Records that Sound Best on the Right Import Pressing

Jimi Hendrix – Are You Experienced

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  • This one will blow you away with a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two — exceptionally quiet vinyl too
  • The sound is dramatically bigger, cleaner, livelier and more present than you’ll hear on any other copy
  • Stunning sound for Purple Haze, Hey Joe, The Wind Cries Mary, Fire and Foxy Lady
  • No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this import
  • 5 stars: “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.”

It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES! (more…)

The Beatles / White Album – Listening in Depth

Hot Stamper Pressings of The White Album Available Now

Reviews and Commentaries for The White Album

More Albums with Key Tracks for Critical Listening

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It’s exceedingly difficult to find audiophile quality sound on The White Album. The Beatles were breaking apart, often recording independently of each other, with their own favorite engineers as enablers, and George Martin nowhere to be found most of the time. They were also experimenting more and more with sound itself, which resulted in wonderful songs and interesting effects. However, these new approaches and added complexity often result in a loss of sonic “purity.”

Let’s face it, most audiophiles like simplicity: A female vocal, a solo guitar — these things are easy to reproduce and often result in pleasing sound, the kind of sound that doesn’t take a lot of expensive equipment or much effort to reproduce.

Dense mixes with wacky EQ are hard to reproduce (our famous Difficulty of Reproduction Scale (DORS) comes into play here), and the White Album is full of that sound, taking a break for songs like Blackbird and Julia.

Some of the Tubey Magic that you hear on Pepper is gone for good. (Play With a Little Help from My Friends on a seriously good Hot Stamper pressing to see what has been lost forever.)

TRACK LISTING

Side One

Looks at the lineup for side one. Is there a rock album on the planet with a better batch of songs?

Having done shootouts for the White Album by the score, we can also say with some certainty that side one is the most difficult side to find White Hot stamper sound for. It’s somewhat rare to find a side one that earns our top Triple Plus (A+++) sonic grade, even when all the other sides do. (Actually what happens more often than not is that we take the best second discs and mate them with the best first discs to make the grades consistent for the whole album. But don’t tell anybody.) (more…)

Phil Collins – Hello, I Must Be Going!

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  • As Good As It Gets Triple Plus (A+++) sound from start to finish for Collins’ second studio album – exceptionally quiet vinyl too 
  • This is the last of the albums Phil recorded in analog, and of course the sound is big and rich – you will not believe all the space and ambience on this copy
  • Includes Phil’s killer version of the Supreme’s classic, “You Can’t Hurry Love”
  • 4 stars: “… the album is still a winning follow-up that shows Collins to be in full control of songwriting and production. It may be a shade less impressive than Face Value, but that was a hard act to follow. 

Fortunately, the recording quality of this album is still analog and can be excellent, thanks to hugely talented engineer and producer Hugh Padgham (Peter Gabriel, Genesis, The Police, Yes, Emerson, Lake & Palmer, etc.). (more…)

Sade – Stronger Than Pride

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  • KILLER Triple Plus (A+++) sound on both sides, making this one of the best copies to ever hit the site — exceptionally quiet vinyl too!
  • The better copies such as this one have the uncanny ability to bring a living, breathing, oh-so-sultry Sade Adu (age 29) right into your listening room
  • This import – forget the veiled, closed-in domestic pressings and whatever crappy Heavy Vinyl poseur may be in print – will bring Sade to life right in your very own listening room
  • “Sade demonstrated some intensity and fire on her third release… she had more animation in her delivery on such songs as ‘Haunt Me,’ ‘Give It Up,’ and the hit ‘Paradise.'”

(more…)

Traffic – Self-Titled

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  • An incredible sounding Island pink label pressing and the first to hit the site in many years — Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • Both of these sides are rich, full-bodied and Tubey Magical yet still incredibly open and spacious; there’s tons of bottom end weight too!
  • “As Mason’s simpler, more direct performances alternate with the more complex Winwood tunes, the album is well-balanced… their second consecutive Top Ten ranking in the U.K.; the album also reached the Top 20 in the U.S.” – All Music, 5 Stars

This vintage Island pink label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Dire Straits – Communique

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Records We Only Sell on Import Vinyl

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  • This stunning sounding copy of the band’s sophomore release earned shootout winning Triple Plus (A+++) grades or close to them on both sides
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Communique
  • If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up
  • “…an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics… a rich, abundant source of beauty.”

(more…)

John Lennon / Imagine – Our Shootout Winner from 2015

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  • Excellent Double Plus (A++) sound throughout – this was one of the better copies to emerge from our most recent shootout
  • These superb UK pressings are rich, weighty and oh-so-tubey – it took us a long time to find the right stampers
  • Two of our favorite engineers worked their magic on this recording – our thanks go to Eddie Offord and Shelly Yakus
  • 5 stars: “…it was only marginally less confessional than its predecessor. Underneath the sweet strings of “Jealous Guy” lies a broken and scared man, the jaunty “Crippled Inside” is a mocking assault at an acquaintance, and “Imagine” is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal… A remarkable collection of songs that Lennon would never be able to better again.”

NOTE: A very small mark near the end of track three, side two, How Do You Sleep?, makes three loud pops.

Both sides here are excellent. capturing the essence of what Lennon and Phil Spector (and let’s not forget Yoko, who also gets a producer credit here) were going for. Copies that sound as good as this one do not grow on trees. If it wasn’t ridiculously difficult to find Hot Stamper pressings of Imagine it certainly would not have taken us until 2015 to offer one. (more…)

Jethro Tull – Minstrel In The Gallery

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  • An excellent sounding UK copy with Double Plus (A++) sound from the first note to the last
  • Both sides are super big and full with wonderfully breathy vocals and a deep punchy bass 
  • Very quiet for this title — Mint Minus to Mint Minus Minus 
  • “Minstrel in the Gallery was Tull’s most artistically successful and elaborately produced album since Thick As a Brick…” – All Music=

This original British Chrysalis copy has two excellent sides, with ROCK ENERGY and power that few other copies could compete with. This copy gets BIG when it needs to (the proggy parts), and that makes it fun.

Plenty of Tubey Magic is on offer as well, with rich, sweet acoustic guitars and a lovely freedom from hi-fi-ishness on the vocals. As you probably know, Ian Anderson can get a little carried away with the processing on his voice, but the best copies make that processing sound right within the context of the overall sound. Most copies have added distortion and grit on the vocal effects, making them much less pleasing to the ear than the engineers envisioned. (more…)

Procol Harum – Broken Barricades

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  • Excellent sound throughout and the first copy to hit the site in many years, earning Double Plus (A++) sonic grades or BETTER on both sides
  • Looking for some proggy music that falls somewhere between Jethro Tull and Supertramp, with sonic credentials to match the recordings of those very well-recorded bands? Well, look no further 
  • This early UK press is full of the Tubey Magic and studio space that makes the band’s recordings the joy they are to play on a heavily-tweaked audiophile rig
  • “Simple Sister… is truly glorious, with Robin Trower’s frightening lead guitar work juxtaposed nicely against a wonderful string arrangement.”

We LOVED playing this album, both for the music and the sound. These guys don’t get the respect they deserve among audiophiles, but we’re doing our best to try to change that.

Side one kicks off with the hit track Simple Sister, and you won’t believe how hard it rocks. Some copies are overly clean — they have the kind of clarity you might hope to find, but lacked the richness and fullness that makes ’70s analog so involving. Those “clean” copies simply do not earn very high grades from us. We leave that sound to the Heavy Vinyl and CD crowd; they seem to like it. (more…)

Blind Faith – Self-Titled

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Reviews and Commentaries for Blind Faith

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  • It’s been years, but Blind Faith has finally returned with KILLER Shootout Winning Triple Plus (A+++) sound on both sides of this UK Polydor pressing – exceptionally quiet vinyl too
  • From the moment we dropped the needle and heard all that fluffy, correct-sounding tape hiss, we knew we were in for a treat – the sound on both sides is punchy, open, spacious, big, bold, and ALIVE!
  • If you doubt this record can sound as good as you remember from back in the day, assuming you are an old goat like me, this pressing will be a revelation
  • 4 stars: “Blind Faith’s first and last album, more than 30 years old and counting [we are up to 52 now], remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs. . . it merges the soulful blues of the former with the heavy riffing and outsized song lengths of the latter for a very compelling sound unique to this band.”

Here is the Blind Faith you’ve been waiting for: Tubey Magical, Transparent, full of Life and Energy — dear friends, it’s all here. And the vinyl is some of the quietest we’ve ever heard for this album.

Sick of buying one harsh, thin, distorted, veiled, closed-in, smeary LP after another in a vain attempt to find a copy that reminds you of why you LOVED this record so much when it came out back in 1969?

(Assuming you’re as old as I am; we had the 8 track tape that could play in the car and the house — music was so convenient back then. Of course I had the domestic original vinyl – I was 15 years old, I had never seen an import record in my life.)

This is no audiophile made-from-the-master-tape snake oil. This is the real thing. This copy is guaranteed to blow the bad memories of all those other versions you’ve owned in the past right out of your memory banks. A short list: the MoFi LP and Gold CD, Simply Vinyl LP, the new Heavy Vinyl version if there is one, and anything else that comes out from here until the end of time.

Face it: It’s all JUNK compared to a record like this.

Why mince words? We’ve played all those records (except for the bad ones that have yet to be pressed of course). (more…)