Top Artists – Cat Stevens

Cat Stevens’ Albums – Lee Hulko Cut Them All – Good, Bad and Otherwise

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Is the Pink Label Island original pressing THE way to go? That’s what Harry Pearson — not to mention most audiophile record dealers — would have you believe.

But it’s just not true. And that’s good news for you, Dear (Record Loving Audiophile) Reader.

HOT STAMPER COMMENTARY FROM JOHN BARLEYCORN

Since that’s a Lee Hulko cutting just like Tea here, the same insights, if you can call them that, apply. Here’s what we wrote: (more…)

Tea for the Tillerman / Cat Stevens and His Sparkling Acoustic Guitars?

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In the commentary for America’s first album we noted that:

The guitars on this record are a true test of stereo fidelity. … most of the pressings of this record do not get the guitars to sound right. … on a copy with a bit too much top end they will have an unnatural hi-fi-ish sparkle. 

This kind of sparkle can be heard on many records Mobile Fidelity made in the ’70s and ’80s. Tea for the Tillerman, Sundown, Year of the Cat, Finger Paintings, Byrd at the Gate, Quarter Moon in a 10 Cent Town — the list of sparkling MoFis would be very long indeed, and these are just the records with prominent acoustic guitars!

(On a side note, if you want a very different sounding Mobile Fidelity record, try anything mastered by Jack Hunt. They are every bit as wrong, but in the tonally opposite direction: murky, fat and way too smooth.)

Next time you drop the needle on a Mobile Fidelity record — one of the ones pressed in Japan and mastered by Stan Ricker; the Anadisq series tends to have the opposite problem, no top end at all — listen carefully to the acoustic guitars and tell me if you don’t think they sound a tad sparkly.

We’ve all heard acoustic guitars up close, at parties and coffee shops and what-have-you. They don’t really sound like that, do they?

More Records Perfectly Suited for Stone Age Stereos of the ’70s


FURTHER READING on Half-Speed Mastered Records

The best place to start is here:

How come you guys don’t like Half-Speed Mastered records?

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Cat Stevens Testimonial – I Wouldn’t Believe It If I Weren’t Hearing It!

Hot Stamper Pressings of Mone Bone Available Now

More Reviews and Commentaries for Mona Bone Jakon

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Our good customer Joel not only loved our slightly noisy but amazing sounding Mona Bone Hot Stamper, he found it to be pretty darn quiet to boot! He says it’s the Best $180 he’s ever spent on an LP. Seems like a lot of money for one record, but when the music and sound are this good who wants to argue with a happy man?

Hi Tom

I just spun the bargain tics and pops A+++ Mona Bone Jakon. I listened to this record hundreds of times growing up, but never like this! Silky smooth voices and guitars, so lifelike! Nice bass extension also… I have to laugh, because I think that the condition of this record is excellent!

Now I know how the other half lives! Listening to this hot stamper reminds me of my image of the rich man, eating only the center of the watermelon. These hot stampers are amazing, I wouldn’t believe it if I weren’t hearing it! Best $180 I’ve ever spent on an LP…

Joel

Joel, like it says in our commentary, We Love Cat too! Thanks so much for your letter. Enjoy one of the Greatest Folk Rock Records of All Time, finally sounding the way it should.

Best,
TP

We Was Wrong

When we said this album was not the sonic equal of Teaser and the Firecat or Tea for the Tillerman, boy, We Was Wrong and then some. Read all about it in this White Hot Stamper copy review below. (more…)

Cat Stevens – Tea, Teaser & Mona Bone – 180g Universal Debunked

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This commentary was written shortly after these three Universal Heavy Vinyl pressings were released in 2000.

Sonic Grades: F/F/F

Around 2000 Universal did the three most famous Cat Stevens titles, and they have to be three of the worst sounding records I have ever heard in my life. Many audiophile record dealers carry them. Have YOU been ripped off by one of these dealers? If so, we can help. We would never promote garbage like that.

Any record dealer who would actually charge money for these titles has to be either ignorant (having never taken the time to play the record — why bother when audiophiles will buy practically anything pressed on Heavy Vinyl?); auditorily-challenged (deaf, to be blunt about it); or cynically contemptuous of record lovers, music lovers and audiophiles in general.

If they’re gullible enough to buy into the 180 gram vinyl = better sound, they deserve what they get.

Mencken had a good take on a similar idea.

Democracy is the theory that the common people know what they want, and deserve to get it good and hard.

If you want to stop throwing your money away on bad records, stop doing business with the ignorant, deaf or cynical people who peddle them. (more…)

Cat Stevens / Teaser & The Firecat – A Top Ten Title

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  • This timeless Classic Folk Rock recording on the British Island label offers superb Demo Disc Quality sound on both sides – fairly quiet vinyl too
  • With Double Plus (A++) grades this copy is guaranteed to rock your world with their richness, clarity, transparency, and ENERGY
  • AMG 5 Stars and a Top 100 album – it just may be the Best Sounding record Cat Stevens ever made – quiet vinyl too
  • Tuesday’s Dead, Morning Has Broken, Bitterblue, Moonshadow, Peace Train – and that’s just side two! What side of any album has five songs of such quality?

Teaser & The Firecat is an amazing recording — a permanent member of our Top 100 in fact — but the average pressing only hints at just how good it can sound. A copy like this, with plenty of Tubey Magic, clarity and presence, is practically a different album.

Before I get further into the sound of this record, let me preface my remarks by saying this is a work of GENIUS. Cat Stevens made two records which belong in the Pantheon of greatest popular recordings of all time. In the world of folky pop, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other recordings that are as good but there are no other recordings that are better.

When you hear The Wind, Changes IV, or If I Laugh on this copy, you will be convinced, as I am, that this is one of the greatest popular recordings in the history of the world. I don’t know of ANY other album that has more LIFE and MUSICAL ENERGY than this one. (more…)

Cat Stevens – Tea For The Tillerman on the UK Island Pink Label

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More Reviews and Commentaries for Tea for the Tillerman

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  • A STUNNING Pink Label Island Label UK pressing of TFTT – an album we consider the Pinnacle of British Folk Rock – with Shootout Winning Triple Plus (A+++) sound from start to finish
  • The emotional power of the songs is communicated completely – we can assure you the experience will be like playing the album for the first time
  • Here’s your chance to relive the experience of hearing this groundbreaking album for the first time, but with much better sound than you ever thought possible
  • 5 stars on Allmusic, a stunning Demo Disc, and a permanent member of the Better Records Top 100

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Cat Stevens on Mobile Fidelity and Thoughts on the TAS List

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I Ask You: In What Possible Way Is This Awful Record a Super Disc?

We here at Better Records would like to give a shout out to The Man, Harry Pearson, for putting one of the worst MoFis of all time on his so-called Super Disc List.

Many many years ago we wrote:

In case you don’t already know, one of the worst sounding, if not THE WORST SOUNDING VERSION OF ALL TIME, is the Mobile Fidelity Anadisq pressing that came out in the ’90s. If you own that record, you really owe it to yourself to pull it out and play it. It’s just a mess and it should sound like a mess, whether you have anything else to compare it to or not.

More Reviews and Commentaries for
One of the Worst Remastering Houses of All Time

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Cat Stevens – Catch Bull At Four

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  • With Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this very specific UK pressing is STUNNING from start to finish
  • Bigger, more dynamic, more lively, more present and just plain more EXCITING than anything we heard – that’s why it won our shootout
  • Hard to believe, but it’s true: there is only one stamper that consistently wins shootouts, and the unfortunate fact of the matter is that it took us twenty years to discover it, ouch
  • This British pressing with the right stamper – can show you the sweeter, tubier Midrange Magic that we is the hallmark of all the best Cat Stevens’ recordings
  • “Though some of the lyrics retain Cat’s fanciful imagery… he shows a new emotional directness, especially on side two, the albums “down” side. This is reflected in Cat’s singing, which becomes more assured and more emotive with each album.”

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Cat Stevens – Mona Bone Jakon

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More Reviews and Commentaries for Mona Bone Jakon

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  • With Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, this copy of Cat Stevens’ brilliant third album will be very hard to beat
  • So transparent, open, and spacious, nuances and subtleties that escaped you are now revealed as never before 
  • When you play I Wish I Wish and I Think I See The Light on this vintage pressing, we think you will agree with us that this is one of the greatest Folk Rock albums of them all
  • “A delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”

So many copies excel in some areas but fall flat in others. This one has it ALL going on — all the tubey magic, all the energy, all the presence and so on. The sound is high resolution yet so natural, free from the phony hi-fi-ish quality that you hear on many pressings. (more…)

Thinking About the Tubey Magical Acoustic Guitars of Bread and Cat Stevens

In many ways this recording is state-of-the-art. Listening to the Tubey Magical Acoustic Guitars on the best copies brings back memories of my first encounter with an original Pink Label Tea for the Tillerman. Rich, sweet, full-bodied, effortlessly dynamic– that sound knocked me out twenty-odd years ago, and here it is again. 

Of course I’ve always been a sucker for this kind of well-crafted pop. If you are too then a Hot Stamper copy of Manna will no doubt become a treasured demo disc in your home as well.

Audiophiles with high quality turntables literally have an endless supply of good recordings such as this to discover and enjoy. No matter how many records you own, you can’t possibly have even scratched the surface of the vast recorded legacy of the last sixty years. (The first stereo recordings date from 1954, the year of my birth, good timing on the part of my parents.) That’s the positive thought for the day.

We here at Better Records look forward to helping you find recordings that do justice to the music you have yet to hear. (more…)