Labels With Shortcomings – Classic Records – Classical

Dvorak / Cello Concerto – Munch / Boston – Hard to Recommend on Classic Records

More Antonin Dvorak

Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

A Classic Records pressing (Remember the Sound!) that never sounded much good to me. But the original never impressed either, as you can see from our review of it.

I have never heard a copy of this record sound better than decent. This title is very unlikely to have the wonderful sound of the best Living Stereo pressings that you can find on our site, each of which has been carefully evaluated to the highest standards.

We love the Starker recordings on Mercury. Wish we could afford to buy some and do a shootout. At the prices they command these days, that is very unlikely to happen.

We used to recommend this Superanalogue pressing when it was in print. I doubt we would care much for it now.

Prokofiev / Love for Three Oranges Suite / Dorati on Classic Records Heavy Vinyl

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The standard Classic Records failings are as obvious and as irritating on this remaster as they are on practically all of the others.

Lack of ambience.

Smeary and hard strings.

A lack of Tubey Magic.

Veiled and recessed in general.

Bottom line: Not a good record.

Of course, Classic Records made very few good records; why should this one be any different?

It sure fooled a lot of audiophiles though. Allow me to quote a writer with his own website devoted to explaining and judging classical recordings of all kinds. His initials are A.S. for those of you who have been to his site.

Classic Records Reissues (both 33 and 45 RPM) – These are, by far, the best sounding Mercury pressings. Unfortunately, only six records were ever released by Classic. Three of them (Ravel, Prokofiev and Stravinsky) are among the very finest sounding records ever made by anyone. Every audiophile (with a turntable) should have these “big three”.

Obviously we could not disagree more. I’ve played all six of the Classic Mercurys; the Ravel and Prokofiev titles are actually even worse than the Stravinsky we reviewed here on the blog.

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Tchaikovsky / Symphony No. 6 / Monteux on Classic Records

Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

It’s been quite a while since I played the Classic pressing, but I remember it as none-too-impressive, playing into my natural prejudice against early Living Stereo recordings and Classic Records themselves.

Keep in mind the Shaded Dog originals of this recording are awful too, as we make clear below.

We’ve played at least three Shaded Dogs of LSC 1901 since 2011 and all three were AWFUL. A recent reissue showed us the light.

The size and scope of this recording is enormous, with the orchestral sections clearly staged wide and deep. Where is the old tube smear and compression and opacity? It must not be on the tape, because I hear no trace of it.

This copy is cut clean, its dynamics intact, which just goes to show how much better the master tape must be than we’ve been led to believe by the original Shady Dogs and the hacks at Classic Records (note: their heavy vinyl reissue is awful). (more…)

Who Can’t Hear Differences in Sound from Side to Side on Most Records?

Audiophile Reissues of the Reiner/CSO Recording

Both the Chesky and Classic reissue pressings of LSC 2446 are just plain terrible. Embarrassingly the latter is found on the TAS List.

There is a newly remastered 33 RPM pressing of the album garnering rave reviews in the audiophile press. We didn’t like it either.

Please note that in many of the reviews for the new pressing, the original vinyl used for comparison is a Shaded Dog pressing. In our experience almost no Shaded Dog pressings are competitive with the later White Dog pressings, and many of them are just plain awful, as we have noted previously on the site.

The “original is better” premise of most reviewers renders the work they do practically worthless, especially to those of us who take the time to play a wide variety of pressings and judge them on the merits of their sound, not the color of their labels.
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Bruch / Scottish Fantasy – Airless, Smeary and Low-Rez on Classic Records Heavy Vinyl

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A Hall of Shame pressing and another Classic Records LP debunked.

It should go without saying that a good original pressing kills the Classic reissue, and the Classic version is one of the better Classics. Still, it’s no match for the real thing, not even close. The Classic is airless, smeary and low-rez, which means that all the subtleties of the music and the performance will be much more difficult to appreciate.

I dare say that were you to hear a top quality copy it would be all but impossible to sit through the Classic ever again. (That might be true for all Classic records — once you hear the real thing it’s hard to imagine be able to tolerate the sound of this reissue.)

OUR HOT STAMPER COMMENTARY

WHITE HOT Stamper sound for the Bruch side of this original RCA Shaded Dog, one of the best Heifetz concerto titles of all time. (I’m trying to think of a Heifetz title that sounds better and coming up blank.)

This was our shootout winner on side two, beating all comers, earning our highest grade, the full Three Pluses (our blue ribbon, gold medal, and best in show all wrapped into one). The sound is nothing short of DEMO DISC QUALITY.

If you want to demonstrate the magic of Living Stereo recordings, jump right to the second movement of the Bruch. The sonority of the massed strings is to die for. When Heifetz enters, the immediacy of his violin further adds to the transcendental quality of the experience. Sonically and musically it doesn’t get much better than this, on Living Stereo or anywhere else.

The violin is captured beautifully on side two. More importantly there is a lovely lyricism in Heifetz’s playing which suits Bruch’s Romantic work perfectly. I know of no better performance. (more…)

Classic Records 45 RPM Remaster – This Is Your Idea of a Great Firebird?

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Classic Records 45 RPM Debunked

Sonic Grade: C-

A customer alerted me to a review Wayne Garcia wrote about various VPI platters and the rim drive, and this is what I wrote back to him:

Steve, after starting to read Wayne’s take on the platters, I came across this:

That mind-blowing epiphany that I hadn’t quite reached with the Rim Drive/Super Platter happened within seconds after I lowered the stylus onto the “Infernal Dance” episode of Stravinsky’s Firebird (45 rpm single-sided Classic Records reissue of the incomparable Dorati/LSO Mercury Living Presence recording).

That is one of my half-dozen or so favorite orchestral recordings, and I have played it countless times.

This is why I have so little faith in reviewers. I played that very record not two weeks ago (04/2010) against a good original and the recut was at best passable in comparison. If a reviewer cannot hear such an obvious difference in quality, why believe anything he has to say? The reason we say that no reviewer can be trusted is that you cannot find a reviewer who does not say good things about demonstrably bad and even just plain awful records. It’s the only real evidence we have for their credibility, and the evidence is almost always damning. (more…)

Sibelius / Violin Concerto / Heifetz – Classic Records Reviewed

Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Classic remastered this title in the ’90s — of course they did, it’s clearly one of the better Heifetz recordings.

As expected, their version was awful, as bad as LSC 1903, 1992, 2129 and others too numerous to list.

It’s both aggressive and lacking in texture at the same time, the worst of both worlds. Bernie’s cutting system is what I would call Low Resolution — the harmonics and subtleties of the sound simply disappear. If you have the Classic, do your own shootout. We guarantee any Hot Stamper pressing will murder theirs. (more…)

The Royal Ballet – Gala Performances – Classic Records Repress – Reviewed in the ’90s

Sonic Grade: C or Better

Probably a fairly good Classic Records album. When I played this record years ago I thought it was one of the better Classic RCA titles. You can be sure it won’t sound like the original — [almost] no Classic record does — but it might be pretty good all things considered (since the original sells for well over a thousand dollars!). Ansermet is the king of the ballet here and the Decca engineers do him proud. (more…)

Prokofiev / Love for Three Oranges Suite / Dorati – Classic Records Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Dreadful sound. The Mercury series on Classic is a complete disaster.

Harry Pearson put this record on his TAS List of Super Discs but is has since been replaced by another Heavy Vinyl reissue.

“Whether you prefer the fabulous bass dynamics and savage paganism of the Scythian Suite, the colorful and captivating sound-portrait of the fairy tale Love for Three Oranges Suite, Dorati’s super-charged readings of these scores are unsurpassed. Acclaimed by critics and audiophiles alike as among the very best of the best Mercury’s, this dramatic and riveting combination of Prokofiev, Dorati and Mercury Living Presence is a sure winner.” – Classic Records

Verdi, Rossini, et al. / Venice – Solti – Classic Records Debunked

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Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

Classic Records remastered LSC 2313 (VICS 1119) and even the people that like the sound of Classic’s Heavy Vinyl complain about it, so you can imagine what we think.

What a piece of garbage. Smeary and shrill, it gives no indication of the beauty that is on the tape.