We Was Wrong

Jethro Tull – Aqualung – One of the Worst Releases on DCC (and That’s Saying Something!)

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Sonic Grade: F

A Hall of Shame pressing and another DCC LP debunked.

As bad as the MoFi is, the DCC is even worse. Murky and bloated, to my ear it does almost nothing right, not on vinyl anyway. I’ll bet you the DCC Gold CD is better, and it’s certainly nothing to write home about. 

Our Hot Stamper commentary below sorts out the DCC, the Classic Records Heavy Vinyl pressing and the MoFi Half-Speed Mastered LP, as well as British and domestic originals. (more…)

Love and Forever Changes – Dreck from Sundazed

 

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Sonic Grade: F

Two Hall of Shame titles, and another two Sundazed records debunked.

We got hold of a minty original pressing of the first Love album back around 2007, so in preparation for the commentary I pulled one of the Sundazed pressings off the shelf, (Forever Changes, the only one we ever bothered to sell), cracked it open and threw it on the turntable. 

Gag, what a piece of crap. When I had auditioned them all those years ago (2002) it was — I’m not kidding — the best of the bunch. (more…)

Steely Dan – A Killer Can’t Buy a Thrill (and Some Lessons We Learned)

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From the moment the needle hit the groove on side one, we were treated to some of the best sound we’ve ever heard for this album.

Both sides have an incredibly tight and punchy bottom end, with the kind of energy and WHOMP that brings this music to life! The soundfield is BIG, WIDE, and OPEN, with a three-dimensional quality that we didn’t hear on other copies. The top end is silky sweet — just listen to the cymbals on Do It Again.

Dirty Work sounds superb here — rich and sweet mids, breathy brass, and lots of texture to the vocals. Often this track sounds dull and dubby, but it’s actually just a case of the mix being smoother than most of the other songs on the album. If this track sounds smooth, and the other songs sound right, the tonality is correct for the whole side, because that’s what the best copies sound like.

Flip the record over and the good times begin all over again. Elliot Randall’s guitar on Reeling In The Years has the meaty texture and uncanny presence to take the song to an entirely new level. Fire In The Hole is exceptionally dynamic with real weight to the piano, and the double tracked vocals on Turn That Heartbeat Over Again sound rich and poppy the way they should.

Combine two sides this good and press them on fairly quiet vinyl and you have yourself an LP that’s practically a FLUKE. (more…)

Henry Mancini – Our Man In Hollywood – Making More Progress in Audio

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The story of our recent shootout is what real Progress in Audio is all about.

In our previous listings we noted:

This is one of those odd records in which the variation in sound quality from track to track is dramatic. Take the first two tracks on side one — they suck. They sound like your average LSP Mancini album, the kind I have suffered through far too many times. And that means bad bad bad. 

Courtesy of Revolutions in Audio.

But track three boasts DEMO DISC QUALITY SOUND and the next one is nearly as good. Listen to that wonderful glockenspiel. It sound every bit as magical as anything on Bang, Baa-room and Harp, and that’s some pretty magical sound in my book!

Same thing happens on side two. Bad sound for the first tracks, then track four sounds great, followed by a pretty good five and a lovely six with a chorus of voices to die for. Go figure.

Is there a copy that sounds good from start to finish? Doubtful.

We’ve made a dozen or more improvements to the system since we last did this shootout, and I’m happy to report that most of the tracks we had trouble with in the past are now sounding very good indeed. Of course the better tracks we noted from years ago are even better, making this a consistently good sounding Mancini record.

One obvious change from the old days is that we now spend a fair amount of time honing in the VTA for every title. That may account for the fact that the first track on side one, which used to be problematical, now sounds wonderful. The value of getting the correct VTA setting — by ear, for every record — cannot be overestimated in our opinion. (more…)

The Doors – Waiting For The Sun on DCC Heavy Vinyl

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We rate the DCC LP a B Minus

We used to like the DCC pressing of this Doors album. Now… not so much. It’s a classic case of We Was Wrong.

Keep in mind that the only way you can never be wrong about your records is simply to avoid playing them. If you have better equipment than you did, say, five years ago, try playing some of your MoFi’s, 180 gram LPs, Japanese pressings, 45 RPM remasters and the like. You might be in for quite a shock.

Of course the qustion on everyone’s mind is, “How does this Hot Stamper copy stack up to the famous DCC pressing?” After all, it’s the one we were touting all through the ’90s as The One To Beat. (more…)

The Doobie Brothers – The Captain and Me – Nautilus Debunked

More The Doobie Brothers

More The Captain and Me

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Sonic Grade: D

Another Half-Speed Mastered Audiophile Pressing Debunked and another We Was Wrong listing to boot.   

We actually recommended the Nautilus Half-Speed in the old days, but the last time we played one (mid-2007) the sound was Pure Audiophile BS — compressed to death and totally whomp-free. The average domestic copy is terrible too, but that’s no excuse now is it?

Mussorgsky / The Power of the Orchestra / Leibowitz – Our Shootout Winner from 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Shaded Dog pressing of the famous TAS List Super Disc title has TWO AMAZING SIDES, including a side two that is White Hot! We have never heard a copy with such a huge hall sound and so much weight down low. As we said last time we did a shootout for this title in 2007: “DEMO DISC QUALITY ORCHESTRAL SOUND like you will not believe. Folks, it doesn’t get any better than this for huge orchestral dynamics and energy.” 

As you know, if you’ve been on our site for any length of time at all, we’ve made a good number of significant improvements to our stereo and room since 2007, so it’s entirely accurate to say we have never heard this kind of Demo Disc sound for this album until now, because we haven’t!

Side One

A++. The hall is wide and deep as any you will hear. Tons of power and weight down low. A touch dark, otherwise it would have earned the full Three Plus top grade.

Side Two

A+++, White Hot and Hard to Fault! The strings are so richly textured — who does it better than Wilkinson? Cymbal really crash on this side, something you rarely hear correctly reproduced on recordings.

This could easily become your go-to record for demonstrating not just the Power of the Orchestra, but the power of Old Analog! (more…)

The Doobie Brothers Minute By Minute – Nautilus Reviewed

More The Doobie Brothers

More Minute By Minute

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Sonic Grade: D

A Hall of Shame pressing and another Half Speed debunked.

You may remember reading on the site that we used to like the Nautilus Half-Speed of this title. Playing our Nautilus copy against the better domestic pressings made us wonder what the hell we must have been smoking. The Nautilus was awful — veiled and compressed, with a lightweight bottom end. (The Nautilus of Threshold of a Dream is another one we used to like and boy does that record sound awful these days.)

Maybe we had played a better copy years ago, or maybe we had played some really bad domestics back then, who can say? A lot of water has gone under the bridge since then. All we can say for now is that our Hot Stampers are going to blow that audiophile piece of junk — and any other pressing of the album that might exist — right out of the water. (Or your money back.)

And the gold CD too of course. I have never in my life heard a CD sound like this record does, and I don’t think anyone else has either. CDs do some things reasonably well, but few of them have the kind of richness, sweetness and tubey magic that the best vinyl copies of this album do, cleaned right and played on a proper stereo of course. (more…)

Bill Evans – Village Vanguard Sessions – Live and Learn

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A classic case of Live and Learn. Many years ago we had played copies of the record and thought the sound was fine, shootout material in fact. Flash forward to 2015 or 2016. Now it sounds thin, flat and opaque. Worse, it’s actually in MONO.

A stereo recording reissued in mono for no apparent reason? What were they smoking over there at Milestone?  (more…)

Blind Faith – Blind Faith – MoFi Debunked

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Sonic Grade: C-

Our latest shootout this time around (07/09) left us with a fairly large serving of egg on our face concerning the commentary we had written for the MoFi pressing of Blind Faith, a textbook example of We Was Wrong.

It’s rich and sweet with SHOCKINGLY GOOD SOUND. MFSL did a masterful job with this one, I’d put it in the top 10 MOFIs of all-time!

I regret to say none of that is true.

Blind Faith has many of the same problems as the later Japanese pressed MoFis like Thick As A Brick and Meddle which we discuss in more detail below.

About Thick As A Brick we wrote:

As we noted last time we listed the MOFI LP:

“This MOFI is super TRANSPARENT and OPEN, and the top end should sound lush and extended. If you prize clarity, this is the one!”

But if you prize clarity at the expense of everything else, you are seriously missing the boat on Thick As A Brick. The MOFI is all mids and highs with almost nothing going on below. This is a rock record, but without bass and dynamics the MOFI can’t rock, so what exactly is it good for?

Like Meddle, one of the last of the MOFI titles to be pressed in Japan, it’s a pale shadow of the real thing. It has no business in the collection of any audiophile worth his salt. If you want to hear this music right, let us get you a Hot Stamper pressing. It’s guaranteed to blow your mind. We’ll even take your MOFI in trade and sell it to some unsuspecting audiophile who still buys into that Half-Speed Mastered Nonsense.