Top Artists – The Yardbirds

Roger The Engineer Is Awful on the Early UK Pressing

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A hall of shame pressing if there ever was one.

The UK pressing of Roger the Engineer we played was pure crap.

Cool for collectors I suppose, but very bad news for audiophiles.

Your response to this news may depend on which camp you find yourself in. If you love collecting original pressings, we would put you in the record collector camp, not the audiophile one. Audiophiles are supposed to care about sound quality, so if the more original pressing is the one you want, then you are a record collector first and an audiophile second, if at all. Harsh? Let’s call a spade a spade.

Regardless, we ask that you please not buy into that record collecting / audiophile canard that the originals are always going to be the best sounding pressings. The hundreds of reissues listed here prove otherwise.

The original British pressing — true, we only had the one, so take it for what it’s worth — was a poor imitation of what was most likely on the master tape, as revealed by the Edsel reissues.

Maybe you have a good sounding one. We can’t say you don’t.  But we would be very unlikely to spend much money on an original import pressing after hearing this one.

And the domestic records we’ve played were clearly made from dub tapes, so they’re a bust too.

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The Yardbirds – Roger The Engineer

  • A stunning copy with a Shootout Winning Triple Plus (A+++) side two and a solid Double Plus (A++) side one – exceptionally quiet import vinyl too
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this Psych Classic by the band come alive
  • Over, Under, Sideways, Down – the big hit off the album – sounds great here in MONO
  • 4 1/2 stars: “… the Yardbirds’ best individual studio album, offering some of their very best psychedelia.”

This is one of the few Mono albums that really justifies the claims made for the superiority of mono in general. Just listen to the vocals on side one: they’re right up front and centered the way they should be on any good pop song. On the stereo version, they’re off to the left and way down in level. They have no power over there! It robs the song of its focus.

Even worse, the stereo remaster by Edsel has no bass. It’s a joke next to the mono. It’s doubtful we would ever buy one again. What a waste of good import vinyl.

Edsel did a great remastering job of the mono mix here. What do we hear on this pressing that’s different from most of the early pressings? A smoother, sweeter, lower distortion midrange and top end. And really punchy solid super low distortion bass. The transparency of this pressing is clearly superior to anything we have ever played. (more…)