Top Artists – Joni Mitchell

Jackson Browne – For Everyman

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More Singer-Songwriter Albums

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  • A KILLER copy of JB’s sophomore effort with Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • David Lindley joins the band, and talented helpers include Bonnie Raitt, Glen Frey, David Crosby, Elton John and Joni Mitchell
  • “His work is a unique fusion of West Coast casualness and East Coast paranoia, easygoing slang and painstaking precision, child’s-eye romanticizing and adult’s-eye acceptance… Brilliantly conceived, incomparably immediate, For Everyman truly earns its title.” – Rolling Stone

The average copy of this record is MUD, but this pressing will show you that the master tape of For Everyman is a whole lot better than most music lovers and audiophiles might suspect. (The first album is the same way.)

Want a quick test for transparency? Listen to the piano on I Thought I Was a Child. On most copies you can’t really hear the attack of the hammers hitting the strings, but here you can. If the tonal balance is correct — and it is on this copy — then you know you are getting a pressing of very high quality.

Note that the first track on side one almost never sounds as good as those that follow. (more…)

Joni Mitchell – Wild Things Run Fast – Our Shootout Winner from 2013

More Joni Mitchell

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

One of our favorite Joni Mitchell albums. A Desert Island disc for me & one of the few good reasons to listen to new music in the ’80s. 

My personal Must Own Joni Mitchell list includes: The First Album (side one only), Blue, Court & Spark and Wild Things Run Fast.

WTRF is a TAS list Super Disc with many good qualities, but you’d never know it from the typical lean, bass-shy pressing. Since this record can be a little cold sounding — it’s a modern recording after all — filling it out and warming it up a little is just what the doctor ordered. Our Hot Stamper pressings are usually rich and full-bodied with lovely warmth and presence. (more…)

Joni Mitchell – Ladies Of The Canyon

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  • This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
  • Ladies of The Canyon is a very strong album for Joni, with some of her most well known, seemingly timeless songs: Morning Morgantown, For Free, Big Yellow Taxi, Woodstock, The Circle Game and more
  • We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 4 1/2 stars: “Yet another essential listen in Mitchell’s recorded canon.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.

*NOTE: On side two, a mark makes 4 moderate pops and 1 loud pop at the end of Track 5, Woodstock.

The best pressings have revealed nuances to this recording — and of course the performances of all the players along with it — that made us fall in love with the music all over again. Of all the tough nuts to crack, this was one of the toughest, yet somehow copies emerged that allowed us to appreciate the sonic merits of LOTC and ignore its few shortcomings. Hot Stampers have a way of doing that. You forget it’s a record; it’s now just Music.

The right record and the right playback will bring this music to life in a way that you cannot imagine until you hear it. That is our guarantee on Ladies of the Canyon– better than you ever thought possible or your money back. (more…)

Joni Mitchell – For The Roses

  • With two outstanding Double Plus (A++) sides, this White Label Asylum pressing was one of the best we played in our recent shootout – fairly quiet vinyl too
  • The sound is especially rich, warm and natural, with exceptional immediacy to Joni’s vocals and Tubey Magic for days
  • One of the best sounding Joni records, on a par with Court and Spark and Blue – fine company indeed
  • 4 1/2 stars: “The lyrics here are among Mitchell’s best, continuing in the vein of gripping honesty and heartfelt depth exhibited on Blue…. More than a bridge between great albums, this excellent disc is a top-notch listen in its own right.”

This copy has real energy and dynamics that just could not be heard on most of the pressings we played. With dynamics AND the warmth and richness found here, this copy will be hard to beat.

Listen to how huge the piano is. No two copies will show you the same piano, which makes it a great test for sound. Both sides have clear, present, breathy vocals, about as good as Joni can sound on vinyl, which is saying a lot. (more…)

Joni Mitchell – Blue – Our Shootout Winner from 2011

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ABSOLUTELY STUNNING TRIPLE PLUS SOUND ON SIDE TWO with a side one that’s nearly as wonderful! You’ve probably heard us say this before, but it is ridiculously tough to find great copies of Blue. It’s not just the toughest nut to crack in Joni’s catalog, it’s one of the most difficult albums in ALL OF POP MUSIC to get to sound right.

So when we find one like this, it’s a BIG DEAL. It’s got Off The Charts breathiness, delicacy, warmth and sweetness, and that’s just Joni’s voice. The sound of the ensemble throughout is amazingly natural, the recording so spacious.

Just check out the piano on The Last Time I Saw Richard: this is not the thin and hard-sounding instrument that accompanies Joni on every pressing you have ever had the misfortune to audition, hoping against hope that someday you would find that “elusive disc” with sound worthy of such extraordinary music. No, this piano has real weight; it has body; and it’s surrounded by real, three-dimensional studio space. No vinyl pressing we have ever played has managed to capture the sound of the piano on this record any better. Exactly no copies. (A few White Hot Stamper copies have done it as well, but none any better.) For those of you with a certain Heavy Vinyl pressing in your collection, we can only say: Put that in your pipe and smoke it.

Both sides here are rich, full-bodied and warm with amazing immediacy. The sound is exceptionally DYNAMIC and the clarity and transparency are OFF THE SCALES. Joni’s vocals sound just right — so clear and natural, with lots of breath and texture. (more…)

What We Think We Know about Joni Mitchell’s Brilliant “Blue” from 1970

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Everything you always wanted to know about the best sounding pressings, and some that are not so good sounding, of

Blue

For vintage pressings with the ultimate in audiophile sound, check out our website, Better Records.

Joni Mitchell – Don Juan’s Reckless Daughter

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  • With four sides that are either White Hot or close to it this copy murdered the competition
  • Rich, full-bodied, smooth, yet open and clear, this is about the best the album can sound 
  • Mastered by Bernie Grundman back when he was still cutting some of the best records around
  • Joni Mitchell meets Weather Report is the best way to describe much of the vibe here

We had trouble finding copies that played consistently quietly on all four sides. This copy has an issue with side four, but the second best sounding side four was noisier, so we feel that this is still the best way to go for the album. (more…)

Joni Mitchell – Hejira

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  • An incredible sounding copy and the first to hit the site in NINE years! Shootout Winning Triple Plus (A+++) sound from start to finish
  • Most copies we played were too compressed or veiled to let the music really flow, but this one has the kind of big, open, rich sound that Joni’s spacey “beatnik jazz” needs to really work its magic
  • Exceptionally quiet vinyl throughout with both sides playing Mint Minus to Mint Minus Minus
  • “Joni Mitchell’s Hejira is the last in an astonishingly long run of top-notch studio albums dating back to her debut… Performances are excellent, with special kudos reserved for Jaco Pastorius’ melodic bass playing… This excellent album is a rewarding listen.” 

We played a ton of copies and heard a lot to dislike. Many copies have a tendency to sound phony, a case of heavy-handed EQ in the mastering perhaps. When a copy sounds glossy, it loses its natural warmth and starts to sound like any old audiophile LP. We’re ideally looking for something akin to Blue here, and not the sound you find on Patricia Barber LPs. (Gratuitous maybe, but it feels like it’s been too long since we took a swipe at that junk. But I digress…)

Plenty of copies had natural sound but no real life or presence to speak of. It’s a sound you could live with until you heard a good one, but there’s no going back once you’ve heard what the album’s really capable of. A copy like this one gives you lots of richness and warmth without sacrificing the texture to the instruments or the breath to Joni’s voice. The percussion really comes through, the bass has more weight and the immediacy of the vocals put Joni front and center, just where she should be.

If you aren’t familiar with this album, it’s a few more steps down the path she started taking on Court and Spark. The musicians include Larry Carlton and Jaco Pastorious, so that should give you an idea about the jazz-fusion direction of the arrangements. It was a fun album to get to know and on a copy like this one, it really rewards multiple listens. (more…)

Dopey Record Theories – Putting Bad Ideas to the Test

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Below we discuss some record theories that seem to be making the rounds these days.

It started with a stunning White Hot Stamper 2-pack that just went up on the site..

I implored the eventual purchaser to note that side two of record one has Joni sounding thin, hard and veiled. If you look at the stampers you can see it’s obviously cut by the same guy (no names please!), and we’re pretty sure both sides were stamped out at the same time of day since it’s impossible to do it any other way. What accounts for the amazing sound of one side and the mediocre sound of its reverse?

If your theory cannot account for these huge differences in sound, your theory is hopelessly, fundamentally flawed. Need we bother to note the rather important, one might even say all-important, fact that it has no practical value in the first place: how is anyone to know at what specific time of day a record was pressed? Or how many copies had come off the stamper ahead of it?

Can anything be more ridiculous than the ad hoc, evidence-free theory of some audiophile record collector desperately searching for a reason to explain why records — even the sides of the same record — sound so different from one another? (more…)

The Band – The Last Waltz

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  • The Band’s second live album returns with outstanding Double Plus (A++) Hot Stamper sound or close to it on all SIX sides – fairly quiet vinyl too
  • Rich, dynamic and natural sounding with low end weight, midrange smoothness and powerful, punchy bass
  • Features an A-list of brilliant artists, including Van Morrison, Ringo Star, Joni Mitchell, and Muddy Waters, just to name a few
  • 4 stars: “It’s the Band’s “special guests” who really make this set stand out — Muddy Waters’ ferocious version of “Mannish Boy” would have been a wonder from a man half his age, Van Morrison sounds positively joyous on “Caravan,” Neil Young and Joni Mitchell do well for their Canadian brethren, and Bob Dylan’s closing set finds him in admirably loose and rollicking form.”

(more…)