- With Nearly Triple Plus (A++ to A+++) sound on three sides and an actual Triple Plus (A+++) side one, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner
- You’d be hard-pressed to find a copy that’s this well balanced, big and lively, with wonderful clarity in the mids and highs
- 4 stars: “Even in 1956, Evans had his own chord voicings and a lyrical yet swinging style… A strong start to a significant career.”
- “In addition, there is a full album of previously unreleased music: an alternate take of “No Cover, No Minimum,” an unaccompanied version of “Some Other Time” from 1958 and four solo pieces that Evans cut in 1962, his first recordings after the tragic death of his bassist Scott LaFaro.”
A distinguished member of the Better Records Jazz Hall of Fame.
This Minty Milestone Two-Fer Promo Double LP set features material from two Wes Montgomery albums: The Incredible Jazz Guitar and So Much Guitar.
There’s a reason Steve Hoffman chose So Much Guitar to do on Gold CD. It’s a superb recording, and it sounds great here.
- In Person makes its Hot Stamper debut with stunning Shootout Winning Triple Plus (A+++) sound on all four sides
- Unusually rich, full-bodied, lively and present sound which brings out the best in this music
- Features incomparable jazz greats Donald Byrd and Joe Gordon
- 4 1/2 stars: “The first half of In Person contains the pianist/composer’s famous Town Hall concert of 1959… The second half of this two-fer finds Monk leading a strong sextet with trumpeter Joe Gordon and tenors Rouse and Harold Land live…”
The Riverside pressings we’ve auditioned of both The Thelonious Monk Orchestra – At Town Hall and Thelonious Monk Quartet Plus Two – At The Blackhawk were just awful sounding. The OJC reissues from the ’80s, although better, were not overflowing with the rich, natural, relaxed sound we were looking for either.
Ah, but a few years back we happened to drop the needle on one of these good Milestone Two-Fers. Here was the sound we were looking for and had had so little luck in finding.
Which prompts the question that should be on the mind of every audiophile: What are the rules for collecting records with the best sound quality?
The answer, of course, is that there are no such rules and never will be. There is only trial and error. Our full-time staff has been running trials — we call them shootouts and needle drops — for more than twenty years now, with far more errors than successes. Such is the nature of records. It may be a tautology to note that the average record has mediocre sound, but it nevertheless pays to keep the inconvenient fact in mind.
Even worse, if you make the mistake of pinning your audiophile hopes on a current reissue — and you have reasonably high standards and two working ears — your disappointment is almost guaranteed. (more…)