- This superb live album makes its Hot Stamper debut with Shootout Winning Triple Plus (A+++) sound on side two mated with outstanding Double Plus (A++) sound on side one
- Tubier, more present, more alive, with more of that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has
- 4 stars: “The great Hawkins (who debuted on records 40 years earlier) gets to stretch out on this live outing by his 1962 quartet (which also features pianist Tommy Flanagan).”
- You’ll find outstanding Double Plus (A++) sound from first note to last on this superbly engineered recording by Rudy Van Gelder
- This vintage Impulse stereo LP has plenty of Tubey Magic and driving energy – we expect nothing less from RVG in 1962, and this pressing delivers
- Tommy Flanagan on piano provides fine support for Mr. Hawkins’ breathy stylings – both Down Beat and Allmusic awarded Today and Now 4 Stars!
We love the Tubey Magical breathy/reedy style of Coleman Hawkins and Ben Webster. It seems that only the best early vinyl pressings manage to reproduce it properly. The CDs we’ve played over the years have had a tough time finding the richness in the sound; they end up being at least somewhat dry and hard, and that is simply not the right sound for this music.
Although we have a tough time finding clean copies of their 50+ year old albums (this is the first copy we’ve offered in more than 3 years), the sound Rudy Van Gelder managed to get on tape almost always makes it more than worth our while to play their records. There are literally hundreds of classic jazz records from the early ’60s that are as good as this one, if only we could find them in audiophile playing condition. We’re certainly glad we found this one. There’s not a false note or a bad track on it.
This is one of the better sounding Hawkins albums we’ve played in a while. Some of the reasons why:
Note the clear, extended top end right from the get-go on side one. The second track, a ballad, is where Coleman Hawkins really shines. (more…)
- With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner
- All Tube, Live in the Studio Columbia Sound from 1962 – sound like this makes a mockery of most jazz recordings, and don’t get me started on the sham Heavy Vinyl LPs flooding the market with one mediocrity after another
- What a swingin’ group – there is simply not a false step to be found anywhere on either side of this wonderful record
- “Hawkins teamed up with the personable trumpeter Clark Terry for this upbeat set of-of solid swing. Terry, in particular, is in exuberant form on “Feedin’ the Bean”… but Hawkins’s playing (particularly on the trumpeter’s ballad “Michelle”) is also in fine form.”
These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the kinds of prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.
*NOTE: On side two, a mark makes 20 moderate to light ticks and pops one-half inch into Track 2.
For those of you who appreciate the remarkable sound quality that Columbia’s engineers were able to achieve in the ’50s and ’60s, this LP is a Must-Own.
This vintage “360 Sound” Columbia Stereo has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
This Saxophone Ballad session from 1960 has to be seen as yet another recording triumph for Rudy Van Gelder
The best pressings of these OJC and Prestige reissues from the ’70s and ’80s sound like the vintage jazz albums they emulate, and sometimes they even beat the originals at their own Tubey Magical game. They can be every bit as rich, sweet and spacious as their earlier-pressed brethren in our experience.
In the case of Hawk Eyes we simply have never seen an original copy clean enough to buy, so we have no reference for what an original would sound like.
That said, having critically auditioned literally hundreds and hundreds of vintage jazz records over the course of the last few years, we’re pretty confidant we know what they are supposed to sound like.
And they sound just like the best copies of this very pressing. (more…)
- KILLER sound throughout for this original Impulse stereo pressing with each side earning Shootout Winning Triple Plus (A+++) grades – exceptionally quiet vinyl too
- These sides are clean, clear, spacious and natural, yet overflowing with the rich, Tubey Magical sound of vintage ANALOG
- There’s not a chance in the world the current 180 gram reissue can hold a candle to this early stereo pressing
- 5 stars: “The all-star group (which also includes Hawkins, altoist Phil Woods, Charlie Rouse on second tenor, pianist Dick Katz, guitarist John Collins, bassist Jimmy Garrison, and drummer Jo Jones) performs a particularly inspired repertoire. Carter’s charts, which allow Hawkins to stretch out on “Body and Soul,” give everyone a chance to shine. …Very highly recommended.”
A distinguished member of the Better Records Jazz Hall of Fame.
Columbia 360 Label. A Jazz Primer if there ever was one! If you don’t get jazz this album will get it for you. There is simply not a false step or false note to be found anywhere on this recording.
This record has a magical midrange, like so many Columbias. It’s a little rolled off on the extreme highs. If you have any way of boosting your top end, you can make this record really sing. As it is now, it’s still quite good, just a bit more mellow than I know it should be.
This is a TOP SHELF pressing, one of the most exciting jazz records we’ve heard in some time! We dropped the needle on side one of this RCA stereo pressing and were FLOORED. After evaluating it completely and awarding it our top grade of A+++, we flipped and were blown away to find that side two was every bit as good. And to top it all off, the vinyl plays quietly throughout.
Think about this — due to the nature of our business we play tons of jazz vinyl every week, multiple pressings of multiple albums. And this record completely knocked us out.
If you’re a fan of classic jazz and superb sound, wouldn’t you like to hear what this one does on your system? (more…)
WONDERFUL SOUND AND MUSIC! It is ridiculously tough to find copies of this album with good sound and quiet surfaces, but this pressing is a MONSTER. We’re generally not big fans of Mono recordings, but for this music it is really doing the job. It gives you mindblowing presence to the brass and real weight to the bottom end.
Side one is KILLER. I don’t know what you could do to this music to make it sound any better than it does here. It’s super transparent with BIG TIME immediacy. The brass is rich and full with lots of breath, and the bass is DEEP and TIGHT. Listen to how silky sweet the top end sounds; the cymbals are Right On The Money.
Side two is excellent as well, but lacks a slight degree of extension up top. The presence and immediacy are EXCELLENT. (more…)
- An outstanding copy with solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
- With a nearly perfect balance of analog richness and high-res clarity and space, this reissue showed us once again just how good an engineer Rudy Van Gelder could be back in 1961
- “This [album] has many fine moments from these two highly competitive jazzmen, particularly the lengthy title cut and a heated tradeoff on “In a Mellow Tone,” on which Davis goes higher but Hawkins wins on ideas.”
For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good an 1961 All Tube Analog recording can be, this killer copy will do the trick. (more…)
A distinguished member of the Better Records Jazz Hall of Fame.
This Verve T Label Mono pressing DESTROYS the Classic Records reissue, hands down. Side one is lively, present, and dynamic, but a bit aggressive — the horn can really bite when Hawk pushes it. Side two, however, sounds LOVELY. It’s much smoother and very natural. This isn’t an easy album to find in such gorgeous condition, and I bet you’d have a really tough time finding one that sounds as good as this one does on side two.