Acoustic Sounds had Stan Ricker remaster this record a number of years ago, and of course they (he) ruined it. A twinkly top end and flabby bass were just two of the major shortcomings of their version.
Nothing surprising there, as Stan Ricker is famous for his “smile” curve, boosting both ends of the audio spectrum whether they need boosting or not.
And half-speed mastered bass is almost always bloated and ill-defined.
If you add too much top end to a guitar record and ruin the sound of the guitar, how can anyone take you seriously?
Please note that not a single title from the Analog Revival series is any good, to the best of my knowledge, and all should be avoided. The same is true for all the 180 gram jazz titles on Analogue Productions mastered by Doug Sax, as you may have read elsewhere on the site.
Those records received rave reviews in the audiophile press when they came out, but you won’t find too many audiophile reviewers sticking up for them now, as they are, without exception, murky, compressed disasters of the worst kind.
I guess these reviewers eventually acquired equipment accurate enough to notice how bad those pressings are, which I guess goes to show there is hope for practically anyone!