Top Artists – Deep Purple

Deep Purple / Made In Japan – Right at the Top of the List of Great Sounding Live Albums

More Live Recordings of Interest

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Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles.

Machine Head is clearly one of the best sounding hard rock records ever made, and Made In Japan, its successor, sounds more like a top quality studio production than any live album I’ve ever heard. It’s shocking how clean and undistorted the sound is. Equally shocking is the fact that it’s every bit as big and lively as a Hard Rockin’ Live Album should be.

This is a combination the likes of which we have never heard.

We’ve raved about a number of live albums over the years. Some of the better sounding ones that come readily to mind (in alphabetical order) are

The Band Rock of Ages,
Belafonte at Carnegie Hall,
David Live,
Johnny Cash At San Quentin,
Cheap Trick at Budokan
Eric Clapton Just One Night
Deep Purple Made in Japan,
Donny Hathaway Live,
The Jimi Hendrix Concerts,
Performance – Rockin The Fillmore,
Live Wire – Blues Power,
Waiting For Columbus,
Lou Rawls Live!
Get Your Ya-Ya’s Out and
Live at Leeds

I would be proud to have any of them in my collection. (more…)

Deep Purple – Made In Japan

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Want to find your own shootout winner? Scroll to the bottom to see our advice on doing just that.

This outstanding UK pressing earned solid Double Plus (A++) grades for sound or BETTER on all four sides
Surprisingly clean, undistorted sound for a live album, yet every bit as big and lively as a Hard Rockin’ Live Album should be
In terms of Tubey Magic, richness and naturalness, Made In Japan might just be The Best Sounding Live Album of All Time
Rolling Stone: “They’ve done countless shows since in countless permutations, but they’ve never sounded quite this perfect.”

Having just played a stack of copies of Made In Japan I’d put the album right up there with the best of the best. In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan would be very likely to take Top Honors for Best Sounding Live Album of All Time.

Yes, the sound is that good.

Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles. (more…)

Deep Purple – Mark I & II – Reviewed in 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is a Minty looking EMI Import Double LP. It’s a compilation with a single LP dedicated to each era of the band’s early history. As with any compilation some tracks sound better than others here but don’t let the German sourced tapes scare you. These sound like really high quality tapes, close to, if not the actual, master tapes.

The second LP features the most recognizable and probably best lineup (Mark II) the band ever had, with songs such as Black Knight, Speed King, Smoke on the Water and Highway star, to name but a few.

Deep Purple – Machine Head

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Machine Head

Two killer sides clocking in at Double Plus (A++) – the sound is HUGE, with real energy, presence and whomp – exceptionally quiet vinyl too!
Amazingly spacious and three-dimensional, no doubt the result of the album being recorded practically live in the studio
Their superbly talented engineer, Martin Barre, recorded the big, bold, rich, smooth sound of British Rock about as well as anyone ever did
5 stars: “Machine Head was anything but a one-trick pony, introducing the bona fide classic opener “Highway Star,” which epitomized all of Deep Purple’s intensity and versatility while featuring perhaps the greatest soloing duel ever between guitarist Ritchie Blackmore and organist Jon Lord.”

When you get a Hot Stamper pressing like this one, Machine Head is a True Rock and Roll Demo Disc. Since our stereo is all about playing these kinds of records, and playing them at good loud levels as nature — and the artists — intended, we had a helluva time with Machine Head.

It had the kind of presence and energy that puts most copies of this album to shame. It’s also amazingly spacious, the result no doubt of it being recorded practically live in the studio. On the best copies, you can really hear the sound bouncing off the studio walls, just as you can on the best Zep, AC/DC and Bad Co. albums. You can just tell they are all playing this one live: it’s so relaxed and natural and REAL sounding. (more…)

Deep Purple – Who Do We Think We Are! – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This British Import Purple Records pressing has a GREAT side one, and AMAZING A+++ side two, and VERY QUIET VINYL throughout! I don’t think you could find a better sounding side two no matter what you did. The sound here is BIG, BOLD and LIVELY with real weight down low and excellent presence. It really JUMPS out of the speakers and fills up the room! Side one is very good as well, with all of the qualities described above. It doesn’t fully open up the way side two does, but it still slaughtered most of the copies we played it against.

The big hit song from this one was Woman From Tokyo and it sounds excellent on this copy — very natural with real texture to the guitars and lots of WHOMP down low. (more…)

Deep Purple – The Book of Taliesyn

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The Book of Taliesyn

An insanely good sounding copy with Triple Plus (A+++) sound from start to finish and the first copy to ever hit the site!
Both sides here are big, full-bodied, Tubey Magical and present with plenty of extension on both ends
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
“By the time 1972 came around, Deep Purple immersed themselves in dumb lyrics, unforgettable riffs, and a huge presence, much like Black Sabbath. The evolution from progressive to hard rock was complete, but a combination of what they did here — words that mattered matched by innovative musical passages — would have been a more pleasing combination.” – All Music

(more…)

Deep Purple – Fireball

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Fireball

Outstanding sound throughout for this original Harvest import pressing, with each side earning solid Double Plus (A++) grades for sound – exceptionally quiet vinyl too
This LP was simply bigger, richer and clearer, with more Tubey Magic, less smear and less congestion than most of the other vintage imports we played
One of Ian Gillian’s favorite albums, “… it was really the beginning of tremendous possibilities of expression.”
4 1/2 stars: “One of Deep Purple’s four indispensable albums (the others being In Rock, Machine Head, and Burn), 1971’s Fireball saw the band broadening out from the no-holds-barred hard rock direction of the previous year’s cacophonous In Rock.”

This vintage Harvest pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Deep Purple – In Rock

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In Rock

Both these UK sides have excellent sound for the band’s 1970 Classic, earning Double Plus (A++) grades – exceptionally quiet vinyl too
Only the Brit Harvest LPs such as this one are made from the actual master tape, and it sure ain’t hard to hear the difference using the real tape makes
In our experience, these import pressings are the only way to hear the band with the big, rich, Tubey Magical sound they’re famous for
4 1/2 stars: “Deep Purple’s soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970’s awesome In Rock.”

The best pressings give you exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.) (more…)

Deep Purple – Made In Japan – Another DCC Disaster

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Deep Purple – Made In Japan

Sonic Grade: D-

A Hall of Shame pressing and another DCC LP debunked.

Dead as a doornail sound. Disgraceful.

Deep Purple – Made In Japan – What To Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

We’ve raved about a number of live albums over the years. Some of the better sounding ones that come readily to mind (in alphabetical order) are Belafonte at Carnegie Hall, David Live, Johnny Cash At San Quentin, Donny Hathaway Live, The Jimi Hendrix Concerts, Performance – Rockin The Fillmore, Live Wire – Blues Power, Waiting For Columbus, Get Your Ya-Ya’s Out and Live at Leeds. I would be proud to have any of them in my collection.

Having just played a stack of copies of Made In Japan I’d put it right up there with the best of the best. In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan would be very likely to take Top Honors for Best Sounding Live Album of All Time. Yes, the sound is that good.

What to Listen For (WTLF)

The best sides tended to have the same qualities. They were huge, open, clear, transparent, rich, tubey and natural.

And of course they rocked, with startling dynamics, massive amounts of bass and a full-bodied midrange. The better the pressing the more the instruments jumped right out of the speakers. Live in your listening room was the sound we were after, and this copy delivers like nothing you have ever heard.

Machine Head Live? That would not be far off, and the fact they brought MARTIN BIRCH along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles. (more…)