This stunning sounding 2-pack of the band’s sophomore release boasts Shootout Winning Triple Plus (A+++) sound from first note to last
A surprisingly well-recorded album – the sound is exceptionally rich, smooth and natural in the best tradition of Seventies Analog
“Playin’ Up a Storm is a well-made, expertly performed set of blues-rock, soul-pop, and straight-ahead rock & roll …the thing that makes it one of Allman’s best solo efforts is the terrific performances. Not only is he in fine voice, delivering each song with conviction, but his supporting band – featuring such luminaries as Dr. John and Bill Payne – is sterling.”
Off the charts Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this classic Allman Brothers album – nothing could touch the superior sonics of this copy on either side
Of course it won our shootout – you won’t believe how lively, full-bodied, clear and HUGE it is compared to anything you’ve heard; super quiet vinyl too!
4 stars on Allmusic and the band’s commercial peak
“The Allman Brothers Band’s first new studio album in two years shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, ‘Ramblin’ Man’ and ‘Jessica,’ helped drive it to the top of the charts for a month and a half and to platinum record sales.”
*NOTE: On side one, a mark makes 4 very light dull ticks at the end of track 2, Ramblin’ Man.
One of the keys to the Allman’s sound is obviously the guitars and the way they blend with one another. Most pressings are dry, congested, and grainy, which hurts the effect of the multiple harmonizing leads. When you get a copy with smoother, more Tubey Magical, more open sound, you really understand what sound the band was after. It’s wonderful when it works, and no one ever did it better than these guys.(more…)
An astounding “Triple Triple” (A+++) copy that blew away every other pressing in our recent shootout
We were surprised at how well recorded the album is, dramatically better than the Allman Brothers album from the same year, Brothers and Sisters
Full-bodied and Tubey Magical, with especially smooth, present vocals – this is the sound we love at Better Records
4 1/2 Stars: “Recorded in the same year as the Brothers and Sisters album, this solo debut release is a beautiful amalgam of R&B, folk, and gospel sounds, with the best singing on any of Gregg Allman’s solo releases.”
This ’70s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.(more…)
A STUNNING ‘Triple Triple’ (A+++) copy with the kind of energy, body and punch this music needs
Easily the group’s best sounding studio recording and especially impressive on a copy like this
Cue up Midnight Rider or In Memory Of Elizabeth Read to hear the Allman Brothers magic in these grooves
5 stars “The best studio album in the group’s history, electric blues with an acoustic texture, virtuoso lead, slide, and organ playing, and a killer selection of songs, including “Midnight Rider,” “Revival,” “Don’t Keep Me Wonderin’,” and “In Memory of Elizabeth Reed”…”
Drop the needle on Midnight Rider or In Memory Of Elizabeth Read to hear what this copy can do. You get lots of extension both up top and down low that make the overall sound far more engaging and musical than what you’d hear on most copies.(more…)
An excellent copy of the band’s debut, with seriously good Double Plus (A++) grades on both sides and reasonably quiet vinyl, especially on side one
Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
4 1/2 stars: “This might be the best debut album ever delivered by an American blues band, a bold, powerful, hard-edged, soulful essay in electric blues with a native Southern ambience. There isn’t a bad song here, and only the fact that the group did even better the next time out keeps this from getting the highest possible rating.”
This album has some of the ABB’s very best music and on a copy like this, sonics, but man is it tough to find a good one. We’ve been picking these up for years and the fact that it took us until 2016 to get any copy at all on the site should tell you something.
Here’s a perfect example of an album that’s so mediocre on the average pressing that we had practically given up hope of hearing the record sound good. But we’re not ones to run away from a challenge, so we kept picking up copies, figuring out a few things in the process. Eventually, we made real progress and today we can proudly post a copy that’s beyond worthy of Hot Stamper status.(more…)
One of the best copies of Eat a Peach to ever hit the site – Triple Plus (A+++) sound or close to it on ALL FOUR SIDES!
These superb sides have the immediacy that will put these wild and crazy southern rockers right in your living room
Includes phenomenal hits Melissa, One Way Out, Blue Sky, Ain’t Wastin’ Time No More and more
5 stars: “The record showcases the Allmans at their peak .. proof of Duane Allman’s immense talents and contribution to the band.”
What do such high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL!(more…)
THE ALLMAN’S MASTERPIECE CONQUERED AT LAST! I don’t think you could find a more tubey magical Southern Rock record than this! We just shot out a huge stack of these double LPs, no mean feat, and this Original Capricorn pressing manhandled the competition, rating A++ or better on ALL FOUR SIDES. Not only that, but the vinyl plays mostly Mint Minus throughout — exceptionally quiet for an old Allman Brothers record.
This and Live At Fillmore East are the two monumental albums these guys ever put out, and they have a lot in common. You know what you’re gonna get with the Allmans: dueling electric guitars, sweet acoustic guitars, energetic drumming, and full-bodied vocals throughout. There’s obviously a lot of exploration — two complete sides are dedicated to the song Mountain Jam — but the heartfelt radio-friendly songs such as Melissa and Little Martha keep up the energy and enjoyment factor.
The Three Keys: Transparency, Energy, and WHOMP
A super transparent, super lively copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs. The huge WHOMP factor throughout kicks up the excitement factor and sets the necessary foundation for the crazy guitar jams to sound correct. The top end has the kind of extension necessary to bring out all the ambience and spaciousness.(more…)
There was a time when we never dreamed we’d find a copy of this hard rockin’ live album with SUPERB SOUND and QUIET VINYL on all four sides, but we got a hold of a seriously hot one here! This is one of the all-time great live albums, and with a copy like this one YOU ARE THERE at the Fillmore!
A+++, huge and lively with real rock energy! The guitars really jump out of the speakers here and the bass is solid and full. When the music sounds this good, with this kind of rich, musical tonality and big, open soundstage, it just WORKS. A+++, White Hot Stamper material all the way!(more…)
A+++ sound on side one! It’s bigger, punchier and livelier with more texture to the instruments than any other copy we played. Finding great sound for this album is no mean feat. This one is definitely not a Demo Disc — no copy will truly be — but it’s a BIG step up from most of the copies we played. I don’t think you could find better sound for the first side no matter what you did!
One important note: it’s pretty clear that Ramblin’ Man and Jessica were not cut from the real master tapes. We’ve talked about this issue before; there are many instances where the master tapes were used to cut the singles and then dubs were used for those tracks on the albums. (It’s why the versions of the songs on The Best Of Traffic sound so much better than they do on the regular albums, for example.)
Those Harmonizing Guitars
One of the keys to the Allman’s sound is obviously the guitars and the way they blend with one another. The typical copies tend to be dry, congested, and grainy, which hurts the effect of two soaring, harmonizing leads. When you get a copy with smoother, more tubey magical, more open sound, you really understand what the band was going for. It’s a great sound, and no one ever did it better than these guys.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Just played The Hot Stamper copy of The Allman Bros. Live at the Fillmore East. It was really nice to hear this music that I am so familiar with sound so good! The midrange is smooth with lots of air around the instruments. The bass is much better than it is on my copy and the drums sound great as well. It is truly great to listen to well recorded music on vinyl that easily beats any CD out there now or ever.