- This superb copy of Thick As A Brick offers outstanding Double Plus (A++) sound from first note to last
- One of the few copies we’ve found lately with this kind of sound and audiophile quality playing surfaces
- A Top 100 title and the BEST SOUNDING ALBUM Jethro Tull ever recorded – allow us to make the case
- A stunning Demo Disc to Rule Them All — sure to be the best you’ve ever heard Tull sound if you have the system for it
- 4 1/2 stars: “A masterpiece in the annals of progressive rock – a dazzling tour de force, at once playful, profound, and challenging, without overwhelming the listener.”
- Jethro Tull’s fourth studio album finally returns to the site with Shootout Winning Triple Plus (A+++) grades or close to them on both sides
- The vinyl is quite good on side one, but side two is its usual crackly self in the quieter passages — at least no marks play
- The sound is KILLER from start to finish – big, punchy, present, tubey and bursting with Rock and Roll energy
- A Better Records Top 100 title that still floors us on the better copies, with sound that will jump right out of your speakers (which is exactly the sound the modern Heavy Vinyl pressings cannot give you)
- 4 1/2 stars: “… one of the most astonishing progressions in rock history… the degree to which Tull upped the ante here is remarkable… Varied but cohesive, Aqualung is widely regarded as Tull’s finest hour.”
Folks, for hard-rockin’, Tubey Magical, ’70s Arty Proggy Rock in ANALOG, it just does not get much better than Aqualung. You need the right pressing to bring it to life though, and this one is certainly up to the task. (more…)
This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, Yes, Jethro Tull, Ambrosia, Pink Floyd and too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted. (Of course, as it turns out, recording technology only got worse as the decade wore on, and during the ’80s the sound of most records went off a cliff.) Big Production British Rock & Roll just doesn’t get much better than A Space in Time.
The Tubey Magic Top Ten
You don’t need tube equipment to hear the prodigious amounts of Tubey Magic that exist on this recording. For those of you who’ve experienced top quality analog pressings of Meddle or Dark Side of the Moon, or practically any jazz album on Contemporary, whether played through tubes or transistors, that’s the luscious sound of Tubey Magic, and it is all over A Space in Time.
Ranked strictly in terms of Tubey Magic I would have to put this album on our list of Most Tubey Magical Rock Recordings of All Time, right up there with, in no particular order:
- Sgt. Pepper (1967),
- Meddle (1971),
- Dark Side of the Moon (1973),
- Dire Straits Self-Titled (1977, and clearly the outlier in this group),
- The Eagles Self-Titled (1972),
- Tommy (1969),
- The Doors Self-Titled (1967),
- Ziggy Stardust (1972),
- Tumbleweed Connection (1970)
Some records are just too consistently noisy for us to offer to our audiophile customers no matter how good they sound.
We have a section for records that tend to be noisy, and it can be found here.
- A stunning Chrysalis British import double LP set with Triple Plus (A+++) grades or close to them on sides one, two and four and a solid Double Plus (A++) side three
- You’re gonna love the sound here – clean, clear and full-bodied with great bass and solid midrange presence and energy
- These are incredibly tough to find with the right sound and surfaces – this is one of the best copies to hit the site in years
- 4 1/2 stars: “… this collection is seminal and essential to any Tull collection, and the only compilation by the group that is a must-own disc.”
- A killer Shootout Winning copy with a Triple Plus (A+++) side two and a side one that’s right up there with it (A++ to A+++)
- Far more open, present and balanced than practically any other copy we played, with plenty of Rock and Roll power and energy
- Relatively quiet, Mint Minus to Mint Minus Minus throughout – this is as quiet as they get, folks
- 4 1/2 stars in Allmusic: “Song for song, Billion Dollar Babies is probably the original Alice Cooper group’s finest and strongest … It remains one of rock’s all-time, quintessential classics.”
Billion Dollar Babies can sound really big and powerful, but not many copies bring the sound to life the way this one does. For once you can hear a big room around the instruments; the bass is tight and well-defined, and there’s plenty of tubey richness.
This was also one of the copies that managed to get real three-dimensional space in the soundfield, bringing Alice up front, with the rest of the band arrayed behind him from wall to wall. (more…)
The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. It sounds like it’s recorded live in the studio, but of course that’s impossible, because Paul plays practically all the instruments himself! It just goes to show how good a multi-track studio recording can sound when done well.
In our experience, the real McCartney Magic is only found on the best domestic Apple pressings. We’ve never heard an import that did much for us, and the later CBS issues are hardly worth the vinyl they’re pressed on.
This album, like Unplugged and Band on the Run (and not a whole lot else) is SUPERB from start to finish. At the end of side two you want MORE. I wish I could say that about the rest of his discography.
Want to find your own shootout winner? Scroll to the bottom to see our advice on doing just that.
- An outstanding British copy of this shockingly well recorded album with solid Double Plus (A++) sound or BETTER on both sides
- These sides have presence, size and space we guarantee you have never heard on this album in all your born days
- An audiophile Demonstration Quality Recording on a par with Dark Side of the Moon, which is really saying something!
- A mark plays during the opening “pinging” on side two, but find me a good sounding copy with a quiet intro for side two and I will eat it
- 4 1/2 stars:”Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era.”
A classic case of Live and Learn
We listed a White Hot copy of This Was in 2008 on the Island Pink label, and noted at the time:
Be forewarned: this ain’t Stand Up or Aqualung. I don’t think you’ll be using any copy of This Was to demo your stereo, because the recording has its share of problems. That said, this record sounds wonderful from start to finish and will make any fan of this music a VERY happy person. We guarantee you’ve never heard this album sound better, or your money back.
Now we know a couple of things that we didn’t back in 2008.
1). This album is a lot better sounding than we gave it credit for years ago. It’s not perfect by any means but it is much better than the above comments might lead you to believe.
We chanced upon an exceptional sounding copy of the album a couple of years back, and that taught us something new about the record:
2). The Pink Label pressings are not the ideal way to go on this album.
Once we heard the exceptional copy alluded to above, we played it against our best Pink Label copies and it was simply no contest.
The Pink Label original British pressings can be good, but they will never win a shootout up against copies with these stampers (assuming you have more than one copy – any record can have the right stampers and the wrong sound, we hear it all the time).
- Supertramp’s self-titled debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound or close to it throughout
- It’s even more Tubey Magical than an album like ’Crime Of The Century,’ which is more about slam and presence than a record like this, which has amazingly sweet, natural sounding acoustic guitars
- Condition was the problem with these original British pressings – none of the best sounding copies did not have issues, hence the exceptionally low price for our Shootout Winner here
- “Harmonious in themes but varied in tones, alternating short and lengthy pieces with a sophisticated sound and classy arrangement, it features all the distinctive elements of prog rock. And as with any prog album, it only makes full sense when listened to in its entirety.”
Thick As A Brick is quite possibly the BEST SOUNDING ALBUM Jethro Tull ever made. It’s dynamic; has really solid, deep punchy bass; transparency and sweetness in the midrange; Tubey Magical acoustic guitars and flutes; in other words, the record has EVERYTHING that we go crazy for here at Better Records. I can guarantee you there is no CD on the planet that could ever do this recording justice. The Hot Stamper pressings have a kind of MAGIC that just can’t be captured on one of them there silvery discs.
We play quite a few original British and domestic copies of this record when we do these shootouts and let me tell you, the sound and the music are so good I can’t get enough of it. Until about 2007 this was the undiscovered gem (by me, anyway) in the Tull catalog. The pressings I had heard up until then were nothing special, and of course the average pressing of this album is exactly that: no great shakes. But with the advent of better record cleaning fluids and much better tables, phono stages and the like, some copies of Thick As A Brick have shown themselves to be AMAZINGLY GOOD SOUNDING. Even the All Music Guide could hear how well-engineered it was.