Records that Sound Best on the Right Import Pressing

The Hollies – Hollies

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  • A superb pressing of The Hollies’ 1974 release, with outstanding Double Plus (A++) sound or BETTER from first note to last – exceptionally quiet vinyl too
  • The sound of this early UK pressing is big, full-bodied and dynamic with Tubey Magic to die for – forget the dry, edgy sound of the domestic LPs, this is the real master tape, baby!
  • The Air That I Breathe is the monster track here, and on these killer British Polydor pressings it’s out of this world thanks to the engineering prowess of none other than Alan Parsons

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Cat Stevens – Mona Bone Jakon – Live and Learn

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When we said this album was not the sonic equal of Teaser and the Firecat or Tea for the Tillerman, boy, We Was Wrong and then some. Read all about it in this White Hot Stamper copy review below.

It’s been about a year since we last found Hot Stampers of this album, and having made a number of improvements to the stereo over that time, I’m here to report that this album got a WHOLE LOT BETTER, better than I ever imagined it could get. Mona Bone Jakon now ranks as a DEMO DISC of the highest order, every bit the equal of Teaser and Tea.

To think that all three of these records came out in one fifteen month period is astonishing. The only other artists to have produced music of this calibre in so short a time would have to be The Beatles, and it took four of them to do it.

Which is not what we used to think, as evidenced by this paragraph from a previous Hot Stamper listing.

This album is one of Cat’s top four titles both musically and sonically. Tea and Teaser are obviously in a league of their own, but this album and Catch Bull At Four are close behind. The music is WONDERFUL — the best tracks (including I Wish I Wish and I Think I See The Light) rank right up there with anything from his catalog. Sonically it’s not an epic recording on the scale of Tea or Teaser, but with Paul Samwell-Smith at the helm, you can be sure it’s an excellent sounding album — on the right pressing.

That last line is dead wrong. It IS an epic recording on the scale of Tea and Teaser. This copy proves it! Now that we know just how good this record can sound, I hope you will allow me to borrow some commentary from another classic Cat Stevens album listing, to wit:

Right off the bat I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of folk-pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other recordings that are as good but there are no other recordings that are better.

When you hear I Wish I Wish and I Think I See The Light on a Hot Stamper copy you will be convinced, as I am, that this is one of the greatest popular recordings in the history of the world. I don’t know of ANY other album that has more LIFE and MUSICAL ENERGY than this one. (more…)

Elvis Costello – Imperial Bedroom

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  • Imperial Bedroom finally returns to the site with outstanding Double Plus (A++) sound or close to it throughout – exceptionally quiet vinyl too
  • Geoff Emerick engineered, creating a unique sound – forget the painfully bad domestics, these imports are the only way to go
  • This dense, darkly serious album contains some of the best songs EC ever wrote – the last of his True Classics
  • 5 stars: “Costello’s music is complex and intricate, yet it flows so smoothly, it’s easy to miss the bitter, brutal lyrics…the detail and the ornate arrangements immediately peg Imperial Bedroom as Costello’s most ambitious album.”

Six of Elvis’s first seven albums received a Five Star rating from Allmusic, the exception being Almost Blue, and we generally would agree with that assessment (although Get Happy should probably get Four Stars also, not Five).

Which is to say that Elvis Costello is a brilliant artist whose albums work as albums, a fact that is in danger of being lost in a world of single song downloads and greatest hits packages. We record-playing audiophiles are inclined to start at the beginning of a side and let it flow through to the end, and that is clearly the best way to appreciate and enjoy the work of this very gifted man. (more…)

Rick Wakeman – The Six Wives of Henry VIII

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  • This outstanding 2-pack pair of pressings of Rick Wakeman’s first studio album boasts solid Double Plus (A++) sound or BETTER from beginning to end
  • The sound here is big, full, and rich with tons of energy, beautifully showcasing the diverse contributions of Wakeman’s synthesizers
  • This prog-rock collection is spacious and musical, thanks in part to the engineering of Ken Scott
  • 4 1/2 stars: “Not only did this album help pave the way for progressive rock, but it also introduced the unbridled energy and overall effectiveness of the synthesizer as a bona fide instrument.”

Our 2-pack sets combine two copies of the same album, with at least a Super Hot Stamper sonic grade on the better of each “good” side, which simply means you have before you a pair of records that offers superb sound for the entire album.

Audiophiles are often surprised when they hear that an LP can sound amazing on one side and mediocre on the other, but since each side is pressed from different metalwork which has been aligned independently, and perhaps even cut by different mastering engineers from tapes of wildly differently quality, in our experience it happens all the time. In fact it’s much more common for a record to earn different sonic grades for its two sides than it is to rate the same grade. That’s just the way it goes in analog, where there’s no way to know how a any given side of a record sounds until you play it, and, more importantly, in the world of sound everything is relative.

Since each of the copies in the 2-pack will have one good side and one noticeably weaker or at best more run-of-the-mill side, you’ll be able to compare them on your own to hear just what it is that the Hot Stamper sides give you. This has the added benefit of helping you to improve your critical listening skills. We’ll clearly mark which copy is Hot for each side, so if you don’t want to bother with the other sides you certainly won’t have to.

One of the two pressings has the original label and one has the reissue label. (more…)

Led Zeppelin – Led Zeppelin III

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  • Outstanding sound throughout with each side earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
  • Huge, Tubey Magical and lively, with solid weight down low and lots of space around all the instruments, this copy is guaranteed to rock like nothing you have ever heard
  • Since I’ve Been Loving You, Gallows Pole, Tangerine and That’s the Way are just a few of the tracks that have truly Demo Disc sound
  • “On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra depth.”

Drop the needle on Since I’ve Been Loving You and turn it up good and loud. Robert Plant will be right there between your speakers, and your jaw will be on the floor!

Cue up Tangerine on side two for a taste of rich, sweet, Tubey Magical Analog Sound. The acoustic guitars are lush and delicate, the bass is deep and well-defined, and the vocals are completely natural and free from bad mastering or phony EQ. (more…)

Cat Stevens / Tea For The Tillerman – Live and Learn

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A blast from the past from 2006.

I have to admit that I was dead wrong when I said that the best copies of this album were the Brown Label A&M pressings. I see now how I made this error. We played four pink label copies and our best A&M LP is only better than three of them.

But it sure isn’t better than this one! I’ve heard a good dozen or so Pink Labels and this is the first one that ever blew my mind. I thought I knew this record, but this copy changes everything.

Our White Hot Stamper Commentary from 2006 (more…)

Al Stewart – Zero She Flies

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This is an AMAZINGLY RARE CBS Import LP.  We were pleasantly surprised when we flipped to side two and heard lots of tubey magic. The sound was rich and full with Al’s voice both present and natural.

It’s very unlikely that I will find another copy anytime soon and who knows if it would sound as good as this one does anyway. It’s certainly not likely to be in this kind of IMMACULATE condition either. Side two is where the real Hot Stamper action is on this record. If it were part of a Hot Stamper shootout we guess that side two would rate about A++. (more…)

Mary Hopkin – Post Card

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  • KILLER Shootout Winning Triple Plus (A+++) sound or very close to it for both sides of this original Apple import pressing
  • These sides were doing everything right — clean, clear and full-bodied with wonderfully breathy vocals and a solid bottom end
  • Engineered by Ken Scott, Donovan’s “Lord of the Reedy River” is simply amazing on this copy
  • “Paul McCartney produced this debut album of twee but pretty, romantic pop-folk… the highlights are Donovan’s “Lord of the Reedy River” and “The Honeymoon Song,” which McCartney himself had sung with the Beatles way back in 1963 on the BBC…” – All Music, 4 1/2 Stars

The domestic pressings can sound very good but they can’t sound like this Brit original! This is clearly the master tape; all veils have been lifted, and the ambience and transparency of the soundstage are sublime on both sides. (more…)

David Bowie – Diamond Dogs

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

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  • Superb Double Plus (A++) sound or BETTER from start to finish – this UK pressing will show you a Diamond Dogs you had no idea existed, yet here it is
  • One of the better copies from our most recent shootout (especially on the first side) – the sound is big, full, lively and spacious with hard-rockin’ energy to spare
  • It’s ridiculously tough to find even passable sound for this album – we guarantee you’ll be blown away by this pressing
  • Great songs including the title track, Rebel Rebel, 1984, Sweet Thing, Big Brother, Rock & Roll With Me and more

The sound on this UK pressing is Tubey Magical yet still clean, clear and spacious — you’ll need a lot of luck and a good-sized pile of records to find a copy that sounds like this one.

1984 (a favorite of ours on David Live) sounds great here. In addition to singing, the man handles sax, Mellotron, and Moog duties on the album, and, most surprisingly, plays practically all of the electric guitar parts.

Bowie easily qualifies as one of the handful of artists to produce an immensely enjoyable and meaningful body of work throughout the ’70s and into the ’80s, music that holds up to this day. The music on his albums, so multi-faceted and multi-layered, will surely reward the listener who takes the time to dive deep into the complex sounds he recorded.

Repeated plays are the order of the day. The more critically you listen, the more you will discover within the exceedingly dense mixes favored by the man, his producers (Tony Visconti among them) and engineers (our favorite being Ken Scott). And the better your stereo gets the more you can appreciate the care and effort that went into the production of his recordings. (more…)

The Clash – Combat Rock

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  • An insanely good sounding copy with Triple Plus (A+++) sound from start to finish – exceptionally quiet vinyl too
  • Both the two big jammers are on this killer side one: Should I Stay or Should I Go and Rock the Casbah – you’ve never heard them sound like this!
  • Glyn Johns produced and mixed Combat Rock, so its sonic credentials are certainly in order
  • If you’re a fan of meaty bass, grungy guitars and punchy drums, this is the copy for you
  • …its finest moments — “Should I Stay or Should I Go,” “Rock the Casbah,” “Straight to Hell” — illustrate why the Clash were able to reach a larger audience than ever before with the record.”

NOTE: There is a mark on track two that looks serious but in actuality can only be heard a few times very lightly during the second half of the track. For the most part it is completely obscured by the music.

If you can tolerate this one mark you are in for some amazing Clash music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.

Full and natural, energetic and high-res, no other copy came close. A stunning copy, absolutely as good as it gets for this punk classic.

Most of the other copies we played failed in one of two ways: if they weren’t too bright, they were dead as a doornail. But this copy knocked them all out with correct tonal balance and tons of energy. (more…)