived in clean enough condition to be played on modern audiophile turntables, there isn’t much of an alternative to this pressing.

And it should be noted that there is distortion on the tape. It’s on every LP copy and it’s on the CD too. There are cacophonous passages that have what sounds like board overload, mike preamp overload, tape saturation or something of the kind.

Eddie Offord, the recording engineer, is famous for complaining that the boys in the band were totally out of control when it came to adding layer upon layer and track upon track to their recordings, running the risk of such a dense mix that nothing would be heard above the din. He was always fighting a losing battle trying to rein them in. Although he did his best, it appears his efforts failed in some of the musical passages on this album.

So here’s a MOFI I like, but I only really like side one. Side two, although it’s decent enough, errs a little on the smooth, dull side. I have copies in which the guitars have wonderfully extended harmonics and sweeter tone. Some of them are even domestic pressings! On the MOFI there is a “blunting” of the acoustic guitar transients. (more…)

The Yes Album – What a Recording!

Hot Stamper Pressings of The Yes Album Available Now

Reviews and Commentaries for The Yes Album

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At its best, this album is a Big Speaker Prog-Rock opus with tremendous power and dynamic range, but it takes a special pressing like this one to really bring it to life. 

These guys — and by that I mean this particular iteration of the band, the actual players that were involved in the making of this album — came together for the first time and created the sound of Yes on this very album, rather aptly titled when you think about it.

With the amazing Eddie Offord at the board, as well as the best batch of songs ever to appear on a single Yes album, they produced both their sonic and musical masterpiece — good news for audiophiles with Big Speakers!

Drop the needle on this bad boy and you will find yourself on a Yes journey the likes of which you have never known. And that’s what I’m in this audiophile game for. The Heavy Vinyl crowd can have their dead-as-a-doornail, wake-me-when-it’s-over pressings that play quietly. I couldn’t sit through one with a gun to my head. (more…)

Yes – Close To The Edge

  • A STUNNING pressing with Shootout Winning Triple Plus (A+++) sound or close to it throughout – these early pressings are the only ones that can make sense of this challenging music
  • On such a dynamic recording, with so many quiet passages, finding surfaces as quiet as these is a dubious proposition for even the most committed audiophile
  • An incredibly complex recording, with huge organs, light-speed changes and an abundance of multi-tracked parts
  • 5 stars: “Close to the Edge comprised just three tracks, the epic ‘And You and I’ and ‘Siberian Khatru,’ plus a side-long title track that represented the musical, lyrical, and sonic culmination of all that Yes had worked toward over the past five years.”

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Yes – 90125

See all of our Yes albums in stock

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  • This outstanding copy of 90125 boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • Spacious, solid and dynamic with huge bass and analog richness that’s hard to find on this album
  • There’s tons of life and energy here and the vocals sound just right
  • 4 1/2 stars: “A stunning self-reinvention by a band that many had given up for dead, 90125 is the album that introduced a whole new generation of listeners to Yes… there’s nary a duff track on the album.”

A superb copy with Double Plus (A++) sound from start to finish. I’m pleased to report that we can now add 90125 to our small list of ’80s albums that can sound excellent on the right pressing. Drop the needle on Owner Of A Lonely Heart and we bet you’ll agree!

So many copies we played were full of that digital grit and grain that we hear on so many records from the era. This one is an entirely different story. It has wonderful analog qualities, with more richness and smoothness than most pressings. (more…)

Today’s Heavy Vinyl Mediocrity Is… Fragile

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The Analogue Productions 180g reissue shown here is mastered by Steve Hoffman and Kevin Grey, two guys I respect, but the results of their latest collaboration leave much to be desired. The overall sound is lean. This is especially noticeable on the too thin-sounding guitars and vocals. Believe me, it’s no fun to play a Yes album with thin guitars and vocals.

Also, there’s a noticeable lack of ambience throughout the record. What comes to mind when I hear a record that sounds like this is the dreaded R word: Reissue. I find it hard to believe they had the actual two-track original master tape to work with. The sound is just too anemic to have come from the real tape. If they did have the real tape, then they really botched the job.
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Letter of the Week – “Dropping you a line to tell you that these two Hot Stampers have four of the greatest sounding sides of music I have experienced.”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Dropping you a line to tell you that these two Hot Stampers have four of the greatest sounding sides of music I have experienced. The new HS Aja and Fragile blew me away. I often start a listening session with the good intention of documenting the experience for you. I quickly blow that idea off and just start falling into the music. It would take thousands of words to explain the total experience. These two records have a presence and soundstage that put me in the studio (again, like your Sgt. Peppers) or feet from the stage.

In your description of Aja, you commented on Becker’s guitar floating on a bed of cool studio air front and center on “I got the news.” I became more interested and awed at the controlled pressure he was using on the strings with his left hand. The “harmonic” sounds of the notes were completely narcotic. With Fragile, the translucent layering of instruments and their note decay, danced across the room like sparks, making my head swim. At times the soundstage of Fragile extended well over my head. (more…)

Yes / Fragile – Our Shootout Winner from 2008

More Yes

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

MASTER TAPE SOUND! We doubt you’ve heard too many rock records that sound as AMAZING as this one. It’s dynamic, punchy and powerful, with the kind of super-low distortion sound that lets you really crank the levels, the louder the BETTER! How many Yes records will let you do that? THIS ONE WILL! That’s what you get for your $750 — the kind of sound that will blow your mind.

Side one here has ALL the qualities we look for in a Hot Stamper Fragile. It’s smooth and sweet with virtually no smearing up top or distortion on the piano. There’s lots of meaty, punchy bass that really propels the music far beyond the typical pressing. The overall sound is airy, open, spacious, and super transparent.

As hard as it is to find a Fragile with two WHITE hot sides, we’ve done it. This side two is AS AMAZING as the stunning side one. The bass is deep, rich, and well-defined. The highs are silky and delicate, and the bottom end has lots of WHOMP — check out that punchy kick drum! It’s a super transparent side two — just listen to all that echo and ambience around the vocals.

This Is The Master Tape

I don’t think it gets any better than this! I would guess that not many audiophiles have a rock record that sounds this good in their collections (excluding those of you who have managed to acquire some of our best Hot Stampers; those audiophiles own the real thing and the real thing just can’t be beat.) (more…)

Yes – Fragile

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  • Outstanding Double Plus (A++) sound and exceptionally quiet vinyl on both sides – Roundabout and Long Distance Runaround are guaranteed to blow your mind
  • Thanks to Eddie Offord’s superb engineering, this is some of the best High Production Value Rock Music ever recorded    
  • AMG 5 stars, a founding member of our Top 100, and the second of the band’s three Must Own Prog Rock Masterpieces*
  • “Fragile was Yes’ breakthrough album… it also marked the point where all of the elements of the music (and more) that would define their success for more than a decade fell into place fully formed.”

*The other two, of course, being The Yes Album (earlier in 1971) and Close to the Edge (1972).

We doubt you’ve heard too many (if any) rock records that sound as AMAZING as this one. It’s dynamic, punchy and powerful, with the kind of super-low distortion sound that lets you really crank the levels, the louder the better. How many Yes records will let you do that? This one will. That’s what you get for your money — the kind of sound that can blow your mind over and over again for as long as you live, or at least as long as your hearing holds out. (more…)

Yes / Fragile – An Album We Are Clearly Obsessed With

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FRAGILE is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries. Below you can find a letter one of our good customers wrote about his Hot Stamper pressing.

Our good customer Franklin wrote us a nice letter to let us us how much he loved his Fragile Hot Stamper. He’s so right: that was one AMAZING sounding record!

Just listened to the Yes album Fragile. FANTASTIC!!!!! I didn’t know Yes LPs could sound like this. Any Yes LPs I’ve ever heard were harsh sounding and after a couple of minutes my ears would start to hurt. Thanks!

Regards,
Franklin

Thanks, Franklin, for your enthusiastic letter. Is this the same famously “compromised” recording that MF complained about while extolling the virtues of the mediocre Analogue Productions LP? Now you and I both know two things: how wrong they are, and how amazing this record can really sound — when you’re lucky enough to have a truly Hot Stamper like the very one you played. (more…)