This is a Minty looking Columbia Red Label Double LP with EXCELLENT sound and quiet vinyl. The tracks compiled here are live and studio versions of Brubeck and his quartet playing material composed in some non-traditional time signatures, such as the hit track Take Five (in 5/4).
We aren’t completely sure which tracks here are live versions and which are studio versions, but everything we played sounded great. There’s a version of Blue Rondo a la Turk that clocks in at over 12 minutes!
If you haven’t explored much of the music of Brubeck past Time Out, this would be an excellent addition to your collection.
“The huge success of Paul Desmond’s “Take Five” (1960) was followed by many songs played in “odd” time signatures such as 7/4 and 9/8; the high-quality soloing of the musicians kept these experiments from sounding like gimmicks.”
A KILLER sounding copy and the first to ever hit the site! Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
These sides are incredibly clean, clear, spacious and full-bodied with tons of Tubey Magic and a solid bottom end
“Thirteen years into their tenure, the Dave Brubeck Quartet was still able to mine the creative vein for new means of expression… The sketches Brubeck and Desmond created all invoke the East, particularly the folk melodies of Japan directly, while still managing to use the Debussian impressionistic approach to jazz that kept them riding the charts and creating a body of music that, while playing into the exotica craze of the moment, was still jazz composed and played with integrity.” – All Music
With two Triple Plus (A+++) Shootout Winning sides, this original stereo copy simply could not be beat, and it plays as quietly as these 360 stereo pressings ever do
This is a Must Own for fans of the later Brubeck albums (the ones in standard time signatures) or simply for those who want to hear these marvelous Cole Porter songs played with style and verve by musicians of consummate skill
“The Quartet performs eight of Cole Porter’s most famous songs on this enjoyable outing. Few surprises occur but the music often swings hard, pianist Brubeck and altoist Paul Desmond take several excellent solos and bassist Eugene Wright and drummer Joe Morello really push the group.”
When we did a shootout for this record way back in October of 2007 we took the opportunity to play the Classic Records 200 gram pressing. Maybe we got a bad one, who knows, but that record did not sound remotely as good as the real thing (6 eye or 360, both can be quite good). The piano sounded thin and hard, which was quite unexpected given the fact that we used to consider the Classic LP one of their few winners and actually recommended it.
As we said in our shootout: “We dropped the needle on the Classic reissue to see how it stacked up against a serious pressing. Suffice it to say, the real Time Out magic isn’t going to be found on any heavy vinyl reissue!”
A very different quartet appears on this record, with Mulligan’s baritone sax replacing Desmond’s alto and a whole new rhythm section behind both of these veteran leaders.
We’ve been surprised how good these mid- to late-’60s Brubeck recordings can sound. There’s still plenty of Tubey Magical richness on the best pressings of these records, a quality that is especially important when trying to reproduce the full-bodied sound of a baritone sax. (more…)
This Columbia Original Six-Eye Label Stereo pressing is the new ALL TIME CHAMPION for this album, with two INCREDIBLE A+++ sides and surprisingly quiet vinyl for a record this old! We just finished a big shootout for Time Further Out and this copy was the best BY FAR. It gives you big drums, incredible spaciousness, tight bass, extended highs and wonderful clarity. I don’t think you could find a better sounding copy no matter what you did! (more…)
This Columbia Six-Eye pressing is THE BEST SOUNDING MONO COPY OF THIS ALBUM WE’VE EVER HEARD! The better Mono pressings of this album give you extra immediacy, more solidity to the drums, and energy like you wouldn’t believe. That makes the drum solo on side two sound OUT OF THIS WORLD. Most copies are congested and veiled, but not this one! The sound is spacious and transparent with wonderful presence. You will not believe how lively it is!
Both sides are rich and full-bodied with lots of sweetness and extension up top. The energy and transparency are wonderful. The bass is a bit tubby, but that’s what you get on these vintage Six Eye pressings. It’s worth it when there’s as much tubey magic as you get on this pressing.(more…)
This original STEREO BLUE VINYL Fantasy pressing has Hot Stamper sound on both sides, with rich and musical Tubey Magical qualities appropriate to this early ’60s West Coast jazz. We’ve known about this album for close to twenty years, having played the surprisingly good sounding OJC pressing and recommended it back in the days when those kinds of records were still in print. (more…)