- Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone, past, present and future
- The superbly talented musicians and engineers deserve much of the credit for making this album a Grammy Winning Must Own Audiophile Favorite
- 4 stars: “One of the most impressive debuts for a singer/songwriter ever, this infectious mixture of styles not only features a strong collection of original songs but also a singer with a savvy, distinctive voice that can be streetwise, childlike, and sophisticated, sometimes all in the same song.”
- Another Must Own Title from 1979. Other recommended titles from 1979 can be found here.
Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of RLJ.
Here are some albums currently on our site with similar Track by Track breakdowns.
On the best of the Hot Stamper copies it becomes abundantly clear just how well the string bass was recorded — assuming you like the close-miked, maximum-presence quality they were after. You hear all the fingering, the wood of the body resonating; all the stuff you could never hear live unless you were ten feet from the guy. Natural it’s not, but natural is not what most hit records are all about anyway.
Credit — or blame — belongs squarely with LEE HERSCHBERG. There’s no question that he knew exactly what he was doing, he’s the pro’s pro, so let’s give him credit for making the sound of the record really POP. (more…)
- Two insanely good Shootout Winning Triple Plus (A+++) sides for one of James Taylor’s best softer rock albums
- Soulful JT at his best, an underappreciated album by our man and one that belongs in your collection
- Mexico, How Sweet It Is (To Be Loved By You) and I Was A Fool To Care are standouts – there are no weak tracks here
- Rolling Stone notes, “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”
*NOTE: On side one, a mark makes 12 light ticks at the beginning of Track 1, Mexico.
This is soft rock at its best, made up primarily of love songs, and helped immensely by the harmonically-gifted backing vocals of Graham Nash and David Crosby.
Rolling Stone notes that “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”
To be honest, the recording of Gorilla itself cannot compete with the likes of Sweet Baby James or JT, both of which are Top 100 Titles. It can be a good sounding record, not a great one, certainly not in the same league as those two. (more…)
Sonic Grade: C
We were fairly unimpressed with the Rickie Lee Jones on Warners that came out a few years back. It has that phony Modern Mastering sound we find so unappealing on the Rhino reissue of Blue. (We seem to be pretty much alone in not liking that one, and we’re proud to say we still don’t like it. Hey, play The Blue Game and maybe you’ll see why.)
We liked the new Sweet Baby James Hoffman and Gray cut. We note in our review that “Hoffman and Gray can take pride in this Sweet Baby James. It’s some of the best work I’ve heard from them to date. If more DCC and Heavy Vinyl reissues sounded like this, we wouldn’t be so critical of them. Unfortunately they don’t, and there are scores of pages of commentary on the site to back up that statement for those of you interested in the subject.”
We went on to say “The amazing transparency and dynamic energy of the best originals will probably never be equaled by an audiophile pressing like this. (It hasn’t happened yet and we remain skeptical of the possibility.) Considering that this pressing is sure to beat most reissues, imports and such like, we have no problem heartily recommending it to our customers, especially at the price.”
So, What’s Wrong With Rickie Lee?
Simple. They took a somewhat artificial, hi-fi-ish, close-miked, heavy-on-the-reverb recording and made it sound even more artificial, phony and hi-fi-ish (but less-heavy-on-the-reverb; there is always a noticeable loss of resolution in these modern mastering jobs). What were they thinking?
The best copies have warmth, richness and sweetness to balance out the more unnatural elements in the recording. Copies with these qualities are few and far between but we have run across them in our shootouts and proudly put them up, where of course they sold quickly for lots of money. Major league audiophile appeal, this one. In its day it was heavily demo’ed in every stereo store in town, and for good reason — the sound positively jumps out of the speakers. (more…)
- STUNNING sound on both sides of this original Warner Bros. white label pressing of Jones’ sophomore release with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
- Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the only way to go
- Lee Herschberg recorded Rickie’s debut as well as this follow-up, and both can sound shockingly good
- 4 stars: “The musical and lyrical variety on the album is best represented in the album’s centerpiece, ‘Pirates (So Long Lonely Avenue),’ where she moves through mood and tempo changes with ease. Although the songs may not immediately grab the listener, the lyrical and musical complexities ultimately make this album more rewarding with every listen.”
- All four sides earned Double Plus (A++) grades for sound – exceptionally quiet vinyl too
- Our pick for the best sounding Little Feat album – it’s a monster, and a Must Own for any fan of the band
- “Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful — a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse.”
This is one of the all time TOP Little Feat albums and a longtime personal favorite, but it takes a pressing like this to bring it to life.
As we said last time around, there is not a rock album on the The Absolute Sound’s Super Disc List that can hold a candle to the real Rock and Roll Power of a pressing such as this. It’s really not fair to judge the Harry’s List by records like this, which have never been the man’s forte. We, on the other hand, know these kinds of records about as well as anyone, and to prove it we would love to send you this copy. The AMAZING sound is guaranteed to blow your mind.
What a Recording!
The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)
This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of many of these tracks is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many of our favorites to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.
The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this complex music to life and allowed us to enjoy the hell out of it. This is yet another definition of a Hot Stamper — it’s the copy where the music works as music. (more…)
- A superb original pressing of Good Old Boys, with Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 5 Stars: “Good Old Boys is one of Newman’s finest albums; it’s also one of his most provocative and infuriating, and that’s probably just the way he wanted it.”
With Lenny Waronker and Russ Titelman producing, and Lee Herschberg and Donn Landee engineering, this album has the exceptionally smooth, rich, analog sound you would expect to find on a production guided by these men. It also happens to be a sound we love here at Better Records.
It’s the sound of vintage Reprise from 1974. (more…)
- Both of these sides are SUPERB in all respects; there’s plenty of Tubey Magic, and that’s one quality that’s hard to come by on this album
- Rich, sweet, and lively — Woman’s Gotta Have It sounds fantastic here
- An underappreciated album that we’re big fans of here at Better Records!
The quality of the songwriting is what makes this album such a moving listening experience. These songs are superb, individually and collectively, and can hold their own up against those found on Gorilla, an album with which In the Pocket has much in common.
Just as they did on Gorilla, Taylor and his multi-talented, multi-tracking production team polish these songs into three and four minute gems of popcraft, and they do so without ever compromising the emotional heart of the material. I’ve searched and I honestly cannot find a bad song on the album. Better than that, not even a weak one.
Both of these sides are rich, smooth, yet transparent and high-rez. The vocals are breathy, and again, that is not something we heard nearly enough of in our shootout.
And no hardness. This is key. And the best tonal balance, which is also key. (more…)
- Both sides of this UK copy of Steve Winwood’s Solo Masterpiece earned outstanding Double Plus (A++) grades or BETTER
- This early British pressing is guaranteed to be dramatically bigger, richer, fuller and smoother than anything you’ve heard
- Higher Love with better than Double Plus sound? You’re gonna love it! And there’s really not a bad track on the album
- “The first undeniably superb record of an almost decade-long solo career … the passion long smoldering in his finest work explodes in the album-opening duet with Chaka Khan, Higher Love…” — Rolling Stone
On the best copies, the sound is spacious and high-resolution. The bright, dry, grainy, analytical sound is replaced with something warmer, richer, fuller, sweeter, smoother — in other words, more ANALOG sounding. (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
- We guarantee there is dramatically more richness, fullness and presence on this copy than anything you have ever heard, and that’s especially true if you made the mistake of buying whatever godawful Heavy Vinyl pressing is currently on the market
- Our favorite Newman album for both music and sound (12 Songs being the main competition)
- 5 stars: “Whether he’s writing for three pieces or 30, Newman makes superb use of the sounds available to him, and his vocals are the model of making the most of a limited instrument. Overall, Sail Away is one of Newman’s finest works, musically adventurous and displaying a lyrical subtlety that would begin to fade in his subsequent works.”
Some of Newman’s best songs can be found on Sail Away, including Political Science, You Can Leave Your Hat On, Last Night I Had a Dream and of course the wonderful title track. AMG goes nuts about Sail Away, giving it the full 5 stars and calling it “musically adventurous” and “one of Newman’s finest works.”
If you only have room for one Randy Newman record in your collection, this would be our pick. (more…)