A SUPERB White Hot side one coupled with a better than Super Hot (A++ to A+++) side two, back to back on one disc, is a surprise indeed.This is only the second time a disc from a Reader’s Digest box set has made it to the site, and we’re continuing with more exciting orchestral music — Capriccio Espagnol (side two) and the Romanian Rhapsody No. 1 (side one) are the two longest pieces on record 8 of the set, and both of them are knockouts on this pressing.
This is truly DEMONSTRATION QUALITY SOUND! Records do not get much more spacious, open, transparent, rich and sweet. Kenneth Wilkinson was the man behind the board for many of these RDG recordings, this very one in fact, and as you will hear, he was pretty much in a league of his own as a recording engineer in the early days of stereo. This record should provide you with all the proof you need.
Play it up against the best of the RCAs, Londons and Mercs from the period and you will see what I mean. And of course it will completely DESTROY any pressing you may have on Heavy Vinyl, from any label, at any playback speed, of any music.
Living Stereo Sound
You may remember that recordings from these sets were reissued by Chesky back in the ’90s, with mediocre sound of course, as all their reissues are at best mediocre. We never carried any of them even when we were carrying audiophile reissues.
I remember the first time I heard some of the records from this Scheherazade set and was knocked out — here was Tubey Magical RCA Living Stereo sound at a fraction of the price the real RCAs were commanding (a price I confess I could not begin to afford).
The problem — and it’s still a problem, though not much of one if you have a high quality, properly set up front end — is the vinyl. These sets were produced cheaply in order to be priced affordably (under $20 for 10 LPs in a box!), and that means the best vinyl was simply not part of the budget. To find pressings that play even Mint Minus Minus is not easy, even today. Back then, before the advent of modern enzyme-based cleaning fluids and expensive record cleaning vacuum machinery, there was no way to get the vinyl to play even that well.
This copy plays a bit quieter than most at Mint Minus Minus to Mint Minus, about as quiet as a well cared for vintage Shaded Dog or Merc.
As you can imagine we did not have dozens of these sets with which to do our shootout. We had three, and this copy is clearly the overall winner of the group by a substantial margin. (more…)