Demo Discs for Tubey Magic

Benny Carter – Jazz Giant

More of the Music of Benny Carter

  • Both sides of this vintage Contemporary pressing earned STUNNING Shootout Winning Triple Plus (A+++) sonic grades or close to them
  • If you still think that Analogue Productions is remastering records properly, you have definitely never heard a real Contemporary that sounds as good as this one does
  • The music of this Jazz Giant comes alive on this copy, with space, size, clarity and richness that few other pressings can match
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings, but once you hear just how incredible sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 4 1/2 stars: “Benny Carter had already been a major jazz musician for nearly 30 years when he recorded this particularly strong septet session for Contemporary … This timeless music is beyond the simple categories of ‘swing’ or ‘bop’ and should just be called ‘classic.'”

If you like the sound of Contemporary Records, you won’t find a better example than this. Midrange magic doesn’t get anymore magical.

It’s been several years since our last shootout, but we hope the lucky buyer of this copy realizes it was more than worth it. To find a copy of Jazz Giant that sounds as good as this one is a very special event indeed.

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Neil Young – Harvest

More of the Music of Neil Young

  • This vintage Reprise pressing was giving us the sound we were looking for on Neil’s undeniable classic, with both sides earning solid Double Plus (A++) grades or BETTER
  • It’s practically impossible to find an early pressing with sound this good and vinyl that plays as quietly as this
  • I don’t know how many early pressings (which are the only ones that ever sound any good) we would have to play in order to find one this quiet, but my guess is 15 or 20, and that’s probably a conservative estimate
  • A Top 100 album and a sublime recording no audiophile should be without
  • 4 1/2 stars: “…the love songs and the harrowing portrait of a friend’s descent into heroin addiction, ‘The Needle and the Damage Done,’ remain among Young’s most affecting and memorable songs.”
  • If you’re a Neil Young fan, and what audiophile wouldn’t be?, this title from 1972 is clearly a Must Own
  • Harvest is one of the titles that helped us dramatically improve our playback over the course of many years

When you have this kind of open, extended top end, the grit, grain and edge just disappear, leaving you with a clear, Tubey Magical sound that’s way beyond anything you have ever heard for Harvest (or we will happily give you your money back).

Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

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The Beatles – Sgt. Pepper’s Lonely Heart’s Club Band

More of the Music of The Beatles

  • With two solid Double Plus (A++) sides, you’ll have a hard time finding a copy that sounds remotely as good as this vintage UK Parlophone LP – fairly quiet vinyl too
  • Huge, spacious and detailed, with the Tubey Magic of a fresh tape, this is the way to hear Sgt. Pepper in all its analog glory, not remixed and not remastered (and ruined, of course)
  • Most pressings – especially the new ones – have nothing approaching the resolution, Tubey Magic, space and energy of this LP
  • A Better Records Top 100 – “It’s possible to argue that there are better Beatles albums, yet no album is as historically important as this.”
  • It’s hard to conceive of any list of the best rock and pop albums of 1967 that would not have this record on it, and there is a very good chance it would be perched right at the top of that list
  • Quite a few customers have written us letters telling us how much they enjoyed the Hot Stamper pressing of Sgt. Pepper we sent them

The sound here is so big and rich, so clear and transparent, that we would be very surprised, shocked even, if you’ve ever imagined that any pressing of Sgt. Pepper could sound this powerful and REAL. (more…)

King Crimson – In The Court Of The Crimson King

More of the Music of King Crimson

  • You’ll find incredible Nearly Triple Plus (A++ to A+++) sound throughout this vintage import copy of the band’s Prog Rock Masterpiece – just shy of our Shootout Winner
  • We had a wide variety of Islands (Pink and Sunray) and UK Polydor pressings, and only two of those labels can have Hot Stampers based on the many shootouts we’ve done over the years
  • On a pressing as good as this one, turned up to seriously loud levels, the horns blasting away on “21st Century Schizoid Man” are guaranteed to blow your mind
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “The group’s definitive album, and one of the most daring debut albums ever …. it blew all of the progressive/psychedelic competition out of the running, although it was almost too good for the band’s own good — it took King Crimson nearly four years to come up with a record as strong or concise.”
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. In the Court of the Crimson King is a good example of a record many audiophiles may not know well but should get to know better

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Kind of Blue on a Killer 70s Red Label Pressing

More of the Music of Miles Davis

  • With two solid Double Plus (A++) sides or close to them, this Red Label pressing has Demo Disc sound – sound that’s guaranteed to make you want to take all of your remastered pressings and dump them off at the Goodwill
  • After auditioning a Hot Stamper Kind of Blue like this one – a pressing that captures the sound of this amazing group like nothing you have ever heard – you may be motivated to add a hearty, “Good riddance to bad audiophile rubbish and the audiophile reviewers who can’t hear the difference!”
  • KOB is the embodiment of the big-as-life, spacious and timbrally accurate 30th Street Studio sound Fred Plaut was justly famous for (particularly on this side two)
  • Space, clarity, transparency, and in-the-room immediacy are some of the qualities to be found on this pressing (also particularly on side two)
  • It’s guaranteed to beat any copy you’ve ever played, and if you have the new MoFi pressing, please, please, please order this copy so that you can hear just how screwy the sound of the remaster is
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “KOB isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence.”
  • If you’re a fan of the music Davis, Adderley and Coltrane were playing circa 1959, this album clearly belongs in your collection

The Labels of Kind of Blue

The 6 Eye label domestic stereo pressings win our shootouts, in the case of Kind of Blue without exception.

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Supertramp – Crisis? What Crisis?

More of the Music of Supertramp

  • This UK import copy was doing most everything right, earning solid Double Plus (A++) grades on both sides
  • Lots of quiet passages make this title one of the most difficult to find in audiophile playing condition, but here one is!
  • Most pressings are painfully thin and harsh, but this one had much more of the richness and smoothness we were looking for, miles away from the painfully bad original domestic pressings we know to avoid
  • Credit the man behind the board, Ken Scott (Ziggy Stardust, Honky Chateau, Crime of the Century, A Salty Dog, Magical Mystery Tour, America and more), who knows a thing or two about Tubey Magic
  • A Desert Island Disc for TP, from all the way back in 1975 when I first gave it a spin on my Ariston RD 11 turntable
  • “Even simple tracks like ‘Lady’ and ‘Just a Normal Day’ blend in nicely with the album’s warm personality and charmingly subtle mood. Although the tracks aren’t overly contagious or hook laden, there’s still a work-in-process type of appeal spread through the cuts, which do grow on you over time.”

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XTC – English Settlement

More of the Music of XTC

  • With outstanding Double Plus (A++) grades on all FOUR sides, these early Virgin UK import pressings will be very hard to beat
  • You won’t believe how good these records sound – on a big system with lots of firepower down low, this is a sonic tour de force, a monster Demo Disc
  • These sides have huge amounts of open studio space and that Tubey Magical, rich, fat, dense, bass-heavy British Rock Sound we love
  • It takes us years to get this shootout going – what happened to all the clean British pressings? They have disappeared over the last five years it seems
  • 4 stars: “There are plenty of pop gems – ‘Senses Working Overtime’ stands as one of their finest songs — but the main focus seems to be the more expansive sound…the textural sound of the album is quite remarkable.”

This is an AMAZINGLY well-recorded album, with huge amounts of open studio space and that Tubey Magical, rich, fat, dense British Rock Sound. That sound isn’t easy to reproduce, but this copy absoluely nails it. Nothing else in our shootout came close to it!

If you have big speakers and the room to play to play them good and loud , this is quite the sonic tour de force.

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The Rolling Stones – Beggars Banquet

More of the Music of The Rolling Stones

  • You’ll find INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides of this vintage London pressing of this surprisingly well-recorded Stones album from 1968
  • The long lost Tubey Magic of these early pressings has them sounding better than we ever thought possible with the audio equipment of the day
  • This is exactly the way you want Beggars Banquet to sound and it sure doesn’t take a pair of golden ears to hear it
  • One of a select group of Rolling Stones Must Own titles we prize above all others – Sticky Fingers and Let It Bleed round out the trio
  • 5 stars: “Basic rock & roll was not forgotten, however: ‘Street Fighting Man’… was one of their most innovative singles, and ‘Sympathy for the Devil’… was an image-defining epic.”
  • If you’re a Stones fan, this vintage pressing of their 1968 classic belongs in your collection

No Expectations, the second song on the first side, is one of the greatest Demo Tracks for Tubey Magical guitar reproduction we know of. The next year, Glyn Johns would pull off another acoustic guitar recording of that quality with Love in Vain on Let It Bleed.

Good pressings are certainly not easy to come by — this kind of rich, full-bodied, musical sound is the exception, not the rule. And there’s actual space and extension up top as well, something you certainly won’t hear on most of the vinyl that’s been pressed over the 50+ years since this album was released.

What sets the best copies apart from the pack is a fuller, richer tonal balance, which is achieved mostly by having plenty of bass and less upper midrange. Those are the copies that sound tonally correct to us, and you should have no trouble appreciating the difference.

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Rod Stewart – Every Picture Tells A Story

More of the Music of Rod Stewart

  • You’ll find solid Double Plus (A++) grades on both sides of this vintage Mercury pressing
  • If you’re a fan of big drums in a big room, with jump-out-of-the-speakers sound, this is the album for you
  • The drum solo in “(I Know) I’m Losing You” is one of the best reasons any red-blooded audiophile should have big dynamic speakers, a big room, and enough power to drive them to very loud levels
  • A Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • f the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • On big speakers at loud levels, this is a Demo Disc of the highest order

This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least. In other words, no album rocks harder.

The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Charles Mingus – Mingus Mingus Mingus Mingus Mingus

More of the Music of Charles Mingus

  • This original Impulse Stereo pressing boasts supeb sound from the first note to the last
  • Exceptionally spacious sound is a hallmark of any classic Mingus album, and this one does not disappoint — in fact, with Shootout Winning sound, it excels in its recreation of the three-dimensional space of the studio (and in practically every other area of reproduction too)
  • Impulse released a Heavy Vinyl pressing in 1995, as did Speakers Corner in 2003, but we’re quite sure that neither can hold a candle to the real thing
  • Mingus was undeniably one of the Giants of Jazz — the originality of the music on this record is simply more proof of his genius
  • 5 stars: “It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history.”

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here. (more…)