Top Artists – David Crosby

Crosby, Stills and Nash – Self-Titled

More of the Music of David Crosby

 More of the Music of Stephen Stills

More of the Music of Graham Nash

  • An INSANELY GOOD copy of CS&N’s debut album with superb sound from start to finish
  • The sound is big and rich, the vocals breathy and immediate, and you will not believe all the space and ambience
  • We love the album, but it is a cryin’ shame, as well as an indisputable fact, that few were mastered and pressed well, and that includes none of the originals in our experience
  • The reason you have not seen this title on the site for many, many years is simply that it is has become nearly impossible to find copies with the right stampers in audiophile playing condition
  • But the sound is GLORIOUS, hence the price
  • 5 stars: “…the harmonies are absolutely timeless, and the best material remains rock-solid. A definitive document of its era.”
  • This is a Must Own Hippie Folk Rock Masterpiece from 1969 that belongs in every right-thinking audiophile’s collection
  • The complete list of titles from 1969 that we’ve reviewed to date can be found here.

Although millions of copies of this album were sold, so few were mastered and pressed well, and so many mastered and pressed poorly, that few copies actually make it to the site as Hot Stampers, let alone a killer White Hot Stamper like this one.

We wish that weren’t the case — we love the album — but the copies we know to have the potential for Hot Stamper sound are just not sitting around in the record bins these days, making this a very special copy indeed!

(Whatever you do, don’t waste your money on the Joe Gastwirt-mastered CD. It couldn’t be any more awful. And his Deja Vu is just as bad.)

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Crosby, Stills and Nash – CSN

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More Stills

More Nash

  • An outstanding original copy of CS&N’s “comeback” album with Double Plus (A++) sound on both sides
  • The sound is big and relatively rich, the vocals breathy and immediate, and you will not believe all the space and ambience – which of course are all qualities that Heavy Vinyl records have far too little of, and the main reason we have lost all respect for the bulk of them
  • Includes CS&N classics “Dark Star,” “Just A Song Before I Go,” and “Fair Game”
  • 4 stars: “It has held up remarkably well, both as a memento of its time, and as a thoroughly enjoyable musical work.”

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Crosby, Stills and Nash – Daylight Again

Hot Stampers of Crosby, Stills and Nash

More David Crosby / More Stephen Stills / More Graham Nash

  • This outstanding copy of Daylight Again (the last good record these guys would ever make) earned solid Double Plus (A++) sonic grades – relatively quiet vinyl too
  • This is the embodiment of the Classic CSN sound we love – rich, full-bodied, warm, punchy, dynamic and clear 
  • Stephen Barncard, one of our favorite recording engineers, no doubt deserves most of the credit
  • Allmusic on Wasted on the Way and Southern Cross: “Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-’60s CSN canon.”

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David Crosby – What? No Classic Records LP on the TAS Super Disc List?

More of the Music of David Crosby

TAS List Super Discs with Hot Stampers

Reviews and Commentaries for TAS Super Disc Recordings

We applaud TAS’s decision not to add the Classic pressing of this title to the list, the way they foolishly have with so many other Classic pressings that have no business being on anything called a Super Disc list.

Dark Side Ones

Those of you who’ve played a number of copies of the album over the years surely know that side one has a marked tendency to be much darker and duller than side two. Finding a good side one is five times harder than finding a good side two. If your copy sounds recessed and lacks extension up top, don’t feel bad. Most of them do.

(By the way, the first track has that “home recording” sound and always sounds weak compared to the rest of this album. Don’t expect any wonders. As a wannabe hit single, peaking at #95 on the charts, it may even be sourced here from a dub of the real master tape. That shit happens.)

Your Reward Awaits You

As you may have read elsewhere on the site, records like this are the reward for owning the right stereo equipment and having it properly tweaked. There is no way in the world I could have played this album 20 years ago remotely as well as I can now. It only makes me appreciate the music even more.

You Don’t Have to Be High to Hear It

When you drop the needle on this record, all barriers between you and the musicians are removed. You’ll feel as though you’re sitting at the studio console while Crosby and his no-doubt-stoned-out-of-their-minds Bay Area pals (mostly Jefferson Airplaners and Grateful Deads, see list below) are laying down this emotionally powerful, heartfelt music.

The overall sound is warm, sweet, rich, and full-bodied… that’s some real ANALOG Tubey Magic, baby! And the best part is, you don’t have to be high to hear it. You just need a good stereo and the right pressing.

Listening Test

One of our key test tracks for side one is Cowboy Movie, and one thing that separated the best pressings from the lesser ones was the sound of the hand claps. It’s a dense mix and they are not easy to hear, but on the best copies there is audible echo and ambience around them, with a richer “flesh on flesh” quality to their sound. Not many pressings had it, and the ones that did tended to do most other things well also. Which is what makes it a good test!

Barncard’s Masterpiece

We all owe a debt of gratitude to the superbly talented recording engineer on this project, Stephen Barncard (American Beauty, Deja Vu, Tarkio, etc.). This album is without a doubt his masterpiece. It fully deserves its standing as one of the Ten or Twenty Best Sounding Rock Recordings of All Time.

Here are some Hot Stamper pressings of TAS List titles that actually have audiophile sound quality, guaranteed. And if for some reason you disagree with us about how good they sound, we will be happy to give you your money back.

Here are some others that we do not think qualify as Super Discs.

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Listening in Depth to Crosby Stills & Nash – Now with Bonus CD Advice

More of the Music of Crosby, Stills and Nash

Reviews and Commentaries for Crosby, Stills and Nash’s Debut

More Crosby / More Stills / More Nash

Although millions of copies of this album were sold, so few were mastered and pressed well, and so many mastered and pressed poorly, that few copies actually make it to the site as Hot Stampers.

We wish that were not the case — we love the album — but the copies we know to have the potential for Hot Stamper sound are just not sitting around in the record bins these days.

Whatever you do, don’t waste your money on the Joe Gastwirt-mastered CD. It couldn’t be any more awful. (His Deja Vu is just as bad.)

In-Depth Track Commentary

Side One

Suite: Judy Blue Eyes

What’s magical about Crosby, Stills, Nash & Young? Their voices of course. It’s not a trick question. They revolutionized rock music with their genius for harmony. Any good pressing must sound correct on their voices or it has no value whatsoever. A CSN record with bad midrange reproduction — like most of them — is a worthless record.

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Crosby, Stills and Nash / Replay – Listening in Depth

More of the Music of Crosby, Stills and Nash

More Albums with Key Tracks for Critical Listening (112 Strong as of 2022)

We stopped doing shootouts for this album many years ago after running into too many mediocre-at-best if not downright awful sounding copies. These notes are from about ten years ago.

Replay is a very handy record for setting your VTA. The end of Shadow Captain has loud vocals and punchy bass, which are a bit difficult to reproduce. (Forget trying to get this song to sound good if you don’t have an exceptionally good copy.) 

The next song is To The Last Whale, which starts with Nash and Crosby’s multitracked voices in a big hall. With the correct VTA, their voices should sound silky and sweet. If your arm is too far down in the back, they will get a bit dull. Too high, and they will lose that breathy, “fluffy” quality.

And once you get their voices to sound just right, make sure the ending of Shadow Captain is still punchy and dynamic.

TRACK LISTING

Side One

Carry On 

A crappy remix, with added guitar, ugh. (more…)

Deja Vu in (Awful Sounding) Mono Sells for $1200 and People Complain About Our Prices?

Letters and Commentaries for Deja Vu

More CrosbyMore Stills / More Nash / More Young

A mono copy of Deja Vu (which no doubt sounds terrible; I had one once) went for $1200 on ebay a few years back!

Oh, but it’s an auction, so I guess that makes it all right. The seller didn’t set the price, the market did.

But the market sets our prices too.

We can’t sell a record for more than what our customers are willing to pay. What exactly is the difference?

Man, I sure would love to get $4k+ for one of our killer Hot Stamper pressings of Deja Vu. I guarantee our copy sounds a whole lot better than the one that sold on ebay.

And the music is the same, right? There is no mono mix, so anyone with a mono switch can hear the record in mono if they wanted to. But why do that? The stereo sound is phenomenal on the best copies!

So what did you get for your additional three thousand dollars?

A nice record to put on the shelf.

Which you could get from us for three thousand dollars less.


FURTHER READING

This record sounds best this way:

Mono or Stereo? Stereo! 

On Big Speakers at Loud Levels

On the Right Domestic Pressing 

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David Crosby – Cowboy Movie Is a Key Track

More of the Music of David Crosby

Reviews and Commentaries for the Music of David Crosby

Note how Crosby’s voice is “chesty” on the best sounding copies. Some make him sound like he’s all mouth and no diaphragm. When his voice is full-bodied and solid, that’s when he sounds more like a real person and less like a pop recording of a person. All credit must go to Stephen Barncard.

Harry Pearson put this record on his TAS List of Super Discs, not exactly a tough call if you ask us. Who can’t hear that this is an amazing sounding recording? 

Listening Test

One of our key test tracks for side one is Cowboy Movie, and one thing that separated the best pressings from the lesser ones was the sound of the hand claps. It’s a dense mix and they are not easy to hear, but on the best copies there is audible echo and ambience around them, with a richer “flesh on flesh” quality to their sound. Not many pressings had it, and the ones that did tended to do most other things well also. Which is what makes it a good test! (more…)

Crosby / Nash – Whistling Down The Wire

More David Crosby

More Graham Nash

  • Whistling Down the Wire returns with outstanding Double Plus (A++) sound from start to finish
  • These sides were noticeably richer than many of the copies we played, which generally tended to be lean and dry
  • We played a big pile of these, but finding the Tubey Magical, spacious, sweet ANALOG sound we were after was not easy
  • Fortunately this copy showed us that it indeed was possible to get the clear, breathy vocals necessary to bring out the wonderful harmonies these two are so rightly famous for

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The Byrds – Turn! Turn! Turn!

More of The Byrds

More Sixties Pop Recordings

  • This outstanding 360 Label pressing of the band’s sophomore release boasts solid Double Plus (A++) sound from start to finish – fairly quiet vinyl too
  • You will not believe how punchy, lively, dynamic, and exciting some of these tracks sound here
  • One of the better sounding Byrds recordings, with a number of their best songs, including the title track
  • 4 1/2 stars: “…more Bob Dylan covers were included, as well, and “Satisfied Mind” was their first foray into country-rock, a direction they would explore in much greater depth throughout the rest of the ’60s.”

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