Top Artists – Jackson Browne

Jackson Browne – The Pretender

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  • STUNNING Shootout Winning Triple Plus (A+++) sound or very close to it on both sides, making this a Pretender that rocks like no other!
  • One of the all time great rock / pop Demo Discs — the best copies are so rich and full-bodied they make most rock records sound positively anemic
  • Five Stars in Rolling Stone, one of their Top 500 Albums, and a true classic from 1976
  • Without a doubt the best sounding record Jackson Browne ever made – this is the pressing that backs up everything we say and more

As I’m sure you know by now, especially if you own a copy or two, pressings of The Pretender don’t usually sound like Demo Discs. In fact, most copies of this record are mediocre at best — thin, grainy, and flat sounding.

This copy is none of those things. And it positively kills the famous MoFi pressing. (more…)

Jackson Browne – Hold Out

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HOT STAMPERS DISCOVERED for Jackson Browne’s first Number One album! We just finished our first major shootout for this album and here’s a copy that stood head and shoulders above the pack. Most copies we played were too thick, veiled and/or smooth to get excited about, but this one presents the music in a much more enjoyable fashion. Both sides are clean, clear and transparent with the kind of presence to the vocals that the typical pressing lacks.

We had a huge stack of copies but most of them left us entirely cold. A mediocre copy of The Pretender is still a decent sounding record, but the average pressing of this one is just not going to get the job done. We suffered through some of the blandest records to hit the table in ages in the shootout, but I’m pleased to report that a small group of copies actually managed to impress.

So many copies we played were just thick and veiled, keeping Jackson’s vocals in the speakers stuck in a cloudy haze. Most of our copies lacked texture entirely, which really sucked the life out of the music. It’s a good thing this album sold so well in its day, because it took a TON of copies to find a few that actually sounded like the Jackson Browne we know and love from The Pretender, Late For The Sky and the wonderful first album.

Side one here earned top A+++ honors with more energy, presence and texture than we heard elsewhere. It’s also much more open and spacious than the typical copy by orders of magnitude. Side two is nearly as good (A++) but just a bit reserved next to the killer side one. If you bought, cleaned and played about twenty copies of this album, you might be lucky enough to find one like this, but trust me — that’s a LOT of work! (more…)

Jackson Browne – For Everyman

More For Everyman

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This SUPER Hot Stamper pressing has TWO A++ sides, with clarity and transparency that left most copies in the dust. The average copy of this record is absolute MUD, but this one shows you that the master tape of For Everyman is a whole lot better than most audiophiles would ever suspect. (The first album is the same way.)

The vocals on side one are breathy, the result of actually having a top end with real extendion. Want a quick test for transparency? Listen to the piano on I Thought I Was a Child. On most copies you can’t really hear the attack of the hammers hitting the strings, but here you can. If the tonal balance is correct — and it is on this copy — then you know you are getting a pressing of very high quality. (more…)

Letter of the Week – West Side Story and Jackson Browne

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I really liked the Osacr Peterson West Side Story and appreciate the effort you put in to find me a Hot Stamper. This was an album my mother bought for me and I have fond memories of lying on my back under my parents RCA console stereo looking up at the glowing tubes and listening to it. Thank you. Much better than the DCC cd. It now sounds like I remember it.

Mr. Magic was also a surprise. It never sounded that good and was better than I remember it. 

The one that has completely blown me away was the Jackson Browne 3+ side one. It never sounded like that ever. I had a 1.5 and it was good; kind of like I remember it. This copy is a completely different musical experience. I enjoy the presentation more and have a much better appreciation of the music. You guys did it again.

Thanks as usual,
Mike H. (more…)

Jackson Browne – The Pretender – Our Four Plus Shootout Winner

More Pretender

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Amazing A++++ (Four Plus) sound, so good we rated it beyond our usual top grade of Triple Plus. Without a doubt it’s the best sounding Jackson Browne record ever made, and this copy backs up everything we say and more.

Side one was super transparent, with breathy, present vocals. What really blew us away on this one is the sheer size and openness of the soundfield. We were so impressed that we went beyond our usual top grade of A+++, something we rarely do. But when a copy like this comes along and sets a new standard for an album’s sonic potential, there’s nothing else we CAN do!

Side two was every bit as good! Absolutely As Good As It Gets! Big and open, solid and rich, this one is doing absolutely everything we could ask it to. The soundstage is HUGE, and the transparency and separation between parts are stunning. If you’re looking for Demo Disc Jackson Browne sound, this is it.

Demo Disc Sound

This is one of the all time great rock / pop Demo Discs — the sound of the best copies is so rich and full-bodied it makes most other rock records sound positvely anemic. As I’m sure you know by now, especially if you own a copy or two, pressings of The Pretender don’t usually sound like Demo Discs. In fact, most copies of this record are mediocre at best — thin, grainy, and flat sounding.

This copy is none of those things. And it positively MURDERS the famous MoFi pressing. Click on the Aural Excitement tab above to read more on that subject. (more…)

Jackson Browne’s Late for the Sky – This Kind of Clarity Quickly Wears Out Its Welcome

More Jackson Browne

More Late for the Sky

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF)  as you critically evaluate your copy of Late for the Sky. 

It’s not easy to find copies that get the tonal balance right the way the best copies do. Most err in one of two ways — either they’re rich, full and a little veiled, or they’re clear and transparent, but leaned-out and boosted.

The clear ones of course are the ones that initially fool you — they present an illusion of transparency because everything is easy to hear right from the get-go, but they quickly wear out their welcome with their more “modern”, leaner sound.

The choruses are telling here. With so many background singers, the size and weight and energy of the singers only comes through on the copies that are full and rich.

What Else to Listen For (WETLF?)

The jug on Walking Slow — you gotta love it!

Jackson Browne’s Debut – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF)  as you critically evaluate your copy of Jackson Browne’s first (and best) album. 

The real trick with this album is in striking the right balance between richness and presence. A White Hot Stamper from years back made me change my mind about this recording. I used to think it was dull, but I was wrong. I used to think that even the best copies of this recording sounded rolled off on the top end. I no longer believe that to be true. On the best pressings the top end is correct for this music.

It took the right pressing to show me the error of my ways. (more…)