The following commentary comes from our catalog from the mid-90s, back in the days when I could still find great jazz records like Alternate Takes, often still sealed.
The Analogue Productions Heavy Vinyl recuts done by Doug Sax had come out a few years earlier, starting in 1992. Those remastered records were in print at the time I wrote this, and I was pretty pissed off at how bad they sounded.
Here is our listing from long ago:
Acoustic Sounds had just remastered and ruined a big batch of famous jazz records, and shortly thereafter a certain writer in TAS had said nice things about them.
Said writer and I got into a war of words over these records, long, long ago. You’ll notice that no one ever mentions these awful records anymore, and for good reason: they suck. If you own any of them, do yourself a favor and get either the CD or a good LP for comparison purposes. I expect you will hear what I’m talking about.
In my essay on reviewers I attack him for giving a big “Thumbs Up” in TAS to the botched remastering of Sonny’s Way Out West. The OJC reissue, though superior, is still only a pale shadow of the original.
Now we have the real thing! This LP has three alternate takes from that session, all mastered by George Horn, and surprise, surprise, surprise, they sound just like my original, much better than (but not so different from) the OJC, and worlds away from the muted flab of the Analogue Productions LP!
Anyone who owns a representative sample of records engineered by Roy Dunann knows that the overly sweet, delicate sound of the cymbals on the Analogue Productions Way Out West is unusual — if not positively unheard of — for him. His cymbal sound is lively, aggressive, with much more “splash” — more impact, more presence.
These “live music” qualities have been equalized out on the remastering and other patently euphonic qualities equalized in.
Anyway, the important thing is not the sound I or some reviewer or anybody else likes. It’s what you like that counts.
With that in mind, I’m so sure you’ll prefer the sound of Alternate Takes, that you won’t have any problem recognizing and appreciating the differences I’m talking about, that I’m willing to make you this very special offer:
If Alternate Takes isn’t about the best sounding jazz record you ever heard, send it back to me and I’ll give you $30 toward anything else in the catalog! If you own any Analogue Productions LP, mail or fax me a copy of your receipt (along with your order) and I will give you a better sounding jazz record free as a bonus!
If you don’t own the AP Way Out West, call Chad up and order it. You really owe it to yourself to hear this mess! What have you got to lose? Acoustic Sounds offers a money-back guarantee. They say “guaranteed better than the original.”
What they don’t say is “guaranteed better than a plain old everyday standard-issue domestic copy which is still available from that pain-in-the-ass Tom Port over at Better Records” — because it’s not (better, although it may be still available).
The Players
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