We Was Wrong

Tchaikovsky / Symphonies 4-5-6 / Mravinsky (4 LPs) – Reviewed in 2009

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Sonic Grade: C  

This is a Deutsche Grammophon 4 LP Box Set. I used to really like the sound of this set back in the day, as you will see from the rave review below from 2009.

It’s been a while since I found the sound to be worthy of a Hot Stamper shootout, and now, in 2017, having just played some of the discs against some very good German and British reissues, I now realize the records in the set are clearly made from dub tapes. They badly lack presence, space, transparency and clarity, all hallmarks of sub-generation master tapes.  (more…)

Jethro Tull – This Was

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Guaranteed to MURDER any Pink Label Island original you have ever heard – these are the Hot Stampers. 

Folks, this is the best copy we are going to have on the site for a very long time. It took years and hundreds upon hundreds of dollars to get this shootout going and this killer copy is the result. (more…)

Supertramp Crime of the Century on MoFi – We Was Wrong, It Can Sound Great

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This MoFi Crime of the Century has two superb sounding sides. I have to admit I was DEAD WRONG about MoFi’s Crime of the Century — on this pressing, anyway. But I can tell you that this is one of the few I have ever played that sounded right to me.

It’s not that MoFi couldn’t cut a record that’s tonally correct. It’s just that most of they time they didn’t. This time they did. 

I’ve been telling people for years that the MOoFi was junk, and that they should get rid of their copy and replace it with a tonally correct version, easily done since there is a very good sounding Speakers Corner 180g reissue currently in print which does not suffer from the ridiculously boosted top end and bloated bass that characterizes the typical MoFi COTC pressing. (more…)

John Baldry – Everything Stops For Tea – Our Shootout Winner from 2006

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is a Near Mint Warner Brothers Green Label Original LP with No Bar Code. I played side one of this record all the way through today (5/15/06) and enjoyed it immensely. I would be very surprised to hear a better sounding pressing of this music — it sounds just right. Another outstanding green label Warner Brothers LP — rich, smooth and natural. We love them here at Better Records!

[I would be surprised in 2019 if the British pressings were not quite a bit better. It’s a title we cannot afford to do due to lack of demand, but Brit pressings are the first ones I would go after for a shootout.]

“Everything Stops For Tea comes from a 1930’s English vaudeville play and is quite fun and easy to sing along to! Long John does a blistering version of Willie Dixon’s You Can’t Judge A Book By Its Cover which actually would make a good title for John’s biography which will be written over the next couple of years. Many people have been quick to judge John based on his ballad period or other things. Mother Ain’t Dead is a great acoustic folk song that Long John and Rod Stewart duet on.” – longjohnbaldry.com

Tchaikovsky / Piano Concerto #1 / Richter / Karajan – Another Audio Myth Explodes

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The original Large Tulip early pressings are the best on this record, right?

Nope. It’s just another Record Myth, as explained in the commentary for our recent Hot Stamper 2-pack. That pair of pressings was all the proof we required to back up our contention that either label can be the best on this classic DG recording. Original is better? Again, not so much. Original can be better fits more with our experience. 

To pull off this kind of Mind Boggling sound from start to finish we combined an amazing side one on the Large Tulips label with an amazing side two on the Small Tulips label. And what a finish — side two earned a grade of A+++, being a full step above even our hottest other side two, and we played a lot of copies, more than a dozen in fact. (more…)

JS Bach / The Fox Touch, Volume 1

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[This review was written in 2010. Since then I have played copies of these Crystal Clear organ recordings and been much less impressed. The ambience is a fraction of what it should be, and the reason I know that is that the vintage organ recordings I play have dramatically more size and space than these audiophile pressings do. Live and Learn.]

Are we changing our tune about Audiophile records? Not in the least; we love the ones that sound right. The fact that so few of them do is not our fault.  (more…)

Led Zeppelin – A Classic Records LP that Can Beat Most Pressings (!)

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Sonic Grade: B

Another Classic Records Heavy Vinyl LP reviewed.

Considering how bad (or at best mediocre) the average copy of the first Zep album sounds, let’s give credit where credit is due and say that Bernie’s remastered version on Heavy Vinyl is darn good (assuming you get a good one, something of course that neither I nor you should assume).

It’s without a doubt the best of all the Classic Zeppelin titles, most of which we found none too pleasing to the ear.

Our Thinking Circa 2010

We like the Classic, albeit with reservations. It’s without a doubt the best of all the Classic Heavy Vinyl reissues of the Zeppelin catalog, most of which are not very good and some of which are just awful.

Why is this one good? It’s tonally correct for one thing, and the importance of that cannot be stressed too strongly.

Two, it actually ROCKS, something a majority of pressings we’ve played over the years don’t.

Three, it’s shockingly dynamic. It may actually be more dynamic than any other pressing we have ever played.

If you aren’t willing to devote the time and resources necessary to acquire a dozen or more domestic and import copies, and you don’t want to spend the dough for one of our Hot Stamper copies, the Classic is probably your best bet.

We would agree now with almost none of what we had to say about this Classic title when it came out back in the day. We’ve reproduced it below so that you can read it here for yourself. It’s yet another example of a record We Was Wrong about. Live and learn, right?

Our Commentary from the ’90s

A Classic Winner! Zep 1 Rocks! Beats my best domestic copy (the former champ) and all the imports I”ve heard (at least 10 I would say), even the expensive Japanese Analog version I used to recommend.

This version is a little (deep) bass shy — 2 or 3 db at 40 helps a lot — but it’s cleaner and more dynamic than any other copy I have heard. Things get loud on this version that never got loud before. And that is, to quote one of my competitors, awesome!

Maybe Bernie trimmed the bass because it’s distorted, which would be a mistake, as the distortion is on the tape and rolling off the bottom end solves nothing. Zep II is the same way, maybe even more so.

Since 90% of all the audiophile systems I’ve ever heard were bass shy, this may not be as obvious as it should be. But Led Zeppelin without deep punchy bass emasculates the music in such a fundamental way that it’s hard to imagine this album could have much effect on its audience without it. It’s called head banging music for a reason. Like Wayne, Garth and their buddies driving down the road in Wayne’s World, when it’s really rocking you have an uncontrollable desire to bang your head up and down to the beat, and you need bass to make it rock. No bass, no headbanging.

The Band Rock Of Ages – Turn Up Your Volume, Now It Rocks!

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Yet another record that really comes to life when you Turn Up Your Volume.

Most copies of this album do not have a boosted bottom or top, which means that at normal listening levels — depending on how you define that term — they can sound pretty flat. This is one album that needs to be turned up, obviously not to the levels of a live rock concert, but up about as loud as you can until you can get the bass and the highs to come out. We found ourselves adding more and more level in order to get the sound to come to life, and it was playing pretty loud before the sound was right.  

But it’s SO GOOD when it’s loud. Why the hell would you not want to crank it up and ROCK OUT? (more…)

The Beatles White Album – A True MoFi Disaster

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Sonic Grade: D

Another MoFi LP debunked. 

The last time I played the MoFi I could not believe how ridiculously phony and compressed it was. And to think I used to like their version when it came out back in the ’80s!

Take Yer Blues. The MFSL pressing positively wreaks havoc with all the added bass and top end The Beatles put on this track. The MoFi version is already too bright, and has sloppy bass to start with, so the result on this track is way too much BAD bass and way too much BAD spitty 10k-boosted treble, unlike the good imports, which have way too much GOOD bass and treble. (more…)

Genesis A Trick Of The Tail – A MoFi Disaster

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played the MoFi I could not believe how ridiculously COMPRESSED it was. On top of that, the midrange is badly sucked out (as is the case with most MoFi’s) making the sound as dead as dead can be. You think 180 gram records are lifeless? Play this piece of crap and see just how bad an audiophile record can sound.

And to think I used to like this version! I hope I had a better copy back in the ’80s than the one I played a few years ago. I’ll never know of course. If you have one in your collection give it a spin. See if it sounds as bad as we predict it will.