Top Artists – Deep Purple

Deep Purple – Another Ridiculously Bad DCC Remaster

More of the Music of Deep Purple

Hot Stamper Pressings of British Blues Rock Albums Available Now

Sonic Grade: F

An Audiophile Hall of Shame pressing and another Disastrous Heavy Vinyl release with godawful sound.

What a murky mess. Dead as a doornail sound. Disgraceful in every way.  

Is it the worst version of the album ever made?

That’s hard to say. But it is the worst sounding version of the album we’ve ever played, and that should be good enough for any audiophile contemplating spending money on this kind of trash. Our advice: don’t do it.

There’s More Where This Pressing Came From

If this is the kind of sound you like, below are links to recordings that you may wish to pursue, with similar “qualities,” if I can use that term.

We don’t sell junk like this, but every other audiophile record dealer does, because most of the current group of mastering engineers making records for audiophiles have somehow gotten into their heads that this is the way records should sound.

We’ve been telling them they are wrong about that for years now, that good records have never sounded this way, but the collectors and audiophiles of the world keep buying their wares, so why should they listen to us?

These are the hallmarks of the modern Heavy Vinyl LP. Whether made by Speakers Corner, DCC, AP or any other label, starting at some point in the mid-’90s, the sound these labels preferred had an infuriating tonal balance problem we heard in practically every record we played.

A tonal balance that was just too damn smooth.

The phony boosted highs of the bad old audiophile pressing days are gone, replaced by the phony rolled off highs of today.

(Bernie Grundman cut hundreds of records for Classic Records starting in the ’90s, and it’s clear he chose to go a different way, but his way turned out to be every bit as problematical.)

Are the audiophiles who buy these new, super-smooth records any better off?

The ones with bright, phony systems probably are.

As we have been saying for years, first you need to have reasonably good sound. Then you can buy records that actually are good.

Here are some of our reviews and commentaries concerning the many Heavy Vinyl pressings we’ve played over the years, well over 200 at this stage of the game. Feel free to pick your poison.

Heavy Vinyl Commentaries

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Deep Purple / Machine Head on Rhino Vinyl

More of the Music of Deep Purple

Hot Stamper Pressings of British Blues Rock Albums Available Now

Sonic Grade: F

An Audiophile Hall of Shame pressing and another Disastrous Heavy Vinyl release with godawful sound.

Mastered by Kevin Gray, this record has what we would call ”modern” sound, which is to say it’s clean and tonally correct, but it’s missing the Tubey Magic the British originals are swimming in.

In other words, it sounds like a CD.

I’m guessing that very few people have ever heard this record sound the way our best Hot Stamper pressings can sound.

For one thing, the domestic pressings are made from dubbed tapes, and that’s what most of us Americans would have owned. The original domestic pressings are smeary, veiled and small as a rule

Yes, the average copy may be nothing special, but this one is a boring, lifeless mess, so save your money.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using “performance” as a synonym “sound quality,” we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.

Who can be bothered to play a record that has so few of the qualities audiophiles are looking for on vinyl? Back in 2007 we put the question this way: Why Own a Turntable if You’re Going to Play Mediocrities Like These?

New to the Blog? Start Here

Basic Concepts and Realities Explained

Records are getting awfully expensive these days, and it’s not just our Hot Stampers that seem priced for perfection.

If you are still buying these modern remastered pressings, making the same kind of mistakes that I was making before I knew better, take the advice of some of our customers and stop throwing your money away on Heavy Vinyl and Half-Speed Mastered LPs.

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Deep Purple – Machine Head

More Deep Purple

More British Blues Rock

  • This UK import pressing was doing just about everything right, with both sides earning seriously good grades
  • Amazingly spacious and three-dimensional, no doubt the result of the album being recorded practically live in the studio – the sound is HUGE, with real energy, presence and whomp
  • Their superbly talented engineer, Martin Birch, recorded the big, bold, rich, smooth sound of British Rock about as well as anyone ever did
  • 5 stars: “Machine Head was anything but a one-trick pony, introducing the bona fide classic opener “Highway Star,” which epitomized all of Deep Purple’s intensity and versatility while featuring perhaps the greatest soloing duel ever between guitarist Ritchie Blackmore and organist Jon Lord.”
  • If you’re a fan of the band, this title from 1972 is clearly one of their best
  • It’s our pick for the band’s best sounding studio album. Roughly 150 other listings for the Best Recording by an Artist or Group can be found here.

When you get a Hot Stamper pressing like this one, Machine Head is a True Rock and Roll Demo Disc. Since our stereo is all about playing these kinds of records, and playing them at good loud levels as nature — and the artists — intended, we had a helluva time with Machine Head.

It had the kind of presence and energy that puts most copies of this album to shame. It’s also amazingly spacious, the result no doubt of it being recorded practically live in the studio. On the best copies, you can really hear the sound bouncing off the studio walls, just as you can on the best Zep, AC/DC and Bad Co. albums. You can just tell they are all playing this one live: it’s so relaxed and natural and REAL sounding.

The vocalist is surely in a booth, but everyone else seems to be in a lively studio. With lovely extension up top, this was a very sweet copy that cried out to be turned up good and loud. The louder we played it the better it sounded.

The best pressings give you exactly what you want from this brand of straight-ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.)

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Deep Purple – In Rock

More Deep Purple

More British Blues Rock

  • Both these UK sides have excellent sound for the band’s 1970 Classic
  • Only the Brit Harvest LPs such as this one are made from the actual master tape, and it sure ain’t hard to hear the difference using the real tape makes
  • In our experience, these import pressings are the only way to hear the band with the big, rich, Tubey Magical sound they’re famous for
  • 4 1/2 stars: “Deep Purple’s soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970’s awesome In Rock.”
  • If you’re a fan of the band, this classic from 1970 belongs in your collection.
  • We think 1970 was one of the greatest years ever for popular music, and you will be pleased to know that we have compiled a handy list of Must Own Albums from 1970 to celebrate our love for these wonderful releases

The best pressings give you exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.) (more…)

Rainbow – Ritchie Blackmore’s Rainbow

More Rainbow

More Deep Purple

  • Ritchie Blackmore’s Rainbow makes its Hot Stamper debut on this early domestic Polydor pressing with KILLER Shootout Winning Triple Plus (A+++) sound from start to finish – fairly quiet vinyl too
  • HUGE Rock Sound – the guitars and drums are positively jumping out of the speakers with dynamic energy, with more bottom and top end extension than all other copies we played
  • “[A] young Ronnie James Dio… is at his best when he fully gives in to his own and Blackmore’s medieval fantasy leanings, in hard-rocking tracks like ‘Sixteenth Century Greensleeves’ and ‘Man on the Silver Mountain.’ The dark, trudging doom rock of ‘Self Portrait’ most clearly showcases what they were capable of.”

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Deep Purple – One of the All Time Great Sounding Live Rock Albums

deeppmadei_1606_1152215422More of the Music of Deep Purple

More Live Rock Recordings of Interest

Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles.

Machine Head is clearly one of the best sounding hard rock records ever made, and Made In Japan, its successor, sounds more like a top quality studio production than any live album I’ve ever heard. It’s shocking how clean and undistorted the sound is. Equally shocking is the fact that it’s every bit as big and lively as a Hard Rockin’ Live Album should be.

This is a combination the likes of which we hear far too rarely.

We’ve raved about a number of live albums over the years. Some of the better sounding ones that come readily to mind (in alphabetical order) are listed below. Fans of any of these bands can be proud to have a Hot Stamper pressing of any of these albums in their collection.

The albums I would want in my personal collection are noted with an asterisk [*].

  • The Band / Rock of Ages*
  • Harry Belafonte / At Carnegie Hall*
  • David Bowie / David Live*
  • Johnny Cash / At San Quentin
  • Cheap Trick / At Budokan
  • Eric Clapton / Just One Night*
  • Deep Purple / Made in Japan
  • Donny Hathaway / Live*
  • Jimi Hendrix / The Jimi Hendrix Concerts
  • Humble Pie / Performance – Rockin’ The Fillmore
  • Albert King / Live Wire – Blues Power
  • Little Feat / Waiting For Columbus*
  • Lou Rawls / Live!*
  • The Rolling Stones / Get Your Ya-Ya’s Out* 
  • The Who / Live at Leeds*

Having just played a stack of copies of Made In Japan, I’d put it right up there with the best of the best.

In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan might just take Top Honors for Best Sounding Live Rock Album of All Time. Yes, the sound is that good.

Want to find your own top quality copy?

Consider taking our Moderately Helpful Advice about the pressings that have tended to win shootouts over the years.

In our experience, this record sounds best this way:

Watch out for this UK pressing, it sounds as dubby as the domestic pressings do.

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Deep Purple – Made In Japan

More Deep Purple

More Recordings Engineered by Martin Birch

  • Get ready to rumble! This UK copy boasts INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it on all FOUR SIDES – remarkably quiet vinyl too
  • A phenomenally well-recorded album that’s a true Demo Disc on an exceptional pressing such as this
  • Turn it up and you will hear sound that is incredibly powerful and natural with amazing presence, energy and weight down low
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • Rolling Stone: “They’ve done countless shows since in countless permutations, but they’ve never sounded quite this perfect.”.
  • If you’re a fan of the band, this title from 1972 is clearly one of their best
  • The complete list of titles from 1972 that we’ve reviewed to date can be found here.

Having just played a stack of copies of Made In Japan, I’d put the album right up there with the best recorded live albums of all time. In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan would be very likely to take Top Honors for Best Sounding Live Album of All Time.

Yes, the sound is that good.

Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles.

Machine Head is clearly one of the best sounding hard rock records ever made, and Made In Japan, its successor, sounds more like a top quality studio production than any live album I’ve ever heard. It’s shocking how clean and undistorted the sound is. Equally shocking is the fact that it’s every bit as big and lively as a Hard Rockin’ Live Album should be.

This is a combination the likes of which we have never heard.

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Letter of the Week – “Hard to believe it can sound much better.”

More of the Music of Deep Purple

More of the Music of Jackson Browne

One of our good customers had this to say about some Hot Stampers he purchased recently. He bought two Jackson Browne albums — The Pretender and Late for the Sky, not sure which he is talking about below — as well as the Deep Purple album you see pictured.

Hey Tom, 

I am taking my time going through all my hot stampers one by one. Still waiting for my cartridge to break in so I know things will only get better.

This album is amazing. I forgot how good it was. Only had the cassette back in the day and loved playing it in the car. The overall tonal balance is fantastic. Big, room filling sound. Jackson’s voice is just so well centered in the mix.

I think your rating may have been a bit conservative. Hard to believe it can sound much better.

Side 2 is probably my favorite and sounds even better than side 1 to my ears–but it is close. Another winner for sure.

Thanks!

Rob

Rob,

So glad you liked it!

As for the grades, we don’t keep them around, but we liked two copies better than that one, which just goes to show you never know how good a record can sound until you hear a better sounding copy, and we heard two.

This is something the forum posters of the audio world have always had trouble understanding.

They think they have a Hot Stamper when what they probably have is a good sounding record.

The word “probably” in the sentences above and below is doing a lot of heavy lifting here.

Nothing in audio or record collecting could be more important than appreciating how little we can really know and how much there is to learn. [3]

The forum posters of the audio world simply have no way to know how amazing the recording can sound — so much better than the record they own, probably — so they assume [1] they have the best.

They probably do not, but no one can actually know for sure, and that includes us.

We do not judge records we have never played (although we do like to make educated guesses about some of them from time to time, for sport if for no other reason).

A shootout would provide some of the evidence they need in order to know where on the bell curve their copy sits, and they have simply never conducted one. They have an anecdote, and not a very trustworthy one. What they lack is data [2].

Best, TP

Rob followed up with this:

PS.  Forgot to mention re: Made In Japan.  I remember owning the UK import when it came out in 1972 as I recall. Bought it at the Wherehouse–Sold it years ago and lived through CD versions in the car.  Then I put on the hot stamper.  Man, I did not realize what an amazing album that is.  Had to play all 4 sides on one sitting–it is so good!

Rob

I can’t call myself a fan of the album but I know a great sounding pressing when I hear one.

TP

[1] More on the subject of assumptions here.

[2] More on the subject of data here.

[3] More on the subject of not knowing how much you don’t know here.

FURTHER READING

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Deep Purple – Fireball

More Deep Purple

More British Blues Rock

  • Fireball returns to the site on this KILLER original Harvest UK import with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • This LP was simply bigger, richer and clearer, with more Tubey Magic, less smear and less congestion than the other vintage pressings we played
  • One of Ian Gillian’s favorite albums, “… it was really the beginning of tremendous possibilities of expression.”
  • 4 1/2 stars: “One of Deep Purple’s four indispensable albums (the others being In Rock, Machine Head, and Burn), 1971’s Fireball saw the band broadening out from the no-holds-barred hard rock direction of the previous year’s cacophonous In Rock.”

This vintage Harvest pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Deep Purple / Made In Japan – UK Vinyl But Mastered in the States?

More of the Music of Deep Purple

Reviews and Commentaries for Made In Japan

To our dismay, we discovered that some of the stampers for some of the sides on some of the British import pressings are actually sourced from a well known American cutting house. When those sides did poorly in the shootout, naturally we wanted to know more about them in order to avoid buying any more pressings with those markings.

We had no idea the British would “import” the metalwork from here, but they did, and the results were not good, at least not for us audiophiles. I hope it goes without saying that we will not be selling any versions of the album that are not cut in England.

This is what you learn when you have lots of copies of the same album and play them against each other.

We constantly Experiment with Different Record Pressings this way and we recommend you do the same.

Carry out as many experiments as you can find time for. The quality of your collection — at least the sonic quality of your collection — will improve immensely.

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