- Insanely good Shootout Winning Triple Plus (A+++) sound on both sides AND fairly quiet vinyl – the best copy to ever hit the site bar none
- Unbeatable richness and freedom from artificiality in the midrange allowed this one to tower over the rest of the field
- “… a return to Cohen’s acoustic folk music after the Phil Spector experimentation of Death of a Ladies’ Man, but now with many jazz and Oriental influences.”
- 4 stars: “The first thing Leonard Cohen’s music fans noticed about his sixth new studio album, given the typically open-ended title Recent Songs, was that, musically, it marked a return to the gypsy folk sound of his early records…”
NOTE: A mark makes light ticks for 22 revolutions at the beginning of side two. The price of this copy has been reduced more than $200 from that of the last copy with similar grades.
Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl not withstanding. If you can tolerate the problems on this pressing you are in for some amazing Leonard Cohen music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.
This 1979 album marks Cohen’s return to the simple folk arrangements of his early albums. As you might expect, the key elements here are going to be the man’s vocals, the acoustic guitars and Cohen’s trademark female backup singers, Jennifer Warnes among them.
We love Cohen’s albums here at Better Records. No, they’re not audiophile spectaculars, but much like the best Dylan recordings, when they work the sound fits the music perfectly. The vocals are right up front and fairly dry, throwing the words and phrasing into high relief.
Having done this for so long, we understand and appreciate that richer, fuller, more solid, more Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate solid, palpable, real people (principally Leonard Cohen and Jennifer Warnes in this case) performing live in your listening room. The best copies had an uncanny way of doing just that. (more…)