Top Artists – Paul Simon (with or without) Garfunkel

Paul Simon – There Goes Rhymin’ Simon

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  • An outstanding copy of Simon’s second solo album, with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • The sound is big, warm and full-bodied – it’s present and clear, never harsh or gritty the way so many are
  • Great songs including Kodachrome, Loves Me Like a Rock, Was a Sunny Day (and you probably know most of the other 7)
  • 5 stars: “Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin’ Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music.”

Most pressings don’t have anywhere near this kind of openness and transparency — and they don’t have this kind of richness or warmth either. It’s a real treat to hear these great songs finally get the sound they deserve.

On most pressings, Simon’s voice is a spitty, gritty mess — sure it’s present, but where is the sweetness and warmth? Well, as a copy like this proves, more of those qualities made it to the tape than you might think. (more…)

Paul Simon – One-Trick Pony

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Singer Songwriter Albums

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  • One-Trick Pony makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
  • Notably richer and livelier than every other pressing we played, with plenty of Tubey Magic and good weight down low
  • We guarantee there is dramatically more richness, presence and energy on this copy than anything else around, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • “Tasty licks abound from the fretwork of Eric Gale, Hiram Bullock, and Hugh McCracken, and the rhythm section of Steve Gadd, Tony Levin, and Richard Tee is equally in the groove. This is the closest thing to a band album Simon ever made, and it contains some of his most rhythmic and energetic singing. . .”

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Simon and Garfunkel / Sounds of Silence – What to Listen For

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Hot Stamper Pressings of Sounds of Silence Available Now

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This album is the proverbial tough nut to crack, a mix of folkie tracks and ambitious big production numbers, all recorded on a four track machine and bounced down maybe just a few too many times along the way. Some got handed a troublesome case of Top 40 EQ — hey, this is 1965, it’s the way they thought pop records should sound.

But many of the best tracks survived just fine. They can sound wonderful, it’s just that they rarely do. This is precisely where we come into the picture.

The key to good sounding pressings of this record is to look for the ones with a top end. Now of course you can’t see the top end when you buy the record. But most of the copies of this album you pick up are going to sound like cassettes. There won’t be much over 8K, and that means hard, harsh, transistor radio sound.

Although the rock tracks certainly come to life and really do sound good on the hottest of the hot copies, the folkie tracks are the real reason to buy these early pressings. They have the Tubey Magic that’s missing from virtually any reissue or digital format version.

Best and Worst Tracks

For the best sounding tracks try Leaves That Are Green on side one, and April Come She Will on side two. 

Keep in mind that the big hit ”Sounds of Silence” will never sound much better than it does in the car. It’s basically the track from their previous album with rock instrumentation added, meaning an electric guitar, a second generation of tape and some extra distortion for good measure.

But on a superb copy, that track can still be surprisingly enjoyable. Not Demo Disc quality, just enjoyable. (more…)

Paul Simon – The Rhythm Of The Saints

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  • The Rhythm of the Saints finally makes its Hot Stamper debut here with a Shootout Winning Triple Plus (A+++) side two married with an outstanding Double Plus (A++) side one
  • Richer, warmer, more natural, more relaxed, this is what vintage analog is all about, that smooth sound that never calls attention to itself and just lets the music flow
  • 4 stars: “Though he recorded the album’s prominent percussion tracks in Brazil, Paul Simon fashioned The Rhythm of the Saints as a deliberate follow-up to the artistic breakthrough and commercial comeback that was the South Africa-tinged Graceland.”

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Simon and Garfunkel – Sounds of Silence

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  • You’ll find outstanding Double Plus (A++) sound or BETTER on both sides of Simon & Garfunkel’s sophomore release – exceptionally quiet vinyl too
  • Forget that critical listening stuff and just notice that these wonderful early pressings are simply more relaxed, musical and involving
  • Although the rock tracks come to life and really do sound good, the Tubey Magical folky tracks are the real reason to play the album
  • “A work of finely expressed folk. It’s arguably the duo’s big breakout, a crossover success with some handsome hits.” — COS

The sound is big, open, rich and full, with the performers front and center. This 360 Stereo pressing also has the MIDRANGE MAGIC that’s no doubt missing from whatever 180g reissue has been made from the 50+ year old tapes. As good as that pressing may be, we guarantee that this one is dramatically more REAL SOUNDING. It gives you the sense that Simon and Garfunkel are right in the room with you. (more…)

1A, or Is 1B Better? – Your Guess Is As Good As Mine

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Before we go any further, I have a question: Why are we guessing?

I received an email recently from a customer who had gone to great pains to do his own shootout for a record; in the end he came up short, with not a lot to show for his time and effort. It had this bit tucked in toward the end:

Some of [Better Records’] Hot Stampers are very dear in price and most often due to the fact that there are so few copies in near mint condition. I hate to think of all the great Hot Stampers that have ended up in piles on the floor night after night with beer, Coke, and seeds being ground into them.

Can you imagine all the 1A 1B or even 2A 2B masters that ended up this way or were just played to death with a stylus that would be better used as a nail than to play a record!

As it so happens, shortly thereafter I found myself on Michael Fremer’s old website of all places, where I saw something eerily similar in his review for the (no doubt awful) Sundazed vinyl. I quote below the relevant paragraphs.

So how does this Sundazed reissue hold up next to an original 1A Columbia pressing that I bought new when it originally was released (it still has the Sam Goody “C” Valley Stream sticker on it, with the $2.49 markdown written in pen)? Well, for one thing, when people say records wear out, I don’t know what they are talking about! Since it was first released more than forty years ago, I’ve played this record a hundred times at least, in Ithaca in my fraternity house, in Boston, in Los Angeles, in Hackensack and now and it still sounds fantastic. It’s quiet, it’s detailed, it’s three-dimensional and it still has extended, clean high frequencies.

No reissue could possibly touch an original 1A pressing of just about any Columbia title and that goes for this reissue, which is very good, but not as open, spacious, wideband, transparent and “tubey” as the original.

He later goes on to give this piece of advice:

If you can find a clean, reasonably priced used original 1A pressing, it’s definitely going to sound better, but if you can’t, this reissue sounds very good and you’ll not know what you’re missing.

The entire review can be found on his site for those who care to read it. If, as MF seems to believe, you won’t know what you’re missing on the Sundazed LP, you need to find yourself another hobby. If it’s anything like most of their cardboardy crap, it’s missing more than it’s finding. (more…)

Simon & Garfunkel – Wednesday Morning, 3 AM

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  • Earning solid Double Plus (A++) grades for sound on both sides, this early 360 stereo pressing is outstanding from first note to last
  • It’s clean, clear, open and spacious with lovely breathy vocals and plenty of Columbia Tubey Magic
  • You won’t find this kind of transparency or clarity on the typical vintage pressing, and the red label reissues are completely hopeless
  • Their one true Folk Duo album, featuring the original version of The Sound Of Silence

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Paul Simon – Live Rhymin’

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  • With a Triple Plus (A+++) Shootout Winning side one and a Double Plus (A++) side two, this copy had some of the best sound we have ever heard for Paul Simon’s first live album
  • You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
  • Forget whatever dead-as-a-doornail Heavy Vinyl they’re making – the Tubey Magic, size and rock and roll energy of this very special vintage pressing simply cannot be beat
  • Features great versions of Simon classics, including The Boxer, Bridge Over Troubled Water, The Sound Of Silence and many more

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Paul Simon – Still Crazy After All These Years – Our Four Plus Winner

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  • This KILLER pressing earned Shootout Winning QUADRUPLE Plus (A++++) sound on the first side and Triple Plus (A+++) sound on the first
  • The immediacy of the vocals is striking, putting a living, breathing Paul Simon right between your speakers
  • An extremely tough album to find with the kind of big, spacious, Tubey Magical sound this pressing offers
  • Clean, clear and open are nice qualities to have, but the richer, smoother, more natural sounding copies are the ones that win our shootouts
  • 4 1/2 stars: “…he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance.

Please note: we award the Four Plus A++++ grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. So the side one here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus! (more…)

Paul Simon – Hearts and Bones

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  • Hearts and Bones returns to the site for the first time in almost 10 years, with STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last – mostly quiet vinyl too
  • Compared to every other copy in our recent shootout, this one was bigger and bolder with more Tubey Magic, clarity and separation
  • Turn this one up good and loud (which you can do when the sound is THIS good) and you’ll have a living, breathing Paul Simon standing right between your speakers
  • 4 1/2 stars: “… his most personal collection of songs, one of his most ambitious, and one of his best. It retains a personal vision… Simon’s most impressive collection in a decade and the most underrated album in his catalog.”

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