Top Artists – Wayne Shorter

Miles Davis / Basic Miles – Here Is the Hot Stamper Sound of Kind of Blue

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Reviews and Commentaries for Kind of Blue

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Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

  • Demo Disc Jazz sound for this wonderful collection, with both sides earning outstanding Double Plus (A++) grades
  • Opening side two, the 9 plus minutes of On Green Dolphin Street has some of the coolest jazz you will ever hear, on any record, at any price
  • If you want to know what the better copies of Kind of Blue sound like, this pressing will tell you, because it has that sound
  • And that means it is absolutely NOTHING like the MoFi 45 RPM 2 LP pressing that some audiophiles (and the reviewers who cater to them) seem to like so much
  • We’re talking Bill Evans, John Coltrane and Cannonball Adderley in their prime, 1958, with top 1958 sound to match

Want to know how good our Hot Stamper Kind of Blue pressings sound? Listen to this very record. If you play the tracks that were recorded in 1958, the year before Kind of Blue, you will hear practically the same lineup of musicians.

That means Stella By Starlight and Little Melonae on side one, and Green Dolphin Street and Fran-Dance (Put Your Little Foot Right Out) on side two. We’re talking Bill Evans, John Coltrane, and Cannonball Adderley in their prime, 1958, with top 1958 sound to match.

The nine-minute plus Green Dolphin Street that opens side two is nothing short of amazing, some of the coolest jazz you will ever hear. With Fran Dance on the same side, that gives you about 17 minutes of great-sounding jazz by Miles’ classic Kind of Blue lineup.

Side one has the same cats playing for more than 12 minutes. By my calculation, that’s close to another album’s worth of material from the group. The rest of the material on this compilation is best seen as gravy; maybe not essential, but never less than interesting. (more…)

Miles Davis – Water Babies

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  • This superb compilation album makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or close to it throughout
  • Tubier, more transparent, more dynamic, with that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has
  • Huge amounts of three-dimensional space and ambience, along with boatloads of Tubey Magic – here’s a 30th Street recording from 1967 and 1968 that demonstrates just how good Columbia’s engineers were back then
  • “Time has revealed this band to be as daring and fascinating as any in the long Davis career, and Water Babies contains some of its best music. There is simply so much happening here; hear it.”

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Freddie Hubbard – Goin’ Up – Reviewed in 2011

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A distinguished member of the Better Records Jazz Hall of Fame.

Good sound and some straight ahead Blue Note jazz. The second track on side one, ’The Changing Scene,’ is a wonderful ballad reminiscent of ’Round Midnight. It’s the best material on the album in my opinion. 

AMG Review

For his second recording as a leader, trumpeter Freddie Hubbard (22-years-old at the time) performs two compositions apiece by Kenny Dorham and Hank Mobley, the obscure “I Wished I Knew” and his own “Blues for Brenda.”

Hubbard (featured in a quintet with tenor-saxophonist Mobley, pianist McCoy Tyner, bassist Paul Chambers and drummer Philly Joe Jones) takes quite a few outstanding solos, playing lyrically on the ballads and building his own sound out of the Clifford Brown/Lee Morgan tradition. Goin’ Up is an excellent set of advanced hard bop…

Freddie Hubbard – Straight Life

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A distinguished member of the Better Records Jazz Hall of Fame.

Straight Life is a great album for anyone who wants to hear some well recorded, seriously adventurous jazz. We freely admit that side one is fairly “out there,” but side two balances it out with much more accessible, melodic material. A wonderfully sensitive and emotional version of Here’s That Rainy Day closes out the side with George Benson proving to be an especially sympathetic accompanist on guitar.  

By the way, if you don’t have a hot copy of Red Clay, get one. It’s some of the best funky jazz ever recorded. No collection should be without it. (more…)

Art Blakey and the Jazz Messengers – Free For All

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Free For All

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  • Insanely good sound throughout for this Blue Note New York label pressing with both sides earning shootout winning Triple Plus (A+++) sound 
  • This LP was simply bigger, richer and clearer, with more Tubey Magic, less smear and distortion, and on and on down the list 
  • A Van Gelder recording from 1964 is hard to beat for you-are-there immediacy, and this pressing delivers that qualitiy like no other copy you’ve heard – we guarantee it
  • “Free for All is a high point in drummer Art Blakey’s enormous catalog. This edition of the Jazz Messengers had been together since 1961 with a lineup that would be hard to beat: Freddie Hubbard on trumpet, Wayne Shorter on tenor sax, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass.”

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Freddie Hubbard – The Body and Soul of Freddie Hubbard

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The Body and Soul of Freddie Hubbard

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A distinguished member of the Better Records Jazz Hall of Fame.

The bluesy version of Willow Weep For Me on side one is WONDERFUL. The rich, full-bodied sax sound is Right On The Money. The overall sound is totally transparent with superb clarity. Scrapple From The Apple (also on side one) has a silky top end anchored with deep, well-defined bass.

We had good success with both ’60s originals and later copies pressed in the ’70s. (more…)