Records that Sound Best on the Right Import Pressing

The Police – Ghost in the Machine

Reviews and Commentaries for Ghost in the Machine

More Sting and The Police

  • With outstanding Double Plus (A++) sonic grades on both sides, this vintage UK pressing sounds rich, smooth and sweet – exceptionally quiet vinyl too
  • Some of the band’s most sophisticated hits: Every Little Thing She Does Is Magic, Invisible Sun, Spirits In The Material World, and more
  • Hugh Padgham took over engineering duties for Ghost and The Police’s next album, resulting in a dramatic improvement in the quality of their recordings
  • “This album has more variety than the menu in a Bangkok brothel. In particular, Sting’s voice has taken on a new depth and fresh maturity. The opening song, ‘Spirits In The Material World’, may have what sounds like a dumb title, but the song is a dream of close harmonies and nicely understated drums.” Record Mirror

If you’re looking for big hits, this is the album for you. I mean, get three tracks in and you’ve already heard Spirits In The Material World, Every Little Thing She Does Is Magic and Invisible Sun — not a bad way to get things started!

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The Moody Blues – To Our Children’s Children’s Children

More of The Moody Blues

More Psych Rock

  • An early UK Threshold pressing with lush but clear Tubey Magical Double Plus (A++) sound throughout – exceptionally quiet vinyl too
  • You get richness, fullness and warmth on both of these sides, which is exactly what you want for the Moodies’ music
  • We shot out a number of other imports and this one had the presence, bass, and dynamics that were missing from most other copies we played
  • “It is the fourth of what are popularly considered the group’s “core seven” (or Classic Seven) albums from 1967 to 1972, and as such represents the peak of their career to some.”
  • “There are no extended suites on this album, but Justin Hayward’s ‘Watching and Waiting’ and ‘Gypsy’ have proved to be among the most popular songs in the group’s history.”

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Emerson, Lake and Palmer – Trilogy

More Emerson, Lake and Palmer

More Prog Rock

  • You’ll find outstanding Double Plus (A++) sound on both sides of this vintage UK Island pressing
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
  • An excellent recording that really shines on a good pressing like this, courtesy the engineering brilliance of Eddie Offord
  • 4 stars: “Every track on this album has been carefully thought, arranged, and performed to perfection…”

It’s not easy to find great copies of this album. This kind of prog rock demands big, bold sound, and not all copies have the size or low end weight to pull it off. Keith Emerson’s organ needs to extend all the way down, or it just doesn’t work. Both sides here have a great bottom end, and some real texture and space up top.

“From The Beginning” has the kind of analog magic that made it a staple in practically every stereo store I walked into back in the ’70s.

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Seventies EMI Classical LPs and Vintage Tube Playback

What to listen for on this album? That’s easy:

The all-too-common ’70s EMI harshness and shrillness.

We could never understand why audiophiles revered EMI the way they did back in the ’70s. Harry Pearson loved many of their recordings, but I sure didn’t. 

To this day, some of the records on the TAS List seem to me better suited to the Stone Age Stereos of the ’70s than the modern systems of today.

I chalk it up — as I do most of the mistaken judgments audiophiles so often make about the sound of the records they play, my own judgments included — to five basic problem areas that create havoc when attempting to reproduce recorded music in the home:

  1. equipment shortcomings,
  2. poor setups,
  3. bad electricity,
  4. bad rooms, and
  5. poor record cleaning

If you had vintage tube equipment back in the ’70s such as McIntosh, Marantz, etc. — I myself had an Audio Research SP3-A1 and a D-75a, later a D-76a — the flaws heard on most copies of this record wouldn’t be nearly as offensive as they are to those of us playing them on the much more revealing systems that exist today.

Today’s modern systems, painstakingly set up and tweaked through trial and error, in heavily treated rooms, using only records that have been subjected to the most advanced cleaning technologies — these are what make it possible to know what your records really sound like. 

The more revealing, more accurate systems of today are in fact what make it possible for us to find Hot Stamper pressings.

We used to not do our job nearly as well, and we talk about it in our Live and Learn section.

You, of course, have the option of hearing our records any way you like. They should sound amazing on your system and in your room, and we stand behind that claim with a 100% Money Back Guarantee. The cleaning and evaluation of the sound has been done.  The record is correct. All you need to do is play it back properly.

Not everyone can do that, and we do get returns from time to time of records we are pretty sure would be hard to beat. When we hear that someone’s Mobile Fidelity pressings sound better to them, we know there is nothing we can do but give such a person his money back. See one through five above.

However

With each improvement you make in your system, the kinds of high quality pressings we sell — we call them Hot Stampers — will continue to reveal better and better sound in their grooves.

This is not true for the Modern Heavy Vinyl reissue. The better a system gets, the more the faults of those pressings come to light.  This typically sad story is one that is all too common with our customers.


FURTHER READING

More of the music of Sergei Prokofiev (1891-1953)

More on the Subject of Tubes in Audio

Basic Concepts and Realities Explained

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Kraftwerk – Autobahn

  • Superb sound on this fun, TAS-approved album with Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • The RIGHT early import pressings (a happy discovery from a few years back) have richness, transparency, space and presence not found anywhere else, I tell you!
  • Forget the dubby domestic pressings – they’re disappointing in the extreme
  • These imports are tough to find with the right stampers, the right sound and audiophile quality playing surfaces, which explains why it’s been YEARS since we’ve had a copy listed on the site
  • 5 stars: “The 22-minute title track became an international hit single and remains the peak of the band’s achievements – it encapsulates the band and why they are important within one track – but the rest of the album provides soundscapes equally as intriguing.”

This vintage British Vertigo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

The Police – Reggatta de Blanc

More Sting and The Police

  • A vintage A&M British import pressing with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it on both sides – exceptionally quiet vinyl too
  • Much of the stuff we manage to acquire from overseas is in less-than-audiophile playing condition – these were popular records in their day, and they got played plenty, so the clean condition of this pressing came as a very pleasant surprise
  • Sting’s pulsing bass lines and the massive assault of Copeland’s kick really come to life here – you won’t believe how BIG and powerful the bass is on this record
  • Along with Ghost in the Machine, we think this album captures The Police at their songwriting and performing peak
  • “Reggatta de Blanc stands the test of time as one of the greatest albums of the post-punk and new wave era, improving in almost every way upon The Police’s debut album.”

This A&M LP has a very PUNCHY LOW-END, the kind you need to drive this rhythmically charged music.

Though it lacks some of the midrange “prettiness” of the half-speed, it’s obvious that this copy presents the music much more correctly.

This is Reggae-Rock; it needs good tight bass and plenty of it to propel the music and keep the rhythm on pace, and half-speed mastered records never get the bass to sound deep, solid and punchy the way full-speed-mastered records do.

This and Ghost In The Machine are my two favorite Police albums. Reggatta, like Ghost, is consistently good from start to finish. It also has the distinction of being the only Police album that has a real Guitar Solo, heard on the song “It’s Alright For You.” With a seriously blistering guitar break that really kicks the song into high gear, you have to wonder why Andy Summers chose to play that way so rarely.

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Peter Gabriel Names a Third Record After Himself

More Peter Gabriel

More Art Rock Records

  • It’s been quite a few years since our last shootout – finding clean, quiet, early pressings of this album has been especially difficult for many years and it doesn’t seem to be getting any easier
  • A Must Own for Gabriel fans, this album is widely considered his breakthrough work as a solo artist
  • Listen closely and you’ll recognize Phil Collins’ now-signature (but at the time revolutionary) drum sound on several of the tracks, including “Intruder,” one of the best tracks on the album
  • 5 stars: “Generally regarded as Peter Gabriel’s finest record, his third eponymous album finds him coming into his own, crafting an album that’s artier, stronger, more song oriented than before.”
  • If you’re a fan, this is a Peter Gabriel classic from 1980 that belongs in your collection.
  • The complete list of titles from 1980 that we’ve reviewed to date can be found here.

With this, his third release, Gabriel established himself as a true force in the rock world. (more…)

Deep Purple – In Rock

  • Both these UK sides have excellent sound for the band’s 1970 Classic
  • Only the Brit Harvest LPs such as this one are made from the actual master tape, and it sure ain’t hard to hear the difference using the real tape makes
  • In our experience, these import pressings are the only way to hear the band with the big, rich, Tubey Magical sound they’re famous for
  • 4 1/2 stars: “Deep Purple’s soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970’s awesome In Rock.”
  • If you’re a fan of the band, this classic from 1970 belongs in your collection.

The best pressings give you exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.) (more…)

The Beatles – Rubber Soul

More of The Beatles

Reviews and Commentaries for Rubber Soul

  • With STUNNING Shootout Winning Triple Plus (A+++) sound or close to it, this vintage UK stereo pressing has plenty of analog magic in its grooves – exceptionally quiet vinyl too, about as quiet as they can be found
  • We guarantee you’ve never heard “Girl,” “I’m Looking Through You,” “In My Life,” “Wait,” “If I Needed Someone” and “Run for Your Life” sound better – and that’s just side two!
  • A Must Own Folk Rock Masterpiece and permanent member of our Top 100
  • 5 stars: “The lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a substantial leap forward, with intricate folk-rock arrangements that reflected the increasing influence of Dylan and the Byrds.”

Since this is one of the best sounding Beatles recordings, this could very well be some of the BEST SOUND you will ever hear on a Beatles album!

There’s wonderful ambience and echo to be heard. Just listen to the rimshots on Michelle — you can clearly hear the room around the drum. On the best pressings, Michelle is incredibly 3-D; it’s one of the best sounding tracks on the entire album, if not THE best.

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings, and especially from modern remasterings.  (more…)

The Who – Who’s Next

More of The Who

Reviews and Commentaries for Who’s Next

  • This British Track pressing is guaranteed to blow your mind with its phenomenal sound — check out the BIG, BOLD, Rock ’em, Sock ’em bottom end energy
  • Compare this to any Heavy Vinyl (or other) pressing and you will hear in a heartbeat why we think The Real Thing just cannot be beat
  • 5 stars: “This is invigorating because it has. . . Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that’s why Who’s Next is truer than Tommy or the abandoned Lifehouse. Those were art — this, even with its pretensions, is rock & roll.”
  • If you’re a fan of the band, this title from 1971 is a Masterpiece that belongs in every right thinking audiophile’s collection
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

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