A mediocre reissue from Philips, bad enough to qualify for our Hall of Shame.
This is some truly dead as a doornail sound, sound which is not remotely competitive with the real Mercury pressings we’ve played lately. The FR pressings of the recording can be phenomenally good. Even the later M2 pressings from Philips can be excellent. There is a commentary on this blog about them. Look under Dorati or Stravinsky.
Back in the ’80s and ’90s I actually used to like some of the Golden Import pressings. That was a long time go, and thankfully our playback system is quite a bit more revealing than the one I had back in those days.
After playing literally tens of thousands of records since then, my critical listening skills are better too.
Now when I play these imports, they sound veiled, overly smooth, smeary and compressed, not too different from the average Philips pressing, which of course is what they are. They’re all pressed by Philips from the Mercury tapes.
Sadly, not much of the Mercury Living Presence sound has survived.
They’re good for audiophiles who care more about quiet surfaces than good sound. We are firmly staked to the opposite side of that trade-off. Quiet vinyl means nothing if the sound is poor.
Our advice: Don’t waste your money.