More of the Music of Blood, Sweat and Tears
Reviews and Commentaries for Blood, Sweat and Tears
Audiophile Reviewers – Who Needs ‘Em!
In 2010 MF reviewed both the Sundazed and Speakers Corner Heavy Vinyl pressings of the album.
I think his review is mistaken on a number of counts, and mostly unhelpful. The commentary below will discuss his errors in detail, in the hopes that you, dear reader, will not make the same mistakes yourself.
He talks about his history with the album for a while, and then notes:
Anyway, the original “360 Sound” edition of this record sounds fantastic. It’s a high quality Columbia studio recording, with vivid harmonics, impressive transparency and dynamics, shimmering highs and tight extended bass. The soundstage is expansive and the images tightly presented. I’m not sure it can get much better than the original given how well-pressed Columbia records were in those days, especially if you have a clean original.
We, however, seem to hold precisely the opposite view. I quote from our review:
Why did it take us so long [to do a Hot Stamper shootout]? Let me ask you this: have you ever played this album? The average copy of this record is a sonic MESS. Even the best copies have problems.
We then go on to discuss in detail what most copies do wrong and what to listen for in order to find a copy that gets it right. (More on that later.)
Shortcomings? What Shortcomings?
There are two reissues of this. One is from Sundazed and there’s a far more expensive one from Speakers Corner…
The Speakers Corner reissue, which uses the wrong label art is pressed at Pallas and consequently it’s quieter and better finished overall. However, the Sundazed copy I got was very well finished and reasonably quiet, but not as quiet.
On the other hand the Speakers Corner version was somewhat more hyped up at the frequency extremes and cut somewhat hotter, but not objectionably so. The Sundazed sounds somewhat closer to the original overall, so for half the price, you do the math!
“Somewhat hyped up”? We liked it a whole lot less than Mr. Fremer apparently did. Early last year I gave it a big fat F for FAILURE, writing at the time:
This is the worst sounding Heavy Vinyl Reissue LP I have heard in longer than I can remember. To make a record sound this bad you have to work at it.
What the hell were they thinking? Any audiophile record dealer that would sell you this record should be run out of town on a rail. Of course that won’t happen, because every last one of them (present company excluded) will be carrying it, of that you can be sure.
Just when you think it can’t get any worse, out comes a record like this to prove that it can. I look forward to Fremer’s rave review.