Top Artists – Paul Simon (with or without) Garfunkel

Simon & Garfunkel / Bridge Over Troubled Water – CBS Half-Speed Reviewed

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Reviews and Commentaries for Bridge Over Troubled Water

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Sonic Grade: B?

Another Half Speed reviewed and this one’s not bad!

The CBS Half-Speed is actually quite good. It’s been twenty years since I played one but I used to like it. Of course, once you hear the real thing you can never go back, but it blows the doors off the muddy MoFi.


FURTHER READING on Half-Speed Mastered Records

The best place to start is here:

How come you guys don’t like Half-Speed Mastered records?

To learn more about records that sound dramatically better than any Half-Speed ever made (with one rare exception, John Klemmer’s Touch), please consult our FAQs:

More Frequently Asked Questions (FAQ)

Below you will find our breakdown of the best and worst Half-Speed mastered records we have auditioned over the years.

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Listening in Depth to Parsley, Sage, Rosemary, and Thyme

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Another in our series of Home Audio Exercises with specific advice on What to Listen For as you critically evaluate your copy of Simon & Garfunkel’s groundbreaking third album (from 1966 no less!).

TRACK COMMENTARY

Side One

Scarborough Fair/Canticle

Listen carefully to the voices on this track, one of our favorites to test with. On the best copies they sound exceptionally delicate yet full-bodied. (more…)

Letter of the Week – The Rhythm Of The Saints

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One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Indeed this album sounds amazing! I have 4 other copies and this beats them all. The closest is a German pressing I have but still yours sounds better. Thank you. I never thought I would spend $200 for a record but I do hear the difference.

Cheers,
Ryan

Ryan,

Glad to hear it! if that’s a favorite record of yours, you can now enjoy it for the rest of your life knowing you have a killer copy to play. (more…)

Letter of the Week – Bridge Over Troubled Water Needs Big Speakers to Play Right

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Reviews and Commentaries for Bridge Over Troubled Water

One of our good customers had this to say about some Hot Stampers he purchased recently

         Hey Tom, 

That latest S&G album — BOTW — is absofuckinglutely blowing my mind tonight. Wow. Those deep horns (?) blasting at times (end of Keep the Customer Satisfied, chorus of Why Don’t You Write Me, end of The Boxer… whole thing is hopping and dancing with huge beautiful sound. Hard to sit down!!

C.

The weight of those horns is exactly what I was telling you about –  they cannot be reproduced until you have speakers with dynamic drivers large enough to play the weight of the brass

This is something not many audiophiles seem to understand, no matter how much we write about it.

TP


We discuss the idea of Big Speakers in this boilerplate commentary all over the site:

Let’s face it, this is a BIG SPEAKER record. It requires a pair of speakers that can move air with authority below 250 cycles and play at fairly loud levels. If you don’t own speakers that can do that, this record will never really sound the way it should.

It’s the kind of recording that caused me to pursue Big Stereo Systems driving Big Dynamic Speakers for as long as I can remember. You need a lot of piston area to bring this recording to life, and to get the size of all the instruments to match their real life counterparts.

For that you need big speakers in big cabinets, the kind I’ve been listening to for more than forty years. (My last small speaker was given the boot around 1974 or so and I have never looked back.) (more…)

Paul Simon – Graceland

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Hot Stamper Pressings of Graceland Available Now


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  • A KILLER copy of Paul Simon’s 1986 release with Shootout Winning Triple Plus (A+++) sound or very close to it throughout – exceptionally quiet vinyl too
  • Richer, smoother yet still very clear and highly resolving, in precisely the way so few copies are
  • Guaranteed to trounce the well-reviewed but nevertheless AWFUL Heavy Vinyl LP in every way, or your money back and the shipping is on us
  • There’s a delicate, extended top end on this pressing that simply does not exist on the new reissue
  • 5 stars: “An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured.”

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Simon & Garfunkel – Bridge Over Troubled Water

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Reviews and Commentaries for Bridge Over Troubled Water

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  • An outstanding 360 Stereo pressing (the only ones we offer) of Simon & Garfunkel’s classic, with Shootout Winning Triple Plus (A+++) sound or very close to it throughout – exceptionally quiet vinyl too
  • There’s a reason you rarely see this title on our site – we have a devil of a time finding clean 360s without marks or significant surface noise, especially for the title track
  • The sound is big, lively, and clear, with the kind of Tubey Magical richness that only the best 360 pressings can offer
  • Surely this is BY FAR the toughest album of theirs to find with top quality sound and decent surfaces
  • This Magnum Opus ended the duo’s collaboration with a ginormous over the top production, which taxed the recording technology of the day and is sure to tax any system that attempts to reproduce it
  • 5 stars: “Perhaps the most delicately textured album to close out the 1960s from any major rock act… the songs matched the standard of craftsmanship that had been established on the duo’s two prior albums”

Both sides here KILLED every other copy we played.

The strings on the title track actually have some texture, and Cecilia comes to life in a way we guarantee you have never heard before. There’s also much less of the spit and grit that you find on many copies.

The sound is quite a bit more musical and enjoyable than you might expect, especially if you own a reissue on the red label or an audiophile reissue of any kind. All our copies are on the 360 label, and none of them are on Heavy Vinyl or Half-Speed Mastered. If it’s not a 360, it’s not a Hot Stamper in our book. (more…)

Paul Simon – There Goes Rhymin’ Simon

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More Singer Songwriter Albums

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  • An outstanding copy of Simon’s second solo album, with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • The sound is big, warm and full-bodied – it’s present and clear, never harsh or gritty the way so many are
  • Great songs including Kodachrome, Loves Me Like a Rock, Was a Sunny Day (and you probably know most of the other 7)
  • 5 stars: “Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin’ Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music.”

Most pressings don’t have anywhere near this kind of openness and transparency — and they don’t have this kind of richness or warmth either. It’s a real treat to hear these great songs finally get the sound they deserve.

On most pressings, Simon’s voice is a spitty, gritty mess — sure it’s present, but where is the sweetness and warmth? Well, as a copy like this proves, more of those qualities made it to the tape than you might think. (more…)

Paul Simon – One-Trick Pony

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Singer Songwriter Albums

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  • One-Trick Pony makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
  • Notably richer and livelier than every other pressing we played, with plenty of Tubey Magic and good weight down low
  • We guarantee there is dramatically more richness, presence and energy on this copy than anything else around, and that’s especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
  • “Tasty licks abound from the fretwork of Eric Gale, Hiram Bullock, and Hugh McCracken, and the rhythm section of Steve Gadd, Tony Levin, and Richard Tee is equally in the groove. This is the closest thing to a band album Simon ever made, and it contains some of his most rhythmic and energetic singing. . .”

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Simon and Garfunkel / Sounds of Silence – What to Listen For

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Hot Stamper Pressings of Sounds of Silence Available Now

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This album is the proverbial tough nut to crack, a mix of folkie tracks and ambitious big production numbers, all recorded on a four track machine and bounced down maybe just a few too many times along the way. Some got handed a troublesome case of Top 40 EQ — hey, this is 1965, it’s the way they thought pop records should sound.

But many of the best tracks survived just fine. They can sound wonderful, it’s just that they rarely do. This is precisely where we come into the picture.

The key to good sounding pressings of this record is to look for the ones with a top end. Now of course you can’t see the top end when you buy the record. But most of the copies of this album you pick up are going to sound like cassettes. There won’t be much over 8K, and that means hard, harsh, transistor radio sound.

Although the rock tracks certainly come to life and really do sound good on the hottest of the hot copies, the folkie tracks are the real reason to buy these early pressings. They have the Tubey Magic that’s missing from virtually any reissue or digital format version.

Best and Worst Tracks

For the best sounding tracks try Leaves That Are Green on side one, and April Come She Will on side two. 

Keep in mind that the big hit ”Sounds of Silence” will never sound much better than it does in the car. It’s basically the track from their previous album with rock instrumentation added, meaning an electric guitar, a second generation of tape and some extra distortion for good measure.

But on a superb copy, that track can still be surprisingly enjoyable. Not Demo Disc quality, just enjoyable. (more…)

Paul Simon – The Rhythm Of The Saints

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  • The Rhythm of the Saints finally makes its Hot Stamper debut here with a Shootout Winning Triple Plus (A+++) side two married with an outstanding Double Plus (A++) side one
  • Richer, warmer, more natural, more relaxed, this is what vintage analog is all about, that smooth sound that never calls attention to itself and just lets the music flow
  • 4 stars: “Though he recorded the album’s prominent percussion tracks in Brazil, Paul Simon fashioned The Rhythm of the Saints as a deliberate follow-up to the artistic breakthrough and commercial comeback that was the South Africa-tinged Graceland.”

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