We just finished a big Maiden Voyage shootout, and while we didn’t come up with too many winners, we did manage to find this one KILLER copy. Side two has A+++ MASTER TAPE SOUND — it can’t be beat!
You won’t believe how clean, clear, open, and transparent it is. Most importantly, the energy factor is OFF THE CHARTS, and the dynamics are INCREDIBLE.
Too many copies we played left us cold and bored; this one kept us engaged throughout. It’s got the silkiest highs and the breathiest brass we’ve ever heard for this album. Most copies we played this against couldn’t even come close to the richness, sweetness, and warmth we heard here.
Side one is wonderful as well, the best we played this time around at A++. The piano has real weight, the sax has a nice bite, and the trumpet sounds great. The top end is smooth and sweet but lacks just a bit of extension compared to side two.
One Of The Great Blue Notes
This is one of the greatest Blue Note jazz records of all time — 5 big stars in the All Music Guide, which should surprise no one. Freddie Hubbard on this album is nothing short of astonishing.
I remember one time playing around with the stereo, listening for different effects as I made minor changes in the tracking weight, the VTA, adjustments to the Hallographs, and the like, and at one point, I noticed that the ensemble seemed to be really coherently connected.
Each of the players was balanced with the others. It was a striking effect and it made me realize that musical values can often be overlooked while chasing after audiophile effects of one kind or another. When I heard the ensemble come together, it made me appreciate this album even more.
Tony Williams on drums deserves a special nod. His cymbal work on the first track is completely original and spontaneous in the best jazz tradition.