Top Producers – Russ Titelman

Rickie Lee Jones – Pirates

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  • STUNNING sound on both sides of this original Warner Bros. white label pressing of Jones’ sophomore release with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the only way to go
  • Lee Herschberg recorded Rickie’s debut as well as this follow-up, and both can sound shockingly good
  • 4 stars: “The musical and lyrical variety on the album is best represented in the album’s centerpiece, ‘Pirates (So Long Lonely Avenue),’ where she moves through mood and tempo changes with ease. Although the songs may not immediately grab the listener, the lyrical and musical complexities ultimately make this album more rewarding with every listen.”

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Rickie Lee Jones – Self-Titled

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Reviews and Commentaries for Rickie Lee Jones’ First Album

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  • A KILLER copy of Rickie Lee’s self-titled debut, with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
  • Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone, past, present and future
  • The superbly talented musicians and engineers deserve much of the credit for making this album a Grammy Winning Must Own Audiophile Favorite
  • 4 stars: “One of the most impressive debuts for a singer/songwriter ever, this infectious mixture of styles not only features a strong collection of original songs but also a singer with a savvy, distinctive voice that can be streetwise, childlike, and sophisticated, sometimes all in the same song.”

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Little Feat – Hoy-Hoy

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A Well Recorded Album that Should Be More Popular with Audiophiles

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  • All four sides earned Double Plus (A++) grades for sound – exceptionally quiet vinyl too
  • Our pick for the best sounding Little Feat album – it’s a monster, and a Must Own for any fan of the band
  • “Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful — a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse.”

This is one of the all time TOP Little Feat albums and a longtime personal favorite, but it takes a pressing like this to bring it to life.

As we said last time around, there is not a rock album on the The Absolute Sound’s Super Disc List that can hold a candle to the real Rock and Roll Power of a pressing such as this. It’s really not fair to judge the Harry’s List by records like this, which have never been the man’s forte. We, on the other hand, know these kinds of records about as well as anyone, and to prove it we would love to send you this copy. The AMAZING sound is guaranteed to blow your mind.

What a Recording!

The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)

This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of many of these tracks is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many of our favorites to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this complex music to life and allowed us to enjoy the hell out of it. This is yet another definition of a Hot Stamper — it’s the copy where the music works as music. (more…)

Randy Newman – Good Old Boys

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  • A superb original pressing of Good Old Boys, with Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 5 Stars: “Good Old Boys is one of Newman’s finest albums; it’s also one of his most provocative and infuriating, and that’s probably just the way he wanted it.”

With Lenny Waronker and Russ Titelman producing, and Lee Herschberg and Donn Landee engineering, this album has the exceptionally smooth, rich, analog sound you would expect to find on a production guided by these men. It also happens to be a sound we love here at Better Records.

It’s the sound of vintage Reprise from 1974. (more…)

James Taylor – In The Pocket

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  • Stunning sound throughout with both sides earning Shootout Winning Triple Plus (A+++) sound or very close to it
  • Both of these sides are SUPERB in all respects; there’s plenty of Tubey Magic, and that’s one quality that’s hard to come by on this album
  • Rich, sweet, and lively — Woman’s Gotta Have It sounds fantastic here
  • An underappreciated album that we’re big fans of here at Better Records!

The quality of the songwriting is what makes this album such a moving listening experience. These songs are superb, individually and collectively, and can hold their own up against those found on Gorilla, an album with which In the Pocket has much in common.

Just as they did on Gorilla, Taylor and his multi-talented, multi-tracking production team polish these songs into three and four minute gems of popcraft, and they do so without ever compromising the emotional heart of the material. I’ve searched and I honestly cannot find a bad song on the album. Better than that, not even a weak one.

Both of these sides are SUPERB in all respects. There’s plenty of Tubey Magic, and that’s one quality that’s hard to come by on this album. They’re super rich, smooth, yet transparent and high-rez. The vocals are breathy, and again, that is not something we heard nearly enough of in our shootout.

And no hardness. This is key. And the best tonal balance, which is also key. (more…)

Steve Winwood – Back In The High Life

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More Traffic

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  • Both sides of this UK copy of Steve Winwood’s Solo Masterpiece earned outstanding Double Plus (A++) grades or BETTER
  • This early British pressing is guaranteed to be dramatically bigger, richer, fuller and smoother than anything you’ve heard
  • Higher Love with better than Double Plus sound? You’re gonna love it! And there’s really not a bad track on the album
  • “The first undeniably superb record of an almost decade-long solo career … the passion long smoldering in his finest work explodes in the album-opening duet with Chaka Khan, Higher Love…” — Rolling Stone

On the best copies, the sound is spacious and high-resolution. The bright, dry, grainy, analytical sound is replaced with something warmer, richer, fuller, sweeter, smoother — in other words, more ANALOG sounding. (more…)

James Taylor – Gorilla

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  • Two insanely good Shootout Winning Triple Plus (A+++) sides for one of James Taylor’s best softer rock albums
  • Soulful JT at his best, an underappreciated album by our man and one that belongs in your collection
  • Mexico, How Sweet It Is (To Be Loved By You) and I Was A Fool To Care are standouts – there are no weak tracks here
  • Rolling Stone notes, “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”

*NOTE: On side one, a mark makes 12 light ticks at the beginning of Track 1, Mexico.

This is soft rock at its best, made up primarily of love songs, and helped immensely by the harmonically-gifted backing vocals of Graham Nash and David Crosby.

Rolling Stone notes that “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”

To be honest, the recording of Gorilla itself cannot compete with the likes of Sweet Baby James or JT, both of which are Top 100 Titles. It can be a good sounding record, not a great one, certainly not in the same league as those two. (more…)

Randy Newman – Sail Away

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • We guarantee there is dramatically more richness, fullness and presence on this copy than anything you have ever heard, and that’s especially true if you made the mistake of buying whatever godawful Heavy Vinyl pressing is currently on the market
  • Our favorite Newman album for both music and sound (12 Songs being the main competition)
  • 5 stars: “Whether he’s writing for three pieces or 30, Newman makes superb use of the sounds available to him, and his vocals are the model of making the most of a limited instrument. Overall, Sail Away is one of Newman’s finest works, musically adventurous and displaying a lyrical subtlety that would begin to fade in his subsequent works.”

Some of Newman’s best songs can be found on Sail Away, including Political Science, You Can Leave Your Hat On, Last Night I Had a Dream and of course the wonderful title track. AMG goes nuts about Sail Away, giving it the full 5 stars and calling it “musically adventurous” and “one of Newman’s finest works.”

If you only have room for one Randy Newman record in your collection, this would be our pick. (more…)

Eric Clapton – Journeyman

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  • A superb sounding Duck/Reprise import copy with Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • Forget the dry sounding domestic copies – these imports were the only ones good enough for us to put in a shootout
  • Rich, lively, spacious – these imports are surprisingly good sounding for a recording from as late as 1989
  • The big hit was Pretending, but Bad Love (both went to Number One) won the Grammy for Best Male Rock Vocal
  • 4 1/2 stars: “… a laid-back and thoroughly engaging display of Clapton’s virtuosity. On the whole, it’s the best studio album he’s released since Slowhand.”

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Little Feat / Hoy-Hoy – Some of the Biggest, Boldest Sound We’ve Ever Heard

Little Feat Albums with Hot Stampers

Little Feat Albums We’ve Reviewed

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Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Hoy-Hoy.

Here are some albums currently on our site with similar Track by Track breakdowns.

The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)

Little Feat’s studio recordings rarely did justice to the band’s energy and drive. With so many live tracks, this is the album that really shows the band at their enthusiastic best. If I were going to choose one Little Feat album to own, it would be hard to argue with this one musically, and sonically the stuff here just can’t be beat — if you are lucky enough to own a copy with Hot Stampers for all four sides, no mean feat.

A Quick Overview

Side one has two amazing sounding live cuts, as good as it gets and that’s no lie.

Side two starts out with Lonesome Whistle, one of the five best songs this band ever committed to tape.

Highlights on side three include Framed and Gringo, both with superb sound.

Side four has a live version of the song Two Trains, another one of their best recordings, followed by China White, the story of Lowell’s feelings toward cocaine. Dead at 33, rock and roll lost a giant when drugs brought him low. (more…)