- An Out-Of-This-World UK pressing of The Beatles’ last and arguably greatest album, with Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
- The “medley” on side two in Triple Plus sound? On today’s modern systems, this copy can take you on a trip with The Beatles you could not have imagined was even possible when the record was released
- The stereo to play it didn’t exist back then, but it does now!
- This pressing might just give you a new appreciation for one of the Greatest Rock Albums of All Time, The Beatles’ Final Musical Statement, their Magnum Opus (along with Sgt. Pepper, of course)
- 5 stars, a permanent member of the Better Records Top 100, and a true rock and pop Demo Disc
- With seriously good Double Plus (A++) sound throughout, this copy of Deceptive Bends will be hard to beat
- These sides are bigger, with even greater immediacy in the vocals, as well as more bass and dynamics, all qualities that are much less audible when playing the average copy
- A longstanding member of our Top 100, this is one of the most dynamic, energetic, well recorded pop albums we know of, right up there with the band’s Masterpiece, The Original Soundtrack.
- 4 stars: “Eric Stewart and Graham Gouldman kept the group alive and turned in a surprisingly solid album with 1977’s Deceptive Bends. It may lack the devil-may-care wackiness that popped up on previous 10cc albums, but it makes up for it by crafting a series of lush, catchy pop songs that are witty in their own right. All in all, Deceptive Bends is the finest achievement of 10cc’s post-Godley and Creme lineup…”
- Deceptive Bends is a Demo Disc for Bass, a Demo Disc for Dynamics, and a Demo Disc for Energy all rolled into one.
This is an AMAZINGLY WELL RECORDED album, a record I would have no problem ranking in the Top Rock Recordings of All Time. We’re tough graders on this album because we know how good it can sound, which is SHOCKINGLY GOOD. (more…)
- This is an original UK pressing with superb sound — it’s a Must Own album for all right thinking audiophile record lovers, not just Elton John fans
- No modern record has ever sounded like this – these sides are HUGE, with sound that positively jumps out of the speakers
- Some of the most remarkable string arrangements (and Tubey Magical string sound) ever recorded for a pop album
- 4 1/2 stars: “Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. …Elton John remains one of his best records.”
Folks, if you’re looking for Classic Popular Music that still appeals to sophisticated adults fifty-plus years after it came out, this is the album for you. It’s one of the four Classic Elton John records (five if you count GYBR) that belong in every right-thinking audiophile’s collection.
(The others are, in order of quality: #1) Tumbleweed Connection, #2) Honky Chateau, #3) Goodbye Yellow Brick Road , and #4) Madman Across the Water.)
It’s full of analog Tubey Magic — the richness, sweetness, and warmth are nothing short of stunning. The transparency, clarity, texture, dynamics, energy, spaciousness, and three-dimensionality of this recording are really something to be heard.
The piano has real weight, the vocals are breathy and full, and the string tone is some of the best we have ever heard on a pop album.
Drop the needle on Border Song. When it hits the big “Holy Moses” chorus, you can pick out and follow all the different voices. What sounds like a harp on Sixty Years On is actually a Spanish Guitar. Whatever it is, it’s positively sublime on the best pressings.
- A truly excellent import of Zep’s amazing debut with outstanding sound from first note to last – quiet vinyl too
- Arguably the biggest, clearest and most Tubey Magical Zeppelin album ever recorded, thanks to the engineering genius of Glyn Johns (and production genius of Jimmy Page, who paid for the whole thing out of his own pocket)
- Just look at the track list – the lucky owner of this LP will be hearing those songs come to life like never before
- The band’s first album is a permanent member of our Top 100 and a Big Speaker Demo Disc like you will not believe
- 5 stars: “Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme… But the key to the group’s attack was subtlety: it wasn’t just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos.”
For the real Led Zep magic, you just can’t do much better than their debut — and here’s a copy that really shows you why. From the opening chords of “Good Times Bad Times” to the wild ending of “How Many More Times” (“times” start the album and end it, too, it seems) this copy will have you rockin’ out!
Both sides have THE BIG ZEP SOUND. Right from the start we noticed how clean the cymbals sounded and how well-defined the bass was, after hearing way too many copies with smeared cymbals and blubbery bass.
When you have a tight, punchy copy like this one, “Good Times Bad Times” does what it is supposed to do — it REALLY ROCKS! With this much life, it’s lightyears ahead of the typically dull, dead, boring copy. The drum sound is PERFECTION.
Drop the needle on “Babe I’m Gonna Leave You” to hear how amazing Robert Plant’s voice sounds. It’s breathy and full-bodied with in-the-room presence. The overall sound is warm, rich, sweet, and very analog, with energy to spare. “Dazed and Confused” sounds JUST RIGHT — you’re gonna flip out over all the ambience!
Communication Breakdown is crazy good — the sound of Jimmy Page’s guitar during the solo is so good.
- This STUNNING copy of Taylor’s breakthrough album from 1977 boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides
- It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how BIG and LIVELY it can sound
- The big hits “Your Smiling Face” and “Handy Man” both sound great here – thanks Val Garay!
- This and Sweet Baby James are the man’s best recordings, and his best albums too, but he has so many great albums that it almost seems unfair to him to point that out
- 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”
- This copy of McCartney’s Apple debut boasts killer sound from first note to last
- Both sides are big and rich, with plenty of low end, strong midrange presence and the kind of spatiality that will fill your entire listening room
- Record Collector highlighted “Every Night”, “Junk,” and “Maybe I’m Amazed” as songs that “still sound absolutely effortless and demonstrate the man’s natural genius with a melody.”
- A Top 100 pick and Paul McCartney’s One and Only Masterpiece – a Must Own when it sounds this good!
The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. The music jumps right out of the speakers and fills up the room. (more…)
- Our hottest copies have lovely midrange magic on the guitars and voices as well as plenty of studio ambience on most tracks, especially the simpler, more folky ones
- An album that has become much tougher to come by, especially copies that play as well as this one does
- Top 100, 5 stars – side two alone has four all time classics: Fakin’ It, Mrs. Robinson, A Hazy Shade of Winter and At the Zoo
- If you’re a fan of this phenomenal folk duo, this early domestic pressing of their 1968 classic belongs in your collection.
- The complete list of titles from 1968 that we’ve reviewed to date can be found here.
The best copies of Bookends and Parsley, Sage, Rosemary and Thyme are a sonic step up in class from anything else these two guys ever released. If you’re looking for the Ultimate Audiophile Simon & Garfunkel record, you just can’t do better than a killer Hot Stamper pressing of either title.
This album has exceptional bass as well as lovely midrange magic on the guitars and voices. There’s plenty of studio ambience on most tracks, especially the simpler, more folky ones.
Do you know how hard it is to find a clean copy of this record? I’ll bet we look at 50 every year and probably buy no more than a few, which, after cleaning and going into a shootout may or may not sound good or have audiophile quality surfaces. (more…)
- Exceptionally quiet vinyl – they don’t come our way with audiophile quality surfaces like these very often, almost never in fact
- Our early Black Label British Track pressing here has the rich, spacious, Tubey Magical sound that has the power to immerse you in the story of a deaf, dumb and blind boy named Tommy
- Top 100, and clearly our pick for the best sounding album The Who ever made – when you play a copy that sounds as good as this one we think you’ll have no problem seeing our point
- 4 1/2 stars: “…Townshend’s ability to construct a lengthy conceptual narrative brought new possibilities to rock music.”
I know of no other Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end.
Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic that will all but disappear in the decades to follow.
Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum.
- A stunning British pressing with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
- Another record that rarely can be found with audiophile playing surfaces – those of you who like their vinyl quiet should give this one a serious look, there aren’t many like it
- The legendary Geoff Emerick engineered the album, a Top 100 title here at Better Records – it’s an impressive recording when it sounds as good as this copy does
- The title track, “Jet,” “Bluebird,” “Mrs. Vandebilt,” “Let Me Roll It,” “Nineteen Hundred and Eighty Five” – so many great songs
- 4 1/2 stars: “…sophisticated, nuanced arrangements and irrepressibly catchy melodic hooks… McCartney’s infallible instinct for popcraft overflows on this excellent release.”
This is a TOUGH album to find with great sound and quiet vinyl but when you come across an excellent copy like this, the record is a MONSTER. The track list includes some of the best McCartney songs of the seventies: the title song, “Jet,” “Bluebird,” “Mrs. Vandebilt,” “Let Me Roll It,” “Nineteen Hundred and Eighty Five” (my personal favorite on the album) — there’s really not a dog in the bunch. This is clearly the last consistently good studio album the man recorded.
So many copies we play are either murky or a bit edgy, and it takes a very special copy to strike the ideal tonal balance that will allow all the songs to sound their best.
- An excellent copy of Magical Mystery Tour with Double Plus (A++) sound or BETTER from beginning to end – exceptionally quiet vinyl too – this copy is guaranteed to blow your mind
- A stunning pressing with some of the best Beatles sound money can buy – superb work from Ken Scott here
- Demo Quality Sound for “I Am The Walrus,” “Strawberry Fields Forever,” “Baby You’re A Rich Man” and more
- You won’t believe how powerful the sound is – it’s big, rich, open and lively beyond any expectations you may have had
- A longtime Top 100 album and Psych Masterpiece that knocks us out every time we do the shootout
The soft cardboard covers for these German pressings almost always show some seam wear. We will include the best cover we have at the time of your order. Of course, your satisfaction is always guaranteed.
Please ignore the sticker in the image. It’s the best picture we could find. Our records do not come with stickers except under rare circumstances, and not so here.
Drop the needle on “Fool On The Hill” and you’ll see why we get so worked up over top copies that sound as good as this one does. This is a STUNNING recording, but you need a killer Hot Stamper pressing to appreciate just how well recorded the album is.