- This original White Dog Stereo pressing (just missed the cutoff for “Living Stereo” but the sound is awesome anyway) boasts STUNNING Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
- A WONDERFUL collection of solo piano works performed by one of our favorite pianists, Sviatoslav Richter
- The piano is present and clear, with no practically no smear whatsoever – both sides are dynamic and open with plenty of weight
- Recorded live in concert on December 26, 1960, at Carnegie Hall in New York, and December 28, 1960, at Mosque Hall in Newark
- If you’re a fan of piano showpieces such as these, this recording from 1965 belongs in your collection.
- The complete list of titles from 1967 that we’ve reviewed to date can be found here.
This vintage RCA Victor Red Seal pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
On the transparent and tonally correct copies it is clear and full-bodied. The piano in a solo recording such as this often makes for a good test.
How easily can you see it and how much like a real piano does it sound?
If you have full-range speakers some of the qualities you may recognize in the sound of the piano are WEIGHT and WARMTH. The piano is not hard, brittle or tinkly. Instead, the best copies show you a wonderfully full-bodied, warm, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants.
In other words like a real piano, not a recorded one. Bad mastering can ruin the sound, and often does, along with worn-out stampers and bad vinyl and five-gram needles that scrape off the high frequencies. But some copies survive all such hazards. They manage to reproduce the full spectrum of the piano’s wide range on vintage vinyl, showing us the kind of sound we simply cannot find any other way.