Top Engineers – Dave Hassinger

Dave Hassinger Is One of Our Favorite Engineers

Hot Stamper Pressings of Dave Hassinger’s Recordings

Reviews and Commentaries for Dave Hassinger’s Recordings

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More of Our Favorite Engineers

“‘Satisfaction’ was [mixed] on four tracks,” Hassinger recalls. “That was a big thing.” He adds:

“When I first arrived at RCA there were three tracks. When it went to four tracks we were all thinking. What are we going to do with the extra track?”

(RCA) wasn’t as funky as Chess obviously but it was more commercial. And (Dave Hassinger) really… he had a good ear, he’d get good sounds, and we experimented with more instruments… And he’d always get good sounds so we’d always get a good take at 3 or 4 shots at a song. 

Bill Wyman

As a staff engineer at RCA’s Hollywood studios in the 1960s, David Hassinger worked on a number of important and classic recordings. The most famous of these, perhaps, are mid-’60s tracks that the Rolling Stones recorded in Hollywood, including the entirety of their 1966 album, Aftermath. They also include, however, the first two Jefferson Airplane albums, along with efforts by Sam Cooke, Love, the Monkees, the Byrds (their first attempt at “Eight Miles High,” re-recorded later for official release), Crosby, Stills, Nash & Young, and others. Hassinger also attempted to establish himself as a producer in the late ’60s, with limited success, most notably with the Electric Prunes and the first Grateful Dead album. (more…)

The Rolling Stones / Out of Our Heads – Mono or Reprocessed Stereo?

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On this London LP, even though it says the record is electronically re-processed into stereo, the songs we heard on side one were dead mono.

So much for believing what you read on album covers. (more…)

James Taylor – JT

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  • This KILLER copy of an exceptionally well-recorded album boasts Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how BIG and LIVELY it can sound
  • The big hits Your Smiling Face and Handy Man both sound great here – thanks Val Garay!
  • 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”

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The Rolling Stones – Between The Buttons on Decca

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Records We Only Offer on Import Vinyl

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  • An outstanding copy with Double Plus (A++) sound or BETTER from start to finish – one of the better copies from our recent shootout, and pressed on exceptionally quiet vinyl to boot
  • This is classic ’60s Stones sound, courtesy of Dave Hassinger, working in L.A. (RCA) and London (Olympic + Pye)
  • If you’re looking for the ideal combination of Tubey Magical richness and transparency, this British Decca LP in stereo is one of the few that will show it to you
  • 5 Stars – Richie Unterberger hailed it as one of the Rolling Stones’ “strongest, most eclectic LPs” and, according to Robert Christgau, Between the Buttons was “among the greatest rock albums.”

This LP has the British track listing, so don’t pick this one up if you’re looking for great sounding versions of Let’s Spend The Night Together or Ruby Tuesday. A bummer, but the domestic copies sound AWFUL, so what can you do?

Tubey Magic Is Key

This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

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Little Feat – The Last Record Album

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  • Outstanding Double Plus (A++) grades or better on both sides – this is the best studio album the band ever recorded – exceptionally quiet vinyl too
  • The drums are rich and fat and deliciously ANALOG, a perfect match for the sound of the album as a whole
  • Consistently strong songwriting with dramatically more emotionally powerful tracks than their other releases
  • Features great songs like All That You Dream, Long Distance Love, Mercenary Territory and more

The Last Record Album is one of our favorite Little Feat albums. The recording, by the estimable George Massenburg, has many outstanding qualities. Among them is amazing bass; the bass goes REALLY deep in places (Long Distance Love) and it’s big, punchy, rich and well up in the mix throughout the album.

What to Listen For

The problem has always been an overly smooth top end, combined with congestion, smear, and a serious lack of presence. The good news is that if you clean enough copies with the advanced cleaning techniques we’ve developed, and you make enough improvements to your stereo, room, etc., with the right copy you can actually get this album to sound clear AND rich. (more…)

Astrud Gilberto – The Astrud Gilberto Album

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  • With seriously good Double Plus (A++) sides or close to them, this Van Gelder mastered copy was one of the best we played in our shootout (but the vinyl is iffy at best)
  • The sound here has real texture to the strings and breath to the vocals, key elements if this music is going to work
  • 4 1/2 stars: “The Astrud Gilberto Album was at least as good as Getz/Gilberto (despite what jazz fans say), for several reasons. Gilberto sounded beautiful on a range of material, from the sentimental “Dindi” to the playful “Agua de Beber,” and as long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.”

If you can tolerate the slightly noisier surfaces of this pressing you are in for some amazing music and sound. If for any reason you are not happy with the sound or condition of the album,we are of course happy to take it back for a full refund including the domestic return postage.


This is an early stereo LP – the monos may be five times more common, but every last one we played was awful!

Check out this list of top jazz players:

Astrud Gilberto – vocals
Antônio Carlos Jobim – vocals, guitar (track 2)
João Gilberto – guitar
Joe Mondragon – bass
Bud Shank – alto sax, flute
João Donato – piano
Stu Williamson – trumpet
Milt Bernhart – trombone
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Donald Byrd – Stepping Into Tomorrow

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  • Donald Byrd’s 1975 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound from top to bottom 
  • Byrd’s trumpet sounds wonderful here, with just the right amount of bite – credit must go to Val Garay and Dave Hassinger (among others), two of our favorite engineers working at The Sound Factory
  • 4 stars: “… maybe some of those who sniffed at the straightforward nature of some of the rhythms and riffing were won over by the supreme layering of the many components (the way in which “Think Twice” lurches forward, peels back, and gathers steam is nothing short of heavenly), not to mention some deeply evocative playing from Byrd himself.”

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The Rolling Stones – Aftermath

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  • This stunning copy earned shootout winning Triple Plus (A+++) grades or very close to it on both sides
  • Lady Jane, Under My Thumb and Mother’s Little Helper are three of the best sounding tracks on side one – all are big, lively and solid here
  • Their first all-original album, 5 stars on Allmusic, and the earliest Must Own Stones album in our opinion
  • “The Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll…”

This wonderful British pressing of Aftermath has two AMAZING sides, one of which is obviously more amazing than the other, but still, amazing considering just how bad the average copy of this album sounds. 

Until just recently it had been AGES since we’d found a copy of Aftermath with sound quality of this caliber to list on the site. It’s surprisingly clean, clear and smooth, with prodigious amounts of Tubey Magic, which is the kind of sound that lets you play the album at the appropriate volume — LOUD. (more…)

The Rolling Stones – Between The Buttons on Decca

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  • An excellent copy with Double Plus (A++) sound from start to finish – one of the better copies from our recent shootout
  • This is classic ’60s Stones sound, courtesy of Dave Hassinger, working in L.A. (RCA) and London (Olympic + Pye) 
  • If you’re looking for the ideal combination of Tubey Magical richness and transparency, this copy is one of the few that will show it to you
  • 5 Stars: “… one of their strongest, most eclectic LPs, with many fine songs that remain unknown to all but Stones devotees.”

This LP has the British track listing, so don’t pick this one up if you’re looking for great sounding versions of Let’s Spend The Night Together or Ruby Tuesday. A bummer, but the domestic copies sound AWFUL, so what can you do? (more…)