Top Artists – Paul Simon (with or without) Garfunkel

Paul Simon – There Goes Rhymin’ Simon

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  • An outstanding copy of Simon’s second solo album, with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • The sound is big, warm and full-bodied – it’s present and clear, never harsh or gritty the way so many are
  • Great songs including Kodachrome, Loves Me Like a Rock, Was a Sunny Day (and you probably know most of the other 7)
  • 5 stars: “Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin’ Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music.”

Most pressings don’t have anywhere near this kind of openness and transparency — and they don’t have this kind of richness or warmth either. It’s a real treat to hear these great songs finally get the sound they deserve.

On most pressings, Simon’s voice is a spitty, gritty mess — sure it’s present, but where is the sweetness and warmth? Well, as a copy like this proves, more of those qualities made it to the tape than you might think. (more…)

Paul Simon – Still Crazy After All These Years – Our Four Plus Winner

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  • This KILLER pressing earned Shootout Winning QUADRUPLE Plus (A++++) sound on the first side and Triple Plus (A+++) sound on the first
  • The immediacy of the vocals is striking, putting a living, breathing Paul Simon right between your speakers
  • An extremely tough album to find with the kind of big, spacious, Tubey Magical sound this pressing offers
  • Clean, clear and open are nice qualities to have, but the richer, smoother, more natural sounding copies are the ones that win our shootouts
  • 4 1/2 stars: “…he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance.

Please note: we award the Four Plus A++++ grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. So the side one here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus! (more…)

Paul Simon – Hearts and Bones

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  • Hearts and Bones returns to the site for the first time in almost 10 years, with STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last – mostly quiet vinyl too
  • Compared to every other copy in our recent shootout, this one was bigger and bolder with more Tubey Magic, clarity and separation
  • Turn this one up good and loud (which you can do when the sound is THIS good) and you’ll have a living, breathing Paul Simon standing right between your speakers
  • 4 1/2 stars: “… his most personal collection of songs, one of his most ambitious, and one of his best. It retains a personal vision… Simon’s most impressive collection in a decade and the most underrated album in his catalog.”

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Paul Simon – Graceland

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A distinguished member of the Better Records Rock and Pop Hall of Fame and a record that ranks high on our Difficulty of Reproduction Scale.

Super transparent and hi-res with no attendant sacrifice in low end or fullness, this is about as tonally balanced as Graceland gets. The top end is more delicate and extended, which was not true for most of the copies we played.

There’s a much more pleasant smoothness here, standing in sharp contrast to the typically grainy, spitty copy, with more weight down low and more presence to Simon’s vocals.

We listen to piles of pressings of Graceland regularly. We know the range of sound on the album, what constitutes good, better and best, and we know precisely what qualities the premier copy must have in order to win one of our shootouts.

Above all the thing Graceland has going for it sonically is CLARITY. It has many other good qualities as well: It can be open and spacious, tonally correct, with punchy, tight bass and present, breathy vocals.

The better copies have all these qualities to some degree, but the one quality a good copy must have is clarity, because that’s what’s especially good about the sound of the record.

Without clarity the music doesn’t work. The shortest definition of a Hot Stamper is that it’s the pressing where the music works. You can be sure that any Hot Stamper copy on our site has at least that going for it. (more…)

The Graceland Remastering Disaster Part 2

Analogplanet Visits Sterling Sound and Interviews Mastering Engineer Ryan K. Smith

The interviewer apparently does not know how bad the new version sounds, but we had no trouble recognizing its awfulness here at Better Records and, as a public service, set about  describing what we heard on our site.

Sonic Grade: F

A Hall of Shame Pressing and another Heavy Vinyl LP debunked.

Where did this thick, dull, bloated, opaque turd come from? Having played at least 50 copies of the album over the last ten years, I can honestly say I have never heard one that sounded very much like this new version (maybe some record club copy we picked up by accident did, can’t say it never happened).

Can that possibly be a good thing? (more…)

Simon & Garfunkel – Bridge Over Troubled Water – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

THE FIRST WHITE HOT STAMPER FOR THIS ALBUM TO EVER HIT THE SITE! We love this music, but let me tell you the truth — this is not a shootout we ever look forward to doing. The sound of the average copy is POSITIVELY PAINFUL. If you play a couple dozen copies, you’ll probably turn up a good one eventually, but you’re better off letting us do that dirty work. 

This original Columbia 360 Sound pressing has EXCELLENT SOUND on side one and SUPERB SOUND on side two. If you know anything about this album and its recording history, you know how BOLD a statement that is. The typical copy of this album is a sonic disaster.

You would have to look far and wide to find a copy that isn’t plagued with transistory, gritty, opaque and/or unmusical sound. Fortunately for you, dear Better Records customer, you don’t have to look any further than your email in-box to find an amazing sounding BOTW, because we found it for you. And here it is!

Side two has MASTER TAPE SOUND. It’s more open and more transparent than any other copy we played, and the clarity is mind-boggling. The bottom end is PERFECTION, the voices are silky and delicate, and the acoustic guitars are Right On The Money. When you drop the needle on The Only Living Boy In New York, you’re not going to believe the tubey magical analog that’s going to pour out of your speakers. It’s rich, warm, and sweet, yet incredibly clean and clear. That’s what a White Hot Stamper is all about.

Side one is excellent as well, if not quite in a league with the all-time best side two. It’s open, transparent, and natural with real depth to the soundfield. The vocals are breathy and sweet, just what you want from an S + G record. Cecilia sounds incredible here, with lots of punch and great energy.

The Latest Findings

One of the most interesting findings in this shootout was that no Red Label copy scored as high as the best 360 Label copies. The later labels can be very clean and clear, but ultimately they lack the midrange magic, warmth and sweetness of the best early pressings. Since this recording has a problem in all those areas to start with, most red label copies are completely devoid of the Simon & Garfunkel magic, the kind of magic that is so wonderfully evident on their two previous outings: Parsley, Sage… and Bookends. (more…)

Simon and Garfunkel’s Bookends – Here’s an Audio Exercise You Can Do at Home

Musically side two is one of the strongest in the entire Simon and Garfunkel oeuvre (if you’ll pardon my French). Each of the five songs could hold its own as a potential hit on the radio, and no filler to be found whatsoever. How many albums from 1968 can make that claim?

The estimable ROY HALEE handled the engineering duties. Not the most ‘natural” sounding record he ever made, but that’s clearly not what he or the duo were going for. The three of them would obviously take their sound much farther in that direction with the Grammy winning Bridge Over Troubled Water from 1970.

The bigger production songs on this album have a tendency to get congested on even the best pressings, which is not uncommon for Four Track recordings from the ’60s. Those of you with properly set up high-dollar front ends should have less of a problem than some. $3000 cartridges can usually deal with this kind of complex information better than $300 ones.

But not always. Expensive does not always mean better, since painstaking and exacting set up is so essential to proper playback.

The Wrecking Crew provided top quality backup, with Hal Blaine on drums and percussion, Joe Osborn on bass and Larry Knechtel on piano and keyboards.


In-Depth Track Commentary

Side One

Bookends Theme
Save the Life of My Child
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Paul Simon – Paul Simon – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

MASTER TAPE SOUND on side one, backed with a great side two! We just finished our first big shootout for this wonderfully fun album, and I gotta tell you — I don’t think any Paul Simon solo album was recorded any better! I can’t imagine that you’ll find a better sounding side than the first side of this copy; it’s doing EVERYTHING right.

AMG gives the album 5 Big Stars, and it’s easy to see why. The songs have a looser feel than the Simon & Garfunkel stuff, with a carefree vibe that really comes through on a Hot Stamper copy. Take, for example, the reggae-tinged Mother And Child Reunion, the Latin-flavored Duncan, and the funky Me And Julio Down By The Schoolyard. Each are wonderful songs that just wouldn’t have made much sense on a more serious album like Parsley Sage or Bookends. Not ontly that, but the sidemen on this record are FANTASTIC, including Airto, Stefan Grossman, the great Hal Blaine, Ron Carter, and members of Jimmy Cliff’s backing band providing the authentic Jamaican funk on Mother and Child Reunion. (more…)

Simon & Garfunkel – Bookends – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO KILLER SIDES including a STUNNING Demo Quality A+++ side one! Bring over your audio buddies and blow their minds by dropping the needle on America — I guarantee that they’ve never heard it sound like this before (unless, of course, they happen to be one of our top-shelf Hot Stamper customers already). Everything you’d hope for on a killer pressing of this album is right here on this side one, and most of it is on the A++ side two as well.

This Original Columbia 360 Label pressing has DEMO QUALITY SOUND. We know well that the average copy makes it hard to believe that a pressing like this exists, but one quick drop of the needle on any track will show you the light. We played a couple dozen copies this week and most of them weren’t fit to serve dinner on.

This one’s got the SILKY SWEETNESS and TUBEY MAGICAL ANALOG sound that Bookends demands! If your old copy left you with the idea that this is not an audiophile quality recording, we can’t say we’re surprised — most copies just plain stink.

Both sides are rich, sweet, and unusually full-bodied. A copy like this one really conveys the emotional quality of these songs in a direct and powerful way. If you love Bookends as much as we do, you’re gonna flip out when you hear this copy.

Just drop the needle on any track for a taste of what this album is supposed to sound like. I can’t tell you how many disappointing copies of Bookends that we’ve played over the last few years, and especially this last week. The typical copy is hardly worth the vinyl it’s pressed on — the spit and grain are pretty much intolerable. (more…)

Simon & Garfunkel – Bridge Over Troubled Water

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  • An insanely good 360 Label pressing of this Simon & Garfunkel classic, with Shootout Winning Triple Plus (A+++) sound from start to finish
  • The sound is here is As Good As It Gets — big, lively, open and clear with Tubey Magical richness that only these good early pressings can show you
  • The toughest Simon & Garfunkel album to find with excellent sound and reasonable surfaces — no contest 
  • 5 stars: “Perhaps the most delicately textured album to close out the 1960s from any major rock act… the songs matched the standard of craftsmanship that had been established on the duo’s two prior albums”

Both sides here KILLED every other copy we played. The overall sound is tubey and lush with a strong bottom end. The strings on the title track actually have some texture, and Cecilia really comes to life. There’s not as much spit or grit as you’d get on most copies, and the sound is far more musical and enjoyable than you would expect to hear, especially if you own a reissue on the red label or an audiophile reissue of any kind. These sides have an extra measure of presence and an extra degree of clarity, the kind of thing that makes them White Hot.

So many copies of this album sound wrong in so many ways, it would be impossible to list them all here. Suffice it to say, a Hot Stamper copy has to pass a lot of tests before we’re willing to vouch for it, and this copy passed those tests with flying colors. For starters, the vocals aren’t too spitty, the guitars don’t sound grainy, and the bottom end isn’t lean. Add in some of the silkiest, breathiest voices we’ve heard for this album and this Super Hot Stamper is sure to please. (more…)