Top Artists – Andrew Gold

Andrew Gold / Self-Titled – A Fab Favorite from the Day I Bought Mine in 1975

Asylum – A Label We Love

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A STUNNING sounding copy and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound throughout
These sides are dripping with Analog magic — transparent, sweet and rich from beginning to end and the bass is especially meaty and well-defined
Those of you who have tried our Hot Stampers of JT will know exactly what to expect; Garay LOVES BASS and so do we
“An abundance of riches can be heard in Andrew Gold’s first solo album. There are great Beatlesque melodies here, as well as heartfelt love songs that are Gold’s specialties. Playing nearly all of the instruments himself makes this a truly “solo” effort.” – All Music, 4 Stars

As audiophiles we all know that sound and music are inseparable. My comments for this copy note how spacious and present and full of energy it is. After dropping the needle on a dozen or so copies, all originals by the way, you KNOW when the music is working its magic and when it’s not.

As with any pop album there are always some tracks that sound better than others, but when you find yourself marvelling at how well-written and well-produced a song is, you know that the sound is doing what it needs to do. It’s communicating the Musical Values of the material. This Hot Stamper copy brings Andrew Gold’s music to LIFE.

This record is dripping with Analog Tubey Magic. It’s transparent, sweet and rich from beginning to end. The bass is especially meaty and well-defined. Val Garay puts plenty on his recordings, one of the reasons we love listening to them. The vocals are present and clear, the studio is huge, and the snare is FAT the way it always is on Val’s recordings. (more…)

Linda Ronstadt / Heart Like A Wheel – Does Bernie Ever Get Bored?

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Reviews and Commentaries for the Recordings of Linda Ronstadt

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Years ago we wrote:

One thing we noted with interest while doing this shootout was how compressed the first track is. When the chorus comes in, and Linda seems to be singing louder — should be singing louder, with a substantial coterie of vocalists backing her up — the volume is actually lower. In the verse immediately following you can hear that not only is she singing louder, but the amount of dynamic contrast in her voice is greater. Go figure.

The compression also means that that song will never sound the way we would wish it to. But that doesn’t mean it won’t sound good. It means it will sound good in more of a radio-friendly way. On a good copy, one with relatively little grain and plenty of bass, the music can still be very enjoyable, and that includes a Number One Pop Hit like “You’re No Good.”

Do we still see things this way? Well, yes and no. It’s not exactly that we were wrong, but that better cleaning and better playback (all that revolutions in audio stuff) have now allowed us to hear that some copies are actually much more dynamic on this track than others. Quite dynamic in fact.

Think about it. Bernie Grundman is going to cut this record many, many times, maybe more times than he wants to. Is he always going to apply exactly the same amount of compression to each cutting, or is he going to experiment a bit and see what works better over time? Or maybe he just learned a thing or two as he went along.

Which is pretty much what we do when playing copy after copy. The best pressings show us precisely what it is they are doing when they actually work. We can’t know that in advance; we’re learning on the job so to speak. (more…)

Linda Ronstadt – Prisoner In Disguise

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Insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this copy of Prisoner, the followup to Linda’s Masterpiece, Heart Like a Wheel
This is an amazing recording, but it takes a special copy like this one to reveal all the magic that we know must be on the tape
4 1/2 stars – Love Is a Rose, Tracks of My Tears and Heat Wave were hits, but Linda really pours her heart into Hey Mister, That’s Me up on the Jukebox
Andrew Gold (so critical to the success of HLAW) is still heavily involved, along with Emmylou Harris, James Taylor, Lowell George, David Lindley, JD Souther, and of course Peter Asher

The soundfield has a three-dimensional quality that was nonexistent on some of the other copies we played. Drop the needle on Many Rivers To Cross and check out the amazing sound of the organ coming from the back of the room. Only the highest resolution copies give you that kind of soundstage depth.

The piano sounds natural and weighty. The fiddle on The Sweetest Gift (played by our man David Lindley) is full of rosiny texture.

Emmylou Harris, dueting here with Linda, sings beautifully.

All in all, you will find truly Demonstration Quality Sound on the best copies. (more…)

Linda Ronstadt / Heart Like A Wheel – Truly a Country Rock Masterpiece

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With Shootout Winning Triple Plus (A+++) grades or close to them, this copy was giving us KILLER sound for Linda Ronstadt’s Best Album
Both sides here are rich, full-bodied and warm, with harmonically rich guitars and real immediacy to Linda’s heartfelt vocals
A Must Own Classic, the best album Ms Ronstadt ever made, and a True Country Rock Masterpiece virtually without peer
5 stars: “What really makes HLAW a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. …[they] help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.”

I’ve been playing HLAW since the year it came out, roughly 46 years by my calculation, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on the album. Folks, we heard it for ourselves: the Heart Like A Wheel magic is here on practically every song.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing. (more…)

Jennifer Warnes – Shot Through The Heart

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Shot Through The Heart makes its Hot Stamper debut here with KILLER Shootout Winning Triple Plus (A+++) sound from start to finish
You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
4 stars: ” Jennifer Warnes took charge of the recording of [this] her second Arista album, co-producing it and writing three songs, including the title track… On her own, her taste was impeccable… She proved an adept producer, achieving a smooth pop/rock sound… With session stars like Andrew Gold aboard, Warnes succeeded in making what sounded like the great lost Linda Ronstadt album.”

(more…)

Linda Ronstadt / Prisoner In Disguise – Give It Up Again For Val Garay

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Insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this copy of Prisoner, the followup to Linda’s Masterpiece, Heart Like a Wheel
This is an amazing recording, but it takes a special copy like this one to reveal all the magic that we know must be on the tape
4 1/2 stars – Love Is a Rose, Tracks of My Tears and Heat Wave were hits, but Linda really pours her heart into Hey Mister, That’s Me up on the Jukebox
Andrew Gold (so critical to the success of HLAW) is still heavily involved, along with EmmyLou Harris, James Taylor, Lowell George, David Lindley, JD Souther, and of course Peter Asher

The soundfield has a three-dimensional quality that was pretty much nonexistent on most of the other copies we played. Drop the needle on Many Rivers To Cross and check out the amazing sound of the organ coming from the back of the room. Only the highest resolution copies give you that kind of soundstage depth.

The piano sounds natural and weighty. The fiddle on The Sweetest Gift (played by our man David Lindley) is full of rosiny texture.

Emmylou Harris, dueting here with Linda, is SUPERB, with truly Demonstration Quality Sound on the best copies.

The acoustic guitars are tonally Right On The Money throughout — the transient information is captured perfectly. Listen to the opening guitar in the right channel of The Sweetest Gift; we used it as a test track and when that guitar is RIGHT THERE you know you have a copy with Hot Stampers. (more…)

The Asylum Sound We Love – Great in the Seventies, Gone by the Eighties

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Superb engineering by Greg Ladanyi (Toto 4, The Pretender, El Rayo-X, demo discs one and all).

If you know the “Asylum Sound” — think of the Tubey Magical Analog of The Eagles first album and you won’t be far off — you can be sure the best copies of All This and Heaven Too have plenty of it. Rarely do we run into recordings from the mid- to late-’70s with richer, fuller sound. The bass on the best copies is always huge and note-like. In the ’80s the very engineer for this record, Greg Ladanyi, would produce solo albums for the likes of Don Henley with no bass. How this came to be I cannot begin to understand, but record after record that we play from that decade are bright and thin like a transistor radio. This accounts for why you see so few of them on the site.

But Andrew Gold’s albums from the later ’70s are amazingly rich and tubey. That sound never went out of style with us. In fact albums with those sonic qualities make up the bulk of our sales, from The Beatles to The Eagles, Pink Floyd to Elton John, Simon and Garfunkel to Graham Nash. In our world the more “modern” something sounds the lower the grade.

Listening in Depth to Heart Like a Wheel

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

Andrew Gold – All This and Heaven Too

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Superb engineering by Greg Ladanyi (Toto 4, The Pretender, El Rayo-X, demo discs one and all). Contains the monster hit Thank You for Being a Friend. AllMusic gives this one 4 1/2 Stars. It’s also the last good album our fab friend made.

Andrew Gold is another talented popster who got little respect from the critics, or the public for that matter. His music has a lot of the same qualities as Buddy Holly’s: simple catchy tunes about love, with clever lyrics and tons of hooks.

Andrew Gold – What’s Wrong With This Picture?

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What’s Wrong With This Picture?

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The best copies of Gold’s sophomore release are incredibly rich, sweet and Tubey Magical. They also have tons of deep punchy bass and wonderfully breathy vocals.

If you own many Asylum records, you know this title is yet another example of classic Asylum Analog. Think of the sound of the Eagles first album and you won’t be far off.

AAndrew Gold is another talented popster who got little respect from the critics, or the public for that matter. His music has a lot of the same qualities as Buddy Holly’s: simple catchy tunes about love, with clever lyrics and tons of hooks. He covers one of Holly’s songs on this very album. (more…)