- A Parsley, Sage… like you’ve never heard, with excellent Double Plus (A++) sound on both sides of this vintage 360 Stereo pressing
- Their best recording, a Top 100 album and a Demo Disc for Tubey Magical voices and guitars
- Especially smooth, present, breathy vocals – this is the sound we love here at Better Records
- Having played them by the hundreds, we’ve found that midrange presence and resolution are precisely what go missing on The Modern Heavy Vinyl Reissue — if those qualities are important to you, vintage vinyl is the only solution to your problem
- 4 1/2 stars: “[I]t is an achievement akin to the Beatles’ Revolver or the Beach Boys’ Pet Sounds album, and just as personal and pointed as either of those records at their respective bests.”
- Fans of this Folky Duo should definitely find a place for this 1966 release, which is also their best sounding album
- The complete list of titles from 1966 that we’ve reviewed to date can be found here.
- This UK Island Pink Rim pressing makes the case that ELP’s debut is clearly one of the most POWERFUL rock records ever made
- Spacious, rich and dynamic, with big bass and tremendous energy – these are just some of the things we love about Eddie Offord‘s engineering work on this band’s albums
- ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
- “Lucky Man” and “Take A Pebble” on this copy have Demo Disc Quality Sound like you won’t believe
- If you are looking for a shootout winning copy, let us know – with such good music and sound, we hope to get another shootout going again soon
- 4 1/2 stars: “Lively, ambitious, almost entirely successful debut album… [which] showcased the group at its least pretentious and most musicianly …there isn’t much excess, and there is a lot of impressive musicianship here.”
If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat. The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.
This UK Island pink rim import pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- Insane Rock and Roll ENERGY like nothing you have ever heard – the sound is exceptionally full-bodied, smooth and solid, making it possible to get the volume up good and high where it belongs
- Here are the Rock and Roll Classics that reign supreme to this very day – Black Dog, Rock & Roll, Stairway to Heaven, When the Levee Breaks, every one sounding better than you’ve ever heard them or your money back
- 5 stars: “Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin’s untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of ’70s hard rock.”
- If you’re a fan of the band, this title from 1971 is clearly one of their best, and one of their best sounding
- The complete list of titles from 1971 that we’ve reviewed to date can be found here.
It is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you when you play this copy at the listening levels it was meant to be heard at.
You’d better be ready to rock, because this copy has the ENERGY and WHOMP that will make you want to. Zep IV demands loud levels, but practically any copy will punish you mercilessly if you try to play it at anything even approaching live levels.
I never met John Bonham, and it’s probably too late now, but I imagine he would feel more than a little disrespected if he found out people were playing his music at the polite listening levels many audiophiles prefer. The term “hi-fidelity” loses its meaning if the instruments are playing at impossibly low levels. If the instruments could never be heard that way live, where exactly is the fidelity?
How on earth is a speaker system like this one going to reproduce the 22 inch (or more!) kick drum of John Bonham?
- This vintage UK import pressing boasts superb Tubey Magical British Rock sound, with excellent Double Plus (A++) grades on both sides
- A monster Demo Disc – the bottom end is huge, the top is open and extended, and the overall tonality rich and balanced
- An amazing recording and a founding member of our Top 100 – it’s a shame we rarely find them with sound this good and audiophile quality surfaces (DJM see-through vinyl being what it is)
- 5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote.”
If you doubt that Elton John was an unusually gifted Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should serve as all the proof you could possibly need. There’s not a dog in the bunch, and most of these songs are positively brilliant. Drop the needle on any track, you simply can’t go wrong.
Honky Chateau has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be.
The amount of effort that went into the recording of Honky Chateau is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.
The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this music to life and allowed us to make sense of it. This is yet another definition of a Hot Stamper — it’s the copy that lets the music work as music.
Big Production Tubey Magical British Rock just does not get much better than Honky Chateau. (more…)
- This early DJM import pressing of Elton John’s 1970 Masterpiece boasts solid Double Plus (A++) grades from first note to last
- The sound here is richer, with much less transistory grain, and more of the All Important Tubey Magic than most other copies we played
- An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
- Problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
- 5 stars: “….[Elton John and Bernie Taupin’s] most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
- If you’re an Elton John fan, this is a classic from 1970 that belongs in your collection
- We consider this Elton John album a Masterpiece. It’s a recording that should be part of any serious popular Music Collection. Others that belong in that category can be found here.
- With seriously good Double Plus (A++) sound or BETTER from start to finish, this mindblowing recording is guaranteed to rock your world – exceptionally quiet vinyl too
- The transparency, the clarity, the energy, the power – it’s all here on these very special import pressings
- Just listen to how clear the clocks are on Time, how breathy the vocals are on Breathe, how textured the synthesizers are and how silky the top end is from the beginning of the album all the way to the powerful finish
- A Top 100 album (Top Ten actually) and a Rock Demo Disc to rival the most amazing sounding records of all time
- 5 stars: “…what gives the album true power is the subtly textured music… no other record defines [Pink Floyd] quite as well as this one.”
This vintage import pressing has the presence, the richness, the size and the energy you always wanted to hear on Dark Side — AND NOW YOU CAN! (more…)
- A seriously good copy with Double Plus (A++) grades throughout – Ziggy Stardust in analog is simply a phenomenally good sounding recording
- The stage is huge and the amount of Tubey Magic has to be heard to be believed – this is the pinnacle of sound for Glam Rock
- Until you hear one of these killer British pressings you simply cannot know what you are missing
- A Rock & Pop Top 100 album, and Ken Scott’s engineering masterpiece all rolled into one
- 5 stars: “Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam.”
Drop the needle on any song. We guarantee you have never heard that song sound better. The mastering is superb. There’s really no “mastering” to listen for — all you’re really aware of is the music flowing from the speakers, freed from all the limitations that you’ve had to accept over the years.
Unquestionably, this is the pinnacle of Glam Rock. Every track is superb; not a moment is less than stellar from beginning to end.
Is it Bowie’s Masterpiece?
Absolutely. No other Bowie record ranks higher in my book.
Is it amazingly well recorded?
You better believe it. This is not just Bowie’s masterpiece; it’s Ken Scott‘s as well. For BIG, BOLD, wall to wall, floor to ceiling sound, look no further. The best copies are swimming in rich, sweet TUBEY MAGIC. This is a sound we cannot get enough of here at Better Records.
Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings)
The guitars on this record are a true test of stereo reproduction. Many pressings of this album do not get the guitars to sound right. On some they will sound veiled and dull, and on a copy with a bit too much top, they will have an unfortunate hi-fi-ish sparkle, the kind that Mobile Fidelity was infamous for in the late ’70s and ’80s.
The guitars may not sound “real,” they way they actually would in real life, but they sure sound grungy and GOOD!
- A Sticky Fingers like you’ve never heard, with superb Double Plus (A++) sound throughout – reasonably quiet vinyl too, about as quiet as we can find them
- If this price seems high, keep in mind that the top copy from our most recent shootout went for $1100, and the vinyl was no quieter
- If you have never heard one of our Hot Stamper pressings of the album, you (probably) cannot begin to appreciate just how amazing the sound is
- A landmark Glyn Johns / Andy Johns recording, our favorite by the Stones, a Top 100 Title (of course) and 5 stars on Allmusic (ditto)
- Q magazine said this was “the Stones at their assured, showboating peak … A magic formula of heavy soul, junkie blues and macho rock.”
- 5 stars: “With its offhand mixture of decadence, roots music, and outright malevolence, Sticky Fingers set the tone for the rest of the decade for the Stones.”
This is the best record the Stones ever made, with Let It Bleed and Beggars Banquet right up there with it but just a half-step behind.
The sound is exactly what you want from a Stones album, with deep punchy bass and dynamic, grungy guitars. This record is to be played loud like it says on the inner sleeve and the surface noise is to be ignored. The louder you play it, the less bothersome the noise will be. This album ROCKS and it was not made to be listened to in a comfy chair while sipping wine.
- An original Portrait pressing with seriously good Double Plus (A++) sound from start to finish
- “Barracuda” and “Love Alive” are bar none two of Heart’s best songs and they are guaranteed to blow your mind
- It’s the rare copy that has the powerful dynamics, deep bass, punchy drums and meaty guitars like you get here
- A Rock and Pop Top 100 album with Demo Disc sound on a very special pressing such as this – it will rock your world
- 4 1/2 stars: “After acquiring a substantial following with Dreamboat Annie, Heart solidified its niche in the hard rock and arena rock worlds with the equally impressive Little Queen.”
This is a Classic Rock Demo Disc to beat practically anything you could throw at it. “Love Alive” and “Barracuda” on this copy will deliver the full Rock and Roll Power your system is capable of. If you’ve got The Big Sound, this is the pressing that will truly show it off.
There are plenty of commentaries that discuss the sound of this recording and what it can really do when you get hold of a good pressing… and have the system that can play it… and turn up the volume good and loud. We proudly present here a copy with the kind of Big Sound that we think backs up every claim we make.
We’re huge Heart fans here at Better Records, and we’re not ashamed to say so. These ladies can really rock, and on the right pressing their music can and will sound absolutely amazing. Here’s a copy that will allow you to hear that magic at home — the sound is super punchy with incredible energy and wonderful clarity. You’ll have a very hard time finding another copy that rocks any harder than this one.
- You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this UK pressing of the band’s brilliant debut
- One of the best sounding rock records ever made, with rich, sweet, smooth mids; prodigious amounts of bass; superb transparency and clarity; and a freedom from hi-fi-ishness and a lack of distortion like very few rock records we have ever heard
- Rhett Davies knocked this one out of the park – it’s a Top 100 title, a member of the Tubey Magical Top Ten, and our favorite by the band for both sound and music
- 4 1/2 stars: “Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album… the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”
Rhett Davies is one of our favorite engineers. He’s the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.
The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings.
Rhett Davies, by virtue of the existence of this album alone, has proven that he belongs in the company of the greatest engineers of all time, right up there with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick, Glyn Johns and others we could mention. (more…)